When we have disposed of these, the rest seem to belong to Fiammetta. If we would have nothing but certainties, however, we must distinguish. In lxvii. and lxx. (the first in morte) her name occurs, while in xl., xli., xlvi., lxiii., in the ternaria, Amor che con sua forza (verse 18), and the fragment of the sestina, her name is clearly hinted at, as it probably is in sonnet lxxxiii. (verse 11).[374] Again in iv., xv., xxxiii., lxix., Baia is spoken of; and in xxxiv., xlvii., xlviii., Miseno. In v. and lii. Naples is named as Parthenope; in xxxii. and liii. the scene is on the sea, and near it in xxxi.[375] In sonnet xxxviii. we see him falling in love:—
"All' ombra di mille arbori fronzuti,
In abito leggiadro e gentilesco,
Con gli occhi vaghi e col cianciar donnesco
Lacci tendea, da lei prima tessuti
De' suoi biondi capei crespi e soluti
Al vento lieve, in prato verde e fresco,
Un' angioletta, a' quai giungeva vesco
Tenace Amor, ed ami aspri ed acuti;
Da quai, chi v' incappava lei mirando,