Photography in the Studio and in the Field / A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer

by Edward M. Estabrooke

By means of the slide-rest the negative may be moved up or down to any desired position.

It is handsomely made in hard wood, and would be quite an ornament to any retoucher's room. p67

Next in importance would be a varnishing table, a small table or bench supplied with a gas or oil stove. See Figs. 4 and 5.

Fig. 4. Common Gas Stove.

Fig. 5. Oil Stove.

Also Anthony's retouching varnish and varnish pot. See Fig 6, page 68.

A tin pot as shown in cut, with a filter and funnel in top; rubber stopper in spout.

The retoucher's room should also be supplied with