When this is done turn the papers over, bringing the sheet first silvered to the top, which on removing the blotting paper will be found surface dry at least, and may now be completely dried by artificial heat, or by p75 hanging it up two sheets together, back to back, on lines with spring clips, until they dry spontaneously, when they are ready to be fumed.

FUMING THE PAPER.

The fuming box is usually a light-tight box with two compartments; the upper part has a door and should be sufficiently large to hold the amount of paper necessary for a full day's work, without crowding the sheets together or preventing a free circulation of the fumes between their surfaces.

The paper is taken from the lines, each two sheets back to back, the corners fastened with clips and set up on end in this compartment or hung on lines, as the case may be. When all the paper is in, shut and fasten the door and into the bottom compartment (which is usually a shallow drawer, and separated from the upper only by a lattice work of wood) place a saucer containing an ounce or two of strong liquor of ammonia, push the drawer in, thus closing the compartment, and leave for fifteen or twenty minutes, or until you are ready to use the paper.

When you remove the paper from the fuming box do not expose it to strong light until you have it in the printing frames, nor after that, until you have toned and fixed it. Take the spent ammonia from the box and pour it into a bottle; it is useful for other purposes. Many printers cut the paper to size before printing, others simply tear each sheet into halves, quarters, eighths or twelfths, and print them thus, trimming them afterwards, some before toning, others after they are finished and before wetting them for mounting. The most economical method is to trim before printing; p76 all the trimmings should be carefully saved for the silver they contain.

TONING THE PRINTS.

A toning solution is composed of chloride of gold in water with enough carbonate of soda to make it slightly alkaline, and a pinch of common salt. The action of toning is merely the deposition upon the metallic silver in the print of a certain minute quantity of metallic gold from the solution, which deposit causes the change of color that may be seen while the toning is taking place.

The normal toning solution is varied endlessly by the addition of acetates, chlorides and nitrates of various metals and salts and of borax and chalk and such, the object being to produce unusual tones, such as sepia, blue, blue-grey, brown and black, but the richest and most agreeable tones may be produced as well by the simplest means.

THE TONING SOLUTION.