The city at last! You may turn at the top of a long hill and for a final instant confront the country beyond, rolling, fertile, prosperous, the gentle wooded hills giving soft undulation to the horizon. Then look forward and face the busy town. For a long time yet your way shall be down what seems to be the main street of a prosperous village, with its great homes set away back in green lawns from the noisy pavement and the public sidewalk. There are shops but they are distinctly local shops and the churches bear the names of the brisk towns that were submerged in the making of a larger Philadelphia—Chestnut Hill, Mount Airy, Germantown.
And down this same busy street history has marched before you. Some of it has been recorded here and there in bronze tablets along the street. In front of one old house, one learns that General Washington conferred with his officers at the eve of the battle of Germantown and on the door-steps of another—set even today in its own deep grounds—Redcoat and Buff struggled in a memorable conflict. For this was the mansion of Judge Chew, transformed in an instant of an autumn day from country-house to fortress. It was from the windows of this old house that six companies of Colonel Musgrave's Fortieth regiment poured down a deadly fire upon Mad Anthony Wayne and his men even as they attempted to set fire to it. The house stood and so stood the Fortieth regiment. General Washington lost his chance to enter Philadelphia that autumn, and Valley Forge was so writ into the pages of history.
History! It is spread up and down this main street of Germantown, it slips down the side-streets and up the alleys, into the hospitable front-doors of stout stonehouses. Here it shows its teeth in the bullet-holes of the aged wooden fence back of the Johnson house and here is the Logan house, the Morris house, the Wend house, the Concord school and the burying-ground. Any resident of Germantown will tell you what these old houses mean to it, the part they have played in its making.
After Germantown—Philadelphia itself. The road dips down a sudden hill, loses itself in a short tunnel under a black maze of railroad tracks. Beyond the railroad track the city is solidly built, row upon row of narrow streets lined with small flat-roofed brick houses, the monotony only accentuated by an occasional church-spire or towering factory. In the distance a group of higher buildings—downtown Philadelphia—rising above the tallest of them Father Penn poised on the great tower of the City Hall. No need now for more tramping. The fascination of the open country is gone and a trolley car will take you through tedious city blocks—in Philadelphia they call them squares—almost to the door of that City Hall. They are tedious blocks. Architecturally Philadelphia is the most monotonous city in America with its little red-brick houses. Dr. S. Weir Mitchell who has known it through all the years of his life has called it the "Red City" and rightly, too.
For mile after mile of the older Philadelphia is mile after mile of those flat-roofed red-brick houses. They seemingly must have been made at some mill, in great quantities and from a limited variety of patterns. For they are almost all alike, with their two or three stories of narrow windows and doors; steps and lintels and cornice of white marble and invariably set close upon the sidewalk line. There is no more generosity than individuality about the typical side streets of Philadelphia.
A single thing will catch your eye about these Philadelphia houses—a small metal device which is usually placed upon the ledge of a second-story window. The window must be my lady's sitting-room, for a closer look shows the device to be a mirror, rather two or three mirrors, so cunningly placed that they will show her folk passing up and down or standing upon her doorstep without troubling her to leave her comfortable rocking chair. There must be a hundred thousand of these devices in Philadelphia. They call them "busy-bodies" quite appropriately, and they are as typical of the town as its breakfast scrapple and sausage.
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Even a slow-moving Philadelphia trolley car eventually accomplishes its purpose and you will find yourself slipping from the older town into the oldest. The trolley car grinds around an open square—Franklin square, the conductor informs you and then tells you that despite its name it is not to be confounded with that aristocrat, Rittenhouse square, nor even with the more democratic Logan square. You see that for yourself. There are mean streets aroundabout this square. Oldest Philadelphia assuredly is not putting her best foot forward.
And yet these sordid streets are not without their fascination. The ugly monotony of flat-roofs is gone. These roofs are high-pitched and bristle with small-paned dormer windows and with chimneys, for the houses that stand beneath them are very, very old indeed. And they are typical of that Georgian architecture that we love to call Colonial. A brave show these houses once must have made—even today a bit of battered rail, a fragment of door or window-casing or fanlight proclaims that once they were quality. Fallen to a low estate, to the housing of Italians or Chinese instead of quiet Quakers, they seem almost to be content that their streets have fallen with them; that few seem to seek them out in this decidedly unfashionable corner of Philadelphia.
"Arch street," calls the conductor and it is time to get out. It is time to thread your way down one of the earliest streets of the old Red City, time to pay your respects at the tomb of him who ranked with Penn, the Proprietor, as the greatest citizen. You can find this tomb easily—any newsboy on the street can point the way to it. He is buried with others of his faith in the quiet yard of Christ church at Fifth and Arch streets. And in order that the passing world may sometimes stop to do him the homage of a passing thought, a single section of the old brick wall has been cut away and replaced by an iron grating. Through that grating you may see his tomb—a slab of stone sunk flat, for he was an unpretentious man—and on its face read: