"Come, Mr. Fleet," said Christine, with a covert taunt in her tone, "that is a cheap way of making a reputation. I fear the impression will be given that you have no opinion."
Dennis was now very pale, as he ever was under great excitement. The old look came again that the young ladies remembered seeing at Miss Brown's entertainment.
"Come, speak up if you can," said Mr. Ludolph shortly.
"Your porter, Mr. Ludolph?" said Mr. Cornell, remembering Dennis only in that capacity. "Perhaps he has some private marks by which he can enlighten us."
Dennis now acted no longer as porter or clerk, but as a man among men.
Stepping forward and looking Mr. Cornell full in the face he said: "I can prove to you, sir, that your insinuation is false by simply stating that I never saw those pictures before. The original had been removed from the store before I came. I have had therefore no opportunity of knowing the copy from the original. But the pictures are different, and I can tell precisely wherein I think the difference lies."
"Tell it then," said several voices. Christine stood a little back and on one side, so that he could not see her face, or he would have hesitated long before he spoke. In the firm, decided tones of one thoroughly aroused and sure of his ground, he proceeded.
"Suppose this the copy," said he, stepping to one of the pictures. (Christine breathed hard and leaned heavily against her friend.) "I know of but one in Chicago capable of such exquisite work, and he did not do it; indeed he could not, though a master in art."
"You refer to Mr. Bruder?" said Mr. Cornell.
Dennis bowed and continued: "It is the work of one in whom the imitative power is wonderfully developed; but one having never felt—or unable to feel—the emotions here presented cannot portray them. This picture is but the beautiful corpse of that one. While line for line, and feature for feature, and even leaf for leaf on the trees is faithfully exact, yet the soul, the deep, sorrowful tenderness that you feel in that picture rather than see, is wanting in this. In that picture you forget to blame or praise, to criticise at all, so deeply are your sympathies touched. It seems as if in reality two human hearts were being torn asunder before you. This you know to be an exquisite picture only, and can coolly criticise and dwell on every part, and say how admirably it is done."