Numerous stamps have been designed, especially of late years, to represent some historical event in connection with the country of issue. The United States, in 1869, in the confined space of an unusually small stamp, endeavoured to represent the landing of Columbus, and in another stamp the Declaration of Independence. In a much more recent series, stamps of an exceptionally large size were adopted to give scope for a Columbus celebration set of historical paintings, including Columbus soliciting aid of Isabella, Columbus welcomed at Barcelona, Columbus restored to favour, Columbus presenting natives, Columbus announcing his discovery, the recall of Columbus, Isabella pledging her jewels, Columbus in chains, and Columbus describing his third voyage. Greece has given us a set of stamps illustrating the Olympian Games. But collectors look with considerable suspicion upon stamps of this showy class, for too many of them have been produced with the sole object of making a profit out of their sale to collectors, and not to meet any postal requirement.
Crude productions of peculiar interest belong more to the earlier stages of the introduction of postage stamps. Local attempts at engraving in some of our own early colonial settlements were of the crudest possible description, and yet they are, because of their very crudeness, far more interesting than the finished product supplied by firms at home, for the local effort truly represented the country of its issue in the art of stamp production. The amusingly crude attempts which the engravers of Victoria have made from time to time, during the last fifty years, to give us a passable portrait of Her late Majesty Queen Victoria, have no equal for variety. The stamps of the first South African Republic, made in Germany, are very appropriate in their roughness of design and execution. For oddity of appearance the palm must be awarded to those of Asiatic origin, such, for instance, as the stamps of Afghanistan, of Kashmir, and most of the local productions of the Native States of India, marking as they do their own independent attempts to work up to European methods of intercommunication.
VIII.
Great Rarities.
f the many stamps that are set apart, for one cause or another, from the ordinary run, as having a history of their own, those that by the common consent of collector and dealer are ranked as great rarities are the most fruitful source of astonishment to the non-collector. They are the gems of the most costly collections, the possession of the few, and the envy of the multitude. In a round dozen that will fetch over £100 apiece there are not more than one or two that can lay any claim to be considered works of art; indeed, they are mostly distinguished by their surpassing ugliness. Nevertheless, they are the gems that give tone and rank to the finest collections. Some of them are even priceless.