Reassured, I ventured further into the building, and pushing back a swinging door, I saw opened up before me a strange picture. Imagine a theater, its walls washed white, its orchestra stripped of chairs and in their places row after row of hospital cots; a curtain of fireproofed steel, hid the stage, from it hanging the white flag with the red cross, and beside it the stars and stripes and the red, white and black; imagine the boxes filled with rough, hastily made wooden tables where nurses sat making out their reports, a theater where instead of an overture, you heard groans and sometimes a shriek from one of the white cots.

"The soldier is only having a nightmare," Dr. Sanders explained. "They come in here sometimes not having slept for three days and they go off asleep for hours and hours—you wonder how long you can put off dressing their wounds to let them sleep—getting these nightmares every once in a while, and yelling out that the Russians are after them. Nearly every soldier who has a nightmare yells that same thing, queer, because none of them fear the Russians at all."

Suggesting that we would come back to see the ward more thoroughly, Dr. Sanders led us through the lobby and into what appeared to be a cloakroom. Only now the coat racks were half concealed by huge packing cases marked "American Red Cross," and leaning against the wall you saw two brown stretchers of the United States army; and on the floor army sterilizer chests, while all around shelves had been built holding supplies and medical books. You noticed an operating table in the center of the room and in a corner a little stand for anesthetics.

"This is our operating room," smiled the doctor; "you never saw one like it before, did you? Neither did I. But for our purposes it fills the bill."

In the lobby we met two boyish surgeons, one, Spearmin, tall, angular and competent-looking; the other, Stem, a University of Maryland man who was preparing for a surgeonship in the United States army when he got the chance to go to the war zone, and, boy-like, went. Spearmin and Stem handle the wounded. Sanders does the executive work.

"We get plenty of work to do," Doctor Spearmin told me, "and you want to do everything for those fellows that you can. They are the pluckiest lot of men I ever saw. They stand pain better than most of the average hospital cases that I had in Baltimore."

Later we were to learn more of those men stretched their length on the white cots, and the way they stood pain, but Dr. Sanders had a dressing to make upstairs, in a cloakroom once used for the patrons of the balcony. Now it was Antechamber of Death. As we climbed the stairs, the doctor explained: "We keep our most serious cases up here. Whenever we feel we have to put a man in this room, he generally dies. We've only lost six men, though, and we've had five hundred cases, some of them shockingly wounded."

You caught the undernote of pride in the doctor's voice, a sensing of which you had felt at the hospital's very door. Pride seemed to be in the air; you read it in the faces of the nurses; the younger doctors, Stem and Spearmin, showed it, pride because they had turned the one notorious resort of Gleiwitz into an American hospital. And, it is significant—and it was a German officer who told me this—into a hospital of such efficiency that the German Sanitary Authorities always ordered that the worst cases be sent to Dr. Sanders and his assistants; this with thirteen other military hospitals in Gleiwitz.

But I was wondering if the other patients, the men in the orchestra, had come to know what the little room upstairs meant, and if they had heard the cry from that Austrian's bed, and if so, what their thoughts were, if they had all thanked the Almighty for their lesser plights. You felt they had.

"Come on, now," suggested the doctor, "we'll go and talk to some of the patients. Sister Anna can speak German."