It was not against Protestants alone that the clergy showed their activity. The church, in its capacity of guardian of the public morals and religion, passed condemnation on books supposed to be hostile to its claims. In this matter it exercised concurrent jurisdiction with the administrative branch of the government and with the courts of law. A new book was liable to undergo a triple ordeal. A license was required before publication, and the manuscript was therefore submitted to an official censor, often an ecclesiastic. Thence it became the custom to print in foreign countries, books which contained anything to which anybody in authority might object, and to bring them secretly into France. The presses of Holland and of Geneva were thus used. Sometimes, instead of this, a book would be published in Paris with a foreign imprint. Thus "Boston" and "Philadelphia" are not infrequently found on the title-pages of books printed in France in the reign of Louis XVI. Such books were sold secretly, with greater or less precautions against discovery, for the laws were severe; an ordinance passed as late as 1757 forbade, under penalty of death, all publications which might tend to excite the public mind. So loose an expression gave discretionary power to the authorities. The extreme penalty was not enforced, but imprisonment and exile were somewhat capriciously inflicted on authors and printers.

But a book that had received the imprimatur of the censor was not yet safe. The clergy might denounce, or the Parliament condemn it. The church was quick to scent danger. An honest scholar, an upright and original thinker, could hardly escape the reproach of irreligion or of heresy. Nor were the laws fairly administered. It might be more dangerous to be supposed to allude disagreeably to the mistress of a prince, than to attack the government of the kingdom. Had a severe law been severely and consistently enforced, slander, heresy, and political thought might have been stamped out together. Such was in some measure the case in the reign of Louis XIV. But under the misrule of the courtiers of his feeble successors, no strict law was adhered to. There was a common tendency to wink at illegal writings of which half the public approved. Malesherbes, for instance, was at one time at the head of the official censors. He is said to have had a way of warning authors and publishers the day before a descent was to be made upon their houses. Under laws thus enforced, authors who held new doctrines learned to adapt their methods to those of the government. Almost all the great French writers of the eighteenth century framed some passages in their books for the purpose of satisfying the censor or of avoiding punishment. They were profuse in expressions of loyally to church and state, in passages sometimes sounding ludicrously hollow, sometimes conveying the most biting mockery and satire, and again in words hardly to be distinguished from the heartfelt language of devotion. They became skillful at hinting, and masters of the art of innuendo. They attacked Christianity under the name of Mahometanism, and if they had occasion to blame French ministers of state, would seem to be satirizing the viziers of Turkey. Politics and theology are subjects of unceasing and vivid interest, and their discussion cannot be suppressed, unless minds are to be smothered altogether. If any measure of free thought and speech is to be admitted, the engrossing topics will find expression. If people are not allowed pamphlets and editorials, they will bring out their ideas in poems and fables. Under Louis XV and Louis XVI, politics took possession of popular songs, and theology of every conceivable kind of writing. There was hardly an advertisement of the virtues of a quack medicine, or a copy of verses to a man's mistress, that did not contain a fling at the church or the government. There can be no doubt that the moral nature of authors and of the public suffered in such a course. Books lost some of their real value. But for a time an element of excitement was added to the pleasure both of writers and readers. The author had all the advantage of being persecuted, with the pleasing assurance that the persecution would not go very far. The reader, while perusing what seemed to him true and right, enjoyed the satisfaction of holding a forbidden book. He had the amusement of eating stolen fruit, and the inward conviction that it agreed with him.[Footnote: Lomenie, Vie de Beaumarchais, i. 324. Montesquieu, i. 464 (Lettres persanes, cxlv.). Mirabeau, L'ami des hommes, 238 (pt. ii. oh, iv.). Anciennes Lois, xxii. 272. Lanfrey, 193.]

The writers who adopted this course are mostly known as the "Philosophers." It is hard to be consistent in the use of this word as applied to Frenchmen of the eighteenth century. The name was sometimes given to all those who advocated reform or alteration in church or state. In its stricter application, it belongs to a party among them; to Voltaire and his immediate followers, and especially to the Encyclopaedists.

"Never," says Voltaire, in his "English Letters," "will our philosophers make a religious sect, for they are without enthusiasm." This was a favorite idea with the disciples of the great cynic, but the event has disproved its truth. The Philosophers in Voltaire's lifetime formed a sect, although it could hardly be called a religious one. The Patriarch of Ferney himself was something not unlike its pontiff. Diderot and d'Alembert were its bishops, with their attendant clergy of Encyclopaedists. Helvetius and Holbach were its doctors of atheology. Most reading and thinking Frenchmen were for a time its members. Rousseau was its arch-heretic. The doctrines were materialism, fatalism, and hedonism. The sect still exists. It has adhered, from the time of its formation, to a curious notion, its favorite superstition, which may be expressed somewhat as follows: "Human reason and good sense were first invented from thirty to fifty years ago." "When we consider," says Voltaire, "that Newton, Locke, Clarke and Leibnitz, would have been persecuted in France, imprisoned at Rome, burnt at Lisbon, what must we think of human reason? It was born in England within this century." [Footnote: Voltaire (Geneva ed. 1771) xv. 99 (Newton). Also (Beuchot's ed.) xv. 351 (Essai sur les Moeurs) and passim. The date usually set by Voltaire's modern followers is that of the publication of the Origin of Species; although no error is more opposed than this one to the great theory of evolution.] And similar expressions are frequent in his writings. The sectaries, from that day to this, have never been wanting in the most glowing enthusiasm. In this respect they generally surpass the Catholics; in fanaticism (or the quality of being cocksure) the Protestants. They hold toleration as one of their chief tenets, but never undertake to conceal their contempt for any one who disagrees with them. The sect has always contained many useful and excellent persons, and some of the most dogmatic of mankind.

CHAPTER V.

THE CHURCH AND VOLTAIRE.

The enemies of the Church of France were many and bitter, but one man stands out prominent among them. Voltaire was a poet, much admired in his day, an industrious and talented historian, a writer on all sorts of subjects, a wit of dazzling brilliancy; but he was first, last, and always an enemy of the Catholic Church, and although not quite an atheist, an opponent of all forms of religion. For more than forty years he was the head of the party of the Philosophers. During all that time he was the most conspicuous of literary Frenchmen. Two others, Rousseau and Montesquieu, may rival him in influence on the modern world, but his followers in the regions of thought are numerous and aggressive to-day.

Voltaire was born in 1694 the son of a lawyer named Arouet. There are doubts as to the origin of the name he has made so famous; whether it was derived from a fief possessed by his mother, or from an anagram of AROUET LE JEUNE. At any rate, the name was adopted by the young poet, at his own fancy, a case not without parallel in the eighteenth century. [Footnote: As in the case of D'Alembert. For Voltaire's name, see Desnoiresterres, Jeunesse de Voltaire, 161.]

Voltaire began early to attract public attention. Before he was twenty-five years old he had established his reputation as a wit, had spent nearly a year in the Bastille on a charge of writing satirical verses, and had produced a successful tragedy. In this play a couplet sneering at priests might possibly have become a familiar quotation even had it been written by another pen.[Footnote: Oedipe, written in 1718. "Nos prêtres ne sont point ce qu'un vain peuple pense; Notre credulité fait toute leur science." Act IV., Scene I.] For several years Voltaire went on writing, with increasing reputation. In 1723, his great epic poem, "La Henriade," was secretly circulated in Paris.[Footnote: Desnoiresterres, Jeunesse, 297.] The author was one of the marked men of the town. At the same time his reputation must have been to some extent that of a troublesome fellow. And in December of that year an event occurred which was destined to drive the rising author from France for several years, and add bitterness to a mind naturally acid.

The details of the story are variously told. It appears that Voltaire was one evening at the theatre behind the scenes, and had a dispute with the Chevalier de Chabot, of the family of Rohan. "Monsieur de Voltaire, Monsieur Arouet, what's your name!" the chevalier is said to have called out. "My name is not a great one, but I am no discredit to it," answered the author. Chabot lifted his cane, Voltaire laid his hand on his sword. Mademoiselle Lecouvreur, the actress, for whose benefit, perhaps, the little dispute was enacted, took occasion to faint. Chabot went off, muttering something about a stick.