2. C, G, and S; the inside curve is best continuous—from the ‘bow’ to the ends of the ‘arms’—not being broken by the serifs, and
3. it is best to preserve an unbroken inside curve at the termination of all free arms and stems in built-up Roman Capitals. In C, G, S, E, F, L, T, and Z the upper and lower arms are curved on the inside, and squared or slightly pointed outside (the vertical stems curve on either side) (fig. [163]).
4. ‘Arms’ are best shaped and curved rather gradually out to the terminal or serif, which then is an actual part of the letter, not an added lump (p. [289]).
5. See O, 2.
D
1. See B, 1.
2. See B, 2 and 3.
3. The curve may be considered as springing from the foot of the stem, and may therefore for an occasional form be separated from the stem at the top (D, fig. [177]).
4. See O, 2.
E