Barriers Burned Away

by Edward Payson Roe

At last she threw down her brush in despair, and cried: "I cannot catch it again. The wretch either smiles or frowns upon me. I fear he was right: I have made my first and last success;" and she leaned her head sullenly and despairingly on her hand. Again the whole scene passed before her, and she dwelt upon every word, as she was beginning often to do now, in painful revery. When she came to the words, "I too mean to be an artist. I could show you a picture that would tell you far more of what I mean than can my poor words" she started up, and, hastily arraying herself for the street, was soon on her way to the Art Building.

No one heeded her movements there, and she went directly upstairs to his room. Though simple and plain, it had unmistakably been the abode of a gentleman and a person of taste. It was partially dismantled, and in disorder from his hasty departure, and she found nothing which satisfied her quest there. She hastened away, glad to escape from a place where everything seemed full of mute reproach, and next bent her steps to the top floor of the building. In a part half-filled with antiquated lumber, and seldom entered, she saw near a window facing the east an easel with canvas upon it. She was startled at the throbbing of her heart.

"It is only climbing these long stairs," she said; but her words were belied by the hesitating manner and eager face with which she approached and removed the covering from the canvas.

She gazed a moment and then put out her hand for something by which to steady herself. His chair was near, and she sank into it, exclaiming: "He has indeed painted more than he—more than any one—could put into words. He has the genius that I have not. All here is striking and original;" and she sat with her eyes riveted to a painting that had revealed to her—herself.

Here was the secret of Dennis's toil and early work. Here were the results of his insatiable demand for the incongruous elements of ice and sunlight.

Side by side were two emblematic pictures. In the first there opened before Christine a grotto of ice. The light was thin and cold but very clear. Stalactites hung glittering from the vaulted roof. Stalagmites in strange fantastic forms rose to meet them. Vivid brightness and beauty were on every side, but of that kind that threw a chill on the beholder. All was of cold blue ice, and so natural was it that the eye seemed to penetrate its clear crystal. To the right was an opening in the grotto, through which was caught a glimpse of a summer landscape, a vivid contrast to the icy cave.

But the main features of the picture were two figures. Sleeping on a couch of ice was the form of a young girl. The flow of the drapery, the contour of the form, was grace itself, and yet all was ice. But the face was the most wonderful achievement. Christine saw her own features, as beautiful as in her vainest moments she had ever dared to hope. So perfect was the portrait that the delicate blue veins branched across the temple in veiled distinctness. It was a face that lacked but two things, life and love; and yet in spite of all its beauty the want of these was painfully felt—all the more painfully, even as a lovely face in death awakens a deeper sadness and regret.

One little icy hand grasped a laurel wreath, also of ice. The other hand hung listless, half open, and from it had dropped a brush that formed a small stalagmite at her side.

Bending over her in most striking contrast was the figure of a young man, all instinct with life, power, and feeling. Though the face was turned away, Dennis had suggested his own form and manner. His left hand was extended toward the sleeping maiden, as if to awaken her, while with the right he pointed toward the opening through which was seen the summer landscape, and his whole attitude indicated an eager wish to rescue her. This was the first picture.

The second one was still more suggestive. At the entrance of the grotto, which looked more cold than ever, in its partial shadow, Christine saw herself again, but how changed! She now had a beauty which she could not believe in—could not understand.