A Face Illumined

by Edward Payson Roe

"Miss Mayhew might have been seriously and possibly fatally injured," said the artist gravely, "had it not been for her self-control. Although it seemed that the stage would be dashed to pieces every moment, I told her that in my judgement it would be safer to remain within it than to spring out upon the hard and stony road, and I am very glad that the final event confirmed my opinion."

As they were by this time near to the hotel, others who had been alarmed by seeing the horses tearing up to the stable door, now hastily joined them; and last, but not least, Mrs. Mayhew came panting upon the scene. Van Berg felt the hand of the young lady trembling in nervous apprehension upon his arm, from which, in her embarrassment, she forgot to remove it. But the artist did not fail her, and in answer to Mr. Burleigh's eager questions as to the cause of the accident, explained all so plausibly, and in such a matter-of-fact manner as left little more even to be surmised. His brief and prosaic history of the affair concluded with the following implied tribute to his companion, which still further relieved her from fear of ridicule:

"Miss Mayhew," he said, "instead of jumping out, after the frantic terror-blinded manner of most people, remained in the stage and so has escaped, I trust, with nothing worse than a slight lameness caused by the violent motion of the vehicle. I will now resign her to your care, Mr. Stanton, and I am glad to believe that the occasion will require the services of the wheelwright and harness-maker only, and not those of a surgeon," and lifting his hat to Mrs. Mayhew and her daughter he bowed himself off the scene.

Ida, leaning on the arm of her cousin, limped appropriately to her room, whither she had her dinner sent to her, more for the purpose of gaining time to compose her nerves than for any other reason.

The impression that she had behaved courageously in peril was rapidly increased as the story was repeated by one and another, and she received several congratulatory visits in the afternoon from her lady acquaintances; and when she came down to supper she found that she was even a greater heroine than Miss Burton had been. In answer to many sympathetic inquiries, she said that she "felt as well as ever," and she tried to prove it by her gayety and careful toilet.

But she was decidedly ill at ease. Her old self-complacency was ebbing away faster than ever. From the time that it had first been disturbed by the artist's frown in the concert garden, she had been conscious of a secret and growing self-dissatisfaction.

It seemed to be this stranger's mission to break the spell vanity and flattery had woven about her. The congratulations she was now receiving were secured by a fraudulent impression, if not by actual falsehood, and she permitted this impression to remain and grow. The one, who above all others she most feared and disliked, knew this. In smilingly accepting the compliments showered upon her from all sides she felt that she must appear to him as if receiving stolen goods, and she believed that in his heart he despised her more thoroughly than ever.

To the degree that he caused her disquietude and secret humiliation, her desire to retaliate increased, and she resolved, before the day closed, to use her beauty as a weapon to inflict upon him the severest wound possible. If it were within the power of her art she would bring him to her feet and keep him there until she could, in the most decided and public manner, spurn his abject homage. She would have no scruple in doing this in any case, but, in this instance, success would give her the keenest satisfaction.

His very desire for her acquaintance, as she understood it, was humiliating, and, in a certain sense, demoralizing. Her other suitors had imagined that she had good traits back of her beauty, and hitherto she had been carelessly content to believe that she could display such traits in abundance should the occasion require them. Here was one, however, who, while despising the woman, was apparently seeking her for the sake of her beauty merely; and her woman's soul, warped and dwarfed as it was, resented an homage that was seemingly sensuous and superficial, and would, of necessity, be transient. In her ignorance of Van Berg's motives, and in the utter impossibility of surmising them, she could scarcely come to any other conclusion; and she determined to punish him to the utmost extent of her ability.

Thus it came to pass that Miss Mayhew had designs against Van Berg that were not quite as amiable as those of the artist in regard to herself.