Critical and Historical Essays / Lectures delivered at Columbia University

by Edward MacDowell

. Form 1, sometimes Form 2. This is of Spanish origin (Saracen dance), and is generally accompanied by variations called partita or doubles.

2. Musette (cornemusa or bagpipe).—

allegretto. Form 1. Always written over or under a pedal note, which is generally sustained to the end. It generally forms the second part (not period) to the gavotte.

3. Gavotte.—

allegro moderato. Rhythm

or