"Humph!" said Mr. Ludolph, meditatively, "there is more method in your madness than I imagined. I will think of it, for it is too important a step to be taken hastily."
Mr. Ludolph did think of it, and, after attending to pressing matters in the store, went over to see the property. A few days afterward he came up to dinner and threw the deed for it into his daughter's lap. She glanced it over, and her eyes grew luminous with delight and triumph.
"See how comfortable and happy I will make you in return for this kindness," she said.
"Oh, come," replied her father, laughing, "that is not the point. This is a speculation, and your business reputation is at stake."
"I will abide the test," she answered, with a significant nod.
Christine desired the change for several reasons. There was a room in the house that would just suit her as a studio. She detested the publicity of a hotel. The furnishing of an elegant house was a form of activity most pleasing to her energetic nature, and she felt a very strong wish to try her skill in varied effect before her grand effort in the Ludolph Hall of the future.
But in addition to these motives was another, of which she did not speak to her father. In the privacy of her own home she could pursue that peculiar phase of art study in which she was absorbed. Her life had now become a most exciting one. She ever seemed on the point of obtaining the power to portray the eloquence of passion, feeling, but there was a subtile something that still eluded her. She saw it daily, and yet could not reproduce it. She seemed to get the features right, and yet they were dead, or else the emotion was so exaggerated as to suggest weak sentimentality, and this of all things disgusted her. Every day she studied the expressive face of Dennis Fleet, the mysterious power seemed nearer her grasp. Her effort was now gaining all the excitement of a chase. She saw before her just what she wanted, and it seemed that she had only to grasp her pencil or brush, and place the fleeting expressions where they might always appeal to the sympathy of the beholder. Nearly all her studies now were the human face and form, mainly those of ladies, to disarm suspicion. Of course she took no distinct likeness of Dennis. She sought only to paint what his face expressed. At times she seemed about to succeed, and excitement brought color to her cheek and fire to her eye that made her dazzlingly beautiful to poor Dennis. Then she would smile upon him in such a bewitching, encouraging way that it was little wonder his face lighted up with all the glory of hope.
If once more she could have him about her as when rearranging the store, and, without the restraint of curious eyes, could play upon his heart, then pass at once to her easel with the vivid impression of what she saw, she might catch the coveted power, and become able to portray, as if she felt, that which is the inspiration of all the highest forms of art—feeling.
That evening, Dennis, at Mr. Ludolph's request, came to the hotel to try some new music. During the evening Mr. Ludolph was called out for a little time. Availing himself of the opportunity, Dennis said, "You seem to be working with all your old zest and hope."
"Yes," she said, "with greater hope than ever before."