The Personality of American Cities

by Edward Hungerford

Here is the Absinthe House, worth but a single glance, for it has descended to the estate of an ordinary corner saloon. Only ordinary corner saloons are not ordinarily housed in structures of this sort. You can see houses like this in the south of France and in Spain—so I am told. For below Canal street is both French and Spanish. Remember, if you please, that the French of the Southland shared the same hard fate of their countrymen in that far northern valley of the great St. Lawrence—neglect. The French are the most loyal people on earth. Their fidelity to their language and their customs for nearly two centuries proves that. That faith, steadfast through the tragedy of the indifference and neglect of their mother country, doubly proves it. And the only difference between the Frenchman of Quebec and the Frenchman of New Orleans was that in the South the Spaniard was injected into the problem. But the Frenchman in the South was not less loyal than his fellow-countryman of the North. A dissolute king sitting in the wreck of his great family in the suburbs of Paris might barter away the title of his lands, but no Louis could ever trade away the loyalty of the older French of New Orleans to their land and its institutions. In such a faith was the French quarter of the city born. In such faith has it survived, these many years. And perhaps the very greatest episodes in the history of the city were in those twenty days of November, 1803, when the French flag displaced the Spanish in the old Place d'Armes, to be replaced only by the strange banner of a newborn nation which was given the opportunity of working out the destiny of the new France.

So it was the Spaniard who took his part in the shaping of the French quarter of New Orleans. You can see the impress of his architects in the stout old houses that were built after two disastrous and wide-spread fires in the closing years of the eighteenth century—even in the great lion of the town; the Cabildo which rises from what was formerly the Place d'Armes and is today Jackson square. And the old Absinthe House, with its curiously wrought and half-covered courtyard is one of these old-time Spanish houses.

Now forget about the absinthe—as the rest of the French folk of the land are beginning to forget it—and turn your attention to the courtyards. In another old Southern city—Charleston—the oldest houses shut the glories of their lovely-aging gardens from the sight of vulgar passers-by upon the street by means of uncompromising high fences. The old houses of New Orleans do more. Their gardens are shielded from the crowded, noisy, horrid streets by the houses themselves. And he who runs through those crowded, noisy, horrid streets, must really walk, for only so will he catch brief glimpses of the glories of those fading courtyard gardens.

Sometimes, if you have the courage of your convictions and the proper fashion of seizing opportunity by the throat you may wander into one of the tunnel-like gateways of one of these very old houses. No one will halt you.

Here it is—old France in new America. The tunnel-like way from the street is shady and cool. From it leads a stair to the right and the upper floor of the house, a stair up which a regiment might have walked, and down which the old figure of a Balzac might descend this moment without ever a single jarring upon your soul. The stair ends in a great oval hall, whose scarlet paper has long since faded but still remains a memory of the glories of the days that were. The carved entablatures over the doors, the bravado of cornice and rosette where the plaster has not finally fallen, proclaim the former grandeur of this apartment. And in some former day a great chandelier must have hung from the center of its graceful ceiling. Today—some one of the neighboring antique stores has reaped its reward, and a candle set in a wall-lantern is its sole illumination. A shabby room will not bear the glories of a gay chandelier. And the old Frenchman and his wife who live in the place have all but forgotten. They have a parrot and a sewing-machine and what are the glories of the past to them?

Of course, such a house must have its courtyard. And if the huge copper-bound tank is dry, and the water has not forced its way through the battered fountain these many years, if the old exquisite tiles of the house long since went to form the roof of the new garage of some smart new American place up the river—the magnolia still blossoms magnificently among the decay, and Madame's skill with her jessamine and her geraniums would confound the imported tricks of those English gardeners in the elaborate new places.

Here then is the old France in the new land—the priceless treasure that New Orleans wears at her very heart. And here in the very heart of that heart is an ugly old building boarded up by offensively brilliant advertising signs.

You still see white steamboats at the New Orleans levee

An ugly old building did we say, with rough glance at its rusty façades? Can one be young and beautiful forever? Rusty and beautiful—oh no, do not scorn the old St. Louis Hotel for following the most normal of all the laws of Nature. For within this moldering and once magnificent tavern history was made. In one of its ancient rooms a President of the United States was unmade, while in another chamber human life was bought and sold with no more concern than the old Creole lady on the far corner shows when she sells you the little statues of the Blessed Virgin.