But, on the other hand, he loved fresh air, light, and wide prospects from his windows; also he spent most of his daylight reading or writing, or both. To gratify to the full all his chief tastes at once he included in the plans of his villa a sort of tower, at the northwest corner, rising well above the remainder of the structure, so that the floors of its third story were on a level higher than that of the ridge-poles of the roofs of the other parts of the villa and from the wide windows of its rooms there was an unobstructed view over the tiles of the villa upon the farm- buildings and beyond them across the fields to the woodlands and the forested eastern and southern horizon as well as a fine outlook down the valley northward and across it westward.

In this third story of this tower he housed his library and there he spent most of his time. It was reached by three stairs. One was connected with the villa in general and was used by him when going down to meals in his triclinium, or when escorting visitors up to his library, as he sometimes did with his particular favorites; and this stair was also used by such servants as he might summon to him while in his library or as might have to go up there to attend to it in his absence. The second stair connected with his living-rooms on the second floor, which rooms looked northwestward, as he detested being waked early by the rays of the rising sun and loved basking in the mellow radiance of afternoon sunlight. The third stair is not easy to describe and was one of my uncle's oddest eccentricities. It was inside a sort of minor tower built against the tower in which his library was set aloft, which minor tower extended far up towards the sky, like a great chimney. What was the primary purpose of this minor tower I shall explain later. In it, however, was a narrow, cramped, spiral stair, unlit by any window or loop-hole, unconnected with the second or first floor of the villa, opening at the top into the library and at the bottom into a cellar, a cellar so far down the hillside that its vault was below the level of the floors of the cellars under the villa in general. This stair my uncle had had constructed to enable him to apply his idea that a master could ensure the diligence of his tenants and slaves only if he was known to be in the habit of coming upon them unexpectedly at any hour of the day, only if they never knew when he might appear and so were spurred to continual diligence for fear he might catch them idling. For my uncle, though he habitually spent his entire daylight in his library, might at any hour slip down this stair, slip out onto the northwestern slope from the villa through a door locked to all but him and of which he kept the key, or might slip out southeastward or southwestward or northeastward, through similar doors on the ground floor, reached by passages built between the many cellars of the upper level of cellars under the ground floor of the villa. By this plan and by popping out sometimes many times a day, sometimes after an interval of many days, he kept his underlings alert.

My uncle's tastes in respect to books were as peculiar as in all other respects. He had a really magnificent library, including all the Greek poets, all our own, and other noble works of literature, such as the historians in both the Greek and Latin tongues; the orators, and the writers on painting, sculpture, architecture and music.

But he paid more attention to his personal fads. He had a creditable collection of all works on divination, a similarly inclusive assemblage of works on the theory of government, and an almost complete array of the writings of the Emperors, from the Divine Julius to the Divine Aurelius, whose meditations he extolled.

But he extolled above all other Princes and authors the Divine Julius.

"Caius Julius Caesar," he was never tired of saying, "was, in all respects, the greatest man who ever lived on earth. He was also the greatest author earth has ever produced. His poems, his mimes, his comedies, his dramas, compare favorably with the best of their kind. His accounts of his wars, whether against the Gauls or against his domestic adversaries, are models of narration, of lucidity, of terseness and of style. His astronomy is the best manual of that subject in Latin. His works on Engineering surpass anything of their kind in clearness and preserve for the benefit of future generations more useful and original ideas than ever before came from the brain of any one man. His works on divination, particularly that on Auspices, excel everything previously written on that most important of all human arts.

"But his two books against Cato are his masterpiece. It is wonderful that any man could have, in the space of eight days, written, with his own hand, so fiery an invective, so compelling of the attention of any reader, so completely annihilative of his antagonist's pretensions and contentions, so convincingly establishing his own: to have made of it, in the course of composition so rapid and totally unrevised, such a jewel of Latinity, in a style not only pure and impeccable, but glowing and charming, is astonishing. But it is downright miraculous that he should have embodied in it the whole theory of government with all its principles marshalled in their array with the most perfect subordination of considerations of lesser importance to main principles. The two Anticatones contain all that a ruler or any minister of a ruler need know to guide him aright in his tasks. The First Book displays a complete theory of internal policy, the Second of external policy. The two together form a whole which is the most brilliant product of Rome's literary and political genius."

In accordance with his high esteem for Caesar's masterpiece he had possessed himself of a beautiful copy of it, written by the celebrated calligrapher Praxitelides, upon papyrus of the finest quality. It was in seven rolls, each book of Caesar's text occupying two rolls, the index a fifth, and the commentaries of grammarians two more. The rollers inside the rolls were of Nubian ivory, their ends carved into pine cones, each of the fourteen representing the cone of a different variety of pine. Each roll was enclosed in a copper cylinder made accurately to be both watertight and airtight. The seven cylinders were housed in an ebony case, inlaid with mother of pearl. I have never seen any literary work more beautifully enshrined.

When Agathemer and I were in the library he shut and locked the door at the top of my uncle's private stair, as he had the door at the bottom of it. The two keys he hid far apart, where neither was at all likely to be found easily or soon. He had laid the knives, tinder-boxes and bag of food on a table. He went to the case containing my uncle's most highly prized treasures. From it he took the ebony box, opened it and took out two of the cylinders. From these he removed the rolls embodying the grammarians' comments. These rolls he put back in the box, shut it, returned it to the case and closed the case.

The two cylinders he had laid on the table by the things which he had brought up stairs. Inside each cylinder he placed a knife, a tinder-box, and a selection of the food. The bag, with what remained of the food, he tied up again. He handed me one cylinder.