What Can She Do?

by Edward Payson Roe

Before Hannibal reached home, Arden galloped past him, and the old man chuckled:

"De drunken Laceys' mighty good neighbors when dey's sober."

As may well be imagined, recent events, as far as he understood them, had stirred Arden's sensitive nature to the very depths. Hiding his feelings from all save his mother, and often from her; appearing to his neighbors stolid and sullen in the extreme, he was, in fact, in his whole being, like a morbidly-excited nerve. He did not shrink from the world because indifferent to it, but because it wounded him when he came in contact with it. He seemed so out of tune with society that it produced only jarring discord. His father's course brought him many real slights, and these he resented as we have seen, and he resented fancied slights quite as often, and thus he had cut himself off from the sympathies, and even the recognition, of nearly all.

But what human soul can dwell alone? The true hermit finds in communion with the Divine mind the perfection of companionship. But Arden knew not God. He had heard of Him all his life; but Jove and Thor were images more familiar to his mind than that of his Creator. He loved his mother and sister, but their life seemed a poor, shaded little nook, where they toiled and moped. And so, to satisfy the cravings of his lonely heart, he had created and peopled an unreal world of his own, in which he dwelt most of the time. As his interest in the real world ceased, his imagination more vividly portrayed the shadowy one, till at last, in the scenes of poetry and fiction, and the splendid panorama of history, he thought he might rest satisfied, and find all the society he needed in converse with those whom, by a refinement of spiritualism, he could summon to his side from any age or land. He secretly exulted in the still greater magic by which the unreal creatures of poetic thought would come at his volition, and he often smiled to think how royally attended was "old, drunken Lacey's" son, whom many of the neighbors thought scarcely better than the horses he drove.

Thus he lived under a spell of the past, in a world moon-lighted by sentiment and fancy, surrounded by his ideals of those about whom he read, and Shakespeare's vivid, life-like women were better known to him than any of the ladies of Pushton. But dreams cannot last in our material world, and ghosts vanish in the sunlight of fact. Woman's nature is as beautiful and fascinating now as when the master-hand of the world's greatest poet delineated it, and when living, breathing Edith Allen stepped suddenly among his shadows, seemingly so luminous, they vanished before her, as the stars pale into nothingness when the eastern sky is aglow with morning. Now, in all his horizon, she only shone, but the past seemed like night, and the present, day.

The circumstances under which he had met Edith had, in brief time, done more to acquaint him with her than years might have accomplished, and for the first time in his life he saw a superior girl with the distorting medium of his prejudice pushed aside. Therefore she was a sudden beautiful revelation to him, as vivid as unexpected. He did not believe any such being existed, and indeed there did not, if we consider into what he came to idealize Edith. But a better Edith really lived than the unnatural paragon that he pictured to himself, and the reality was capable of a vast improvement, though not in the direction that his morbid mind would have indicated.

The treatment of his sister, the sudden ceasing of all intercourse, and the appearance of Gus Elliot upon the scene, had cruelly wounded his fair ideal, but with a lover's faith and a poet's fancy he soon repaired the ravages of facts. He assured himself that Edith did not know the character of the men who visited her house.

Then came Crowl's gossip, the knowledge of her poverty, and her wretched errands to New York to dispose of the relics of the happy past. He gathered from such observations as he could maintain without being suspected, by every crumb of gossip that he could pick up (for once he listened to gossip as if it were gospel), that they were in trouble, that Edith was looking for work, and that she was so superior to the rest of the family that they now all deferred to her and leaned upon her. Then, to his deep satisfaction, he had seen Elliot, the morning after his scathing repulse, going to the train, and looking forlorn and sadly out of humor, and he was quite sure he had not been near the little cottage since. Arden needed but little fact upon which to rear a wondrous superstructure, and here seemed much, and all in Edith's favor, and he longed with an intensity beyond language to do something to help her.

Then came the tragedy of Zell's flight, Edith's heroic and almost superhuman effort to save her, now followed by her pathetic weakness and suffering, and no knight in the romantic age of chivalry ever more wholly and loyally devoted himself to the high-born lady of his choice, than did Arden to the poor sick girl at whom the finger of scorn would now be generally pointed in Pushton.

To come back to our hero, galloping away on his old farm horse to find a country doctor, may seem a short step down from the sublime. And so, perhaps, it may be to those whose ideal of the sublime is only in outward and material things. But to those who look past these things to the passionate human heart, the same in every age, it will be evident that Arden was animated by the same spirit with which he would have sought and fought the traditional dragon.