[Fig. 38.]

Always write at a slope. This enables you to sit up comfortably at your work, and to see the MS. clearly as though it were on an easel—and, by the resulting horizontal position of the pen, the ink is kept under control. It may be seen from ancient pictures that this was the method of the scribes (see Frontispiece). Never write on a flat table; it causes the writer to stoop, the MS. is seen foreshortened, and the ink flows out of the pen too rapidly. [p062]

The slope of the desk may be about, or rather less than, 45° to begin with: as the hand becomes accustomed to it, it may be raised to about 60° (fig. [38]).

The “heel” of the right hand may be tired at first, but it soon grows used to the position. A rest for the left arm, if necessary, can be attached to the left side of the board.

Lighting. The desk is placed very near to a window, so that a strong light falls on it from the left. Direct sunlight may be cut off by fixing a sheet of thin white paper in the window. Careful work should be done by daylight. Work done by artificial light always appears faulty and unsatisfactory when viewed by day.

THE WRITING LEVEL

[Fig. 39.]

Each penman will find for himself the writing level along which his pen will move most naturally and conveniently (see figs. [39] and [16]). The paper guard should be pinned on about 1 inch below the [p063] writing level: the tape is fixed across about 3 inches above the guard. In the case of very large writing the space between the tape and the guard is greater, and in the case of a very small MS. it is less.