FRENCH POODLE.

THE POODLE.

"With all the graces of his fatherland;
With well-cut coat, and ever ready hand—
See—the French poodle sports his life away;
Obedient, wise, affectionate, and gay."—Chronicles of Animals.

These dogs, like all others, possess many amiable qualities, and are remarkable for the facility with which they learn several amusing tricks, and for their extraordinary sagacity. This latter quality has frequently made them a great source of profit to their masters, so that it may be said of them, "c'est encore une des plus profitables manières d'être chien qui existent." A proof of this is related by M. Blaze in his history of the dog, and was recorded by myself many years before his work appeared.

A shoe-black on the Pont Neuf at Paris had a poodle dog, whose sagacity brought no small profit to his master. If the dog saw a person with well-polished boots go across the bridge, he contrived to dirty them, by having first rolled himself in the mud of the Seine. His master was then employed to clean them. An English gentleman, who had suffered more than once from the annoyance of having his boots dirtied by a dog, was at last induced to watch his proceedings, and thus detected the tricks he was playing for his master's benefit. He was so much pleased with the animal's sagacity, that he purchased him at a high price and conveyed him to London. On arriving there, he was confined to the house till he appeared perfectly satisfied with his new master and his new situation. He at last, however, contrived to escape, and made his way back to Paris, where he rejoined his old master, and resumed his former occupation. I was at Paris some years ago, where this anecdote was related to me, and it is now published in the records of the French Institute.

Perhaps the most remarkable instance known of what are called "Learned Dogs," is that of two poodles, which were trained at Milan, and exhibited at Paris in the spring of 1830. The account of them is given by a lady, whose veracity is not doubtful, and who herself saw their performance. "The elder, named Fido," says she, "is white, with some black patches on his head and back; and the younger, who is called Bianco, is also white, but with red spots. Fido is a grave and serious personage, walks with dignity round the circle assembled to see him, and appears much absorbed in reflection. Bianco is young and giddy, but full of talent when he chooses to apply it. Owing to his more sedate disposition, however, Fido is called upon to act the principal part of the exhibition. A word is dictated to him from the Greek, Latin, Italian, German, French, or English language, and selected from a vocabulary where fifty words in each tongue are inscribed, and which all together make three hundred different combinations. An alphabet is placed before Fido, and from it he takes the letters which compose the given word, and lays them in proper order at the feet of his master. On one occasion he was told to spell the word Heaven, and he quickly placed the letters till he came to the second e; he stood for an instant as if puzzled, but in a moment after he took the e out of the first syllable, and put it into the second. His attainments in orthography, however, are not so surprising as those in arithmetic. He practises the four rules with extraordinary facility, arranges the double ciphers as he did the double vowels in the word Heaven, and rarely makes an error. When such does occur, his more thoughtless companion is called in to rectify it, which he invariably does with the greatest quickness; but as he had rather play than work, and pulls Fido by the ears to make him as idle as himself, he is quickly dismissed. One day, the steady Fido spelt the word Jupiter with a b instead of a p; Bianco was summoned to his aid, who, after contemplating the word, pushed out the b with his nose, and seizing a p between his teeth, put it into the vacancy. Fido is remarkable for the modest firmness with which he insists upon his correctness when he feels convinced of it himself; for a lady having struck a repeating watch in his ear, he selected an 8 for the hour, and a 6 for the three-quarters. The company present, and his master, called out to him he was wrong. He reviewed his numbers and stood still. His master insisted, and he again examined his ciphers; after which he went quietly, but not in the least abashed, into the middle of the carpet, and looked at his audience. The watch was then sounded again, and it was found to have struck two at every quarter; and Fido received the plaudits which followed with as gentle a demeanour as he had borne the accusation of error.

"One occupation seems to bring the giddy Bianco to the gravity of the elder savant; and when the spectators are tired of arithmetic and orthography, the two dogs either sit down to écarté, or become the antagonists of one of the company. They ask for, or refuse cards, as their hands require, with a most important look; they cut at the proper times, and never mistake one suit for another. They have recourse to their ciphers to mark their points; and on one occasion Bianco having won, he selected his number, and on being asked what were the gains of his adversary, he immediately took an O between his teeth, and showed it to the querist; and both seemed to know all the terms of the game as thoroughly as the most experienced card-players. All this passes without the slightest visible or audible sign between the poodles and their master; the spectators are placed within three steps of the carpet on which the performance goes forward; people have gone for the sole purpose of watching the master; everybody visits them, and yet no one has hitherto found out the mode of communication established between them and their owner. Whatever this communication may be, it does not deduct from the wonderful intelligence of these animals; for there must be a multiplicity of signs, not only to be understood with eyes and ears, but to be separated from each other in their minds, or to be combined one with another, for the various trials in which they are exercised.

"I have seen learned pigs and ponies, and can, after these spectacles, readily imagine how the extraordinary sagacity of a dog may be brought to a knowledge of the orthography of three hundred words; but I must confess myself puzzled by the acquirements of these poodles in arithmetic, which must depend upon the will of the spectator who proposes the numbers; but that which is most surprising of all is the skill with which they play écarté. The gravity and attention with which they carry on their game is almost ludicrous; and the satisfaction of Bianco when he marks his points is perfectly evident."

Nor is this a solitary instance of the extraordinary sagacity of the poodle. A lady of my acquaintance had one for many years, who was her constant companion both in the house and in her walks. When, however, either from business or indisposition, her mistress did not take her usual walk on Wimbledon Common, the dog, by jumping on a table, took down the maid-servant's bonnet, and held it in her month till she accompanied the animal to the Common.

A friend of mine had a poodle dog, who was not very obedient to his call when he was taken out to run in the fields. A small whip was therefore purchased, and the dog one day was chastised with it. The whip was placed on a table in the hall of the house, and the next morning it could not be found. It was soon afterwards discovered in the coal-cellar. The dog was a second time punished with it, and again the whip was missed. It was afterwards discovered that the dog had attempted to hide the instrument by which pain had been inflicted on him. There certainly appears a strong approach to reason in this proceeding of the dog. Cause and effect seem to have been associated in his mind, if his mode of proceeding may be called an effort of it.