“He is all that, poor man,” her neighbor agreed, “and no wonder in these days. The Parthians are at us on the east, the Germans in the north, and there have been more than twelve deaths in the palace each day for twenty consecutive days now. This pestilence is enough to make anybody sad.”
“More than that,” Brinnaria countered. “He looks irritated and bored. Everybody else is alert and keyed up with anticipation. His eyes are dull and he looks as if he wished that the show was over and he could go home.”
“You have read him right,” Manlia told her. “He detests all kinds of spectacles, takes no interest in races and hates beast-fights. Most of all he loathes gladiatorial combats. Father has told me about it more than once and Causidiena says the same thing. I can’t understand it. I never get tired of sword-fighting, myself. What I like about it is its endless variety. I never saw any two fights exactly alike, never saw two closely alike. Each fight is a spectacle by itself, entirely different from any other. I don’t mean the difference between the fighters in respect to their equipment and appearance, though that contributes to the variety also; I mean the difference in posture, method of defense and attack, style of lunge and parry, and all that; and the countless variations in form in the men, the subtle differences of character which makes them face similar situations so very differently. You’ll get the feeling for it in a half a dozen shows and be as keen on it as the rest of us.
“But the Emperor is different. Perhaps it’s because he is such a booky man and spends so much time in reading and study. But I think not. There never was anybody more of a bookworm than Numisia and she is as wild over the shows as any street-boy in Rome. Anyhow, whatever the cause is, that is the way he is. He was more than surfeited with shows before he was Emperor. While he was nothing but a boy, soon after he was adopted and made Caesar, he often had to preside in the Circus or here, when Hadrian was away travelling and Antonius and Verus were on the frontiers. He used to bring his tutors with him and have two of them sit on each side of him a little behind him. Then, after the shows had started, he would put a tablet on his knee and write a theme or work out a problem in geometry and when he had finished it, would pass it to one of his tutors for comment, or he would have them make out sets of questions on history or something else and he would write out the answers the best he could. Sometimes he would read. All this he did as calmly as if he were alone in a closed room with nothing to call off his attention. Yet he was most careful to seem to watch the shows and would look up every little while and gaze about the arena. But nothing ever distracted him from his lessons. That is the kind he is. He simply never cared for this sort of thing. He says that what oppresses him is the maddening monotony of gladiatorial shows. Fancy anybody thinking sword-fighting monotonous! But he does. He says every combat is just like every other. All he sees in a fight is two men facing each other and one being killed. He gets no thrills from the uncertainties of the outcome, no pleasure from the dexterity and skill of the fighters. To him it’s just butchery, and the same kind of butchery over and over. He says he might get some enjoyment out of a show if something novel would happen, something he never saw before, something unexpected. But nothing ever does.”
Brinnaria regarded curiously this grave, earnest man, who derived so little pleasure from the most coveted position on earth. She continued to watch him until everybody turned to the procession around the arena of all who were to fight that day, the invariable preliminary of a gladiatorial show and always a splendid spectacle. When the fights began Brinnaria felt at first an unexpected tightening of the chest, as if a band were being drawn tight just under her armpits. Her breath came short and hard and her heart thumped her ribs.
The first sight of blood made her feel faint and the horrible contortions just below her of a dying man, who writhed in strong convulsions like a fish out of water, made her qualmish and sick. But all that soon passed off. She was a Roman and the Romans were professional killers, had been professional killers for a thousand years. Success in hand to hand combat with any individual foe was every male Roman’s ideal of the crowning glory of human life; the thought of it was in every Roman’s mind from early childhood, every act of life was a preparation for it. Their wives and sisters shared their enthusiasm for fighting and their daughters inherited the instinct. Combat on the field of battle was felt as the chief business of a man, to which all other activities merely led up. By reflected light, as it were, every kind of combat acquired a glamour in the thoughts of a Roman. The idea of men killing men, of men being killed by men, was familiar to all Romans, of whatever sex or age. Brinnaria was not affected as a modern girl would be by the sight of blood or of death. The novelty revolted her at first, but only briefly. Soon she was absorbed in the interest of the fighting.
Almost at once her eye was caught by a young and handsome fighter who reminded her strongly of Almo.
His adversary was that kind of gladiator known technically as a secutor, a burly ruffian in complete armor, with huge shin-guards like jack-boots, a kilt of broad leather straps hanging in two overlapping rows, the upper set plated with bronze scales, a bronze corselet, and, fitting closely to his shoulders, covering head and neck together, a great, heavy helmet. He carried a large shield, squarish in shape, but curving to fit him as if he were hiding behind a section of the outer bark of a big tree. He was armed with a keen, straight bladed Spanish sword.
Facing this portentous tower of metal was a gladiator of the sort known as a retiarius, equipped solely with a long-handled, slender-shafted trident, like a fisherman’s eel-spear, and a voluminous, wide-meshed net of thin cord. His only clothing was a scanty body-piece of bright blue. His feet were small with high-arched insteps. Brinnaria particularly noticed his perfectly shaped toes. His bare legs, body and arms were in every proportion the perfection of form, the supple muscles rippling exquisitely under his warm tanned skin. His face was almost beautiful, with a round chin, thin curled lips, a straight nose, and a wide brow. Its expression was lively, even merry, almost roguish, his lips parted in an alert smile, his blue eyes sparkling. He seemed to enjoy the game in which he was engaged, to be brimming over with self-confidence, to anticipate success, to relish his foretaste of combat with a sort of impish delight.
Roman children heard as much talk of gladiators as modern children hear of baseball or cricket. Brinnaria knew perfectly well that the betting on a set-to between such a pair was customarily five to three against the secutor and on the retiarius. Yet she felt the sensation usual with onlookers in such a case, the sensation purposed by the device of pairing men so differently equipped, the sensation that the mailed secutor was invincible and the naked retiarius helpless against him. She was keyed up with interest.