Fig. 58.—Kura, or Fire-proof Buildings in Tokio.
Fig. 58, copied from a sketch made by Mr. S. Koyama, represents another group of these buildings in Tokio. These kura belonged to the famous [pg 76] antiquarian Ninagawa Noritani. In these buildings were stored his treasures of pottery and painting. Often light wooden extensions are built around the kura, and in such cases the family live in the outside apartments. An example of this kind is shown in [fig. 59], which is an old house in a poor quarter of the city of Hakodate. The central portion represents the two-storied kura, and around it is built an additional shelter having a tiled roof. In case of fire the contents of the outer rooms are hurriedly stowed within the fire-proof portion, the door closed, and the crevices chinked with mud. These buildings usually survive in the midst of a wide-spread conflagration, while all the outer wooden additions are consumed. Further reference will be made to these structures in other portions of the work. It may be proper to state, however, that nearly every shop has connected with it a fire-proof building of this nature.
Fig. 59.—Old House in Hakodate.
It hardly comes within the province of this work to describe or figure buildings which are not strictly speaking homes; for this reason no reference will be made to the monotonous rows of buildings so common in Tokio, which form portions of the boundary-wall [pg 77] wall of the yashiki; and, indeed, had this been desirable, it would have been somewhat difficult to find the material, in their original condition, for study. Many of the yashikis have been destroyed by fire; others have been greatly modified, and are now occupied by various Government departments. In Tokio, for example, the yashiki of the Daimio of Kaga is used by the educational department, the Mito yashiki for the manufacture of war material, and still others are used for barracks and other Government purposes. As one rides through the city he often passes these yashikis, showing from the street as long monotonous rows of buildings, generally two stories in height, with heavy tiled roofs. The wall of the first story is generally tiled or plastered. The second-story wall may be of wood or plaster. This wall is perforated at intervals with small heavily-barred windows or hanging bays. The entrance, composed of stout beams, is closed by ponderous gates thickly studded with what appear to be massive-headed bolts, but which are, however, of fictitious solidity. The buildings rest on stone foundations abutting directly on the street, or interrupted by a ditch which often assumes the dignity of a castle moat. These buildings in long stretches formed a portion of the outer walls of the yashikis within which were the separate residences of the Daimios and officers, while the buildings just alluded to were used by the soldiers for barracks.
The great elaboration and variety in the form and structure of the house-roof almost merit the dignity of a separate section. For it is mainly to the roof that the Japanese house owes its picturesque appearance; it is the roof which gives to the houses that novelty and variety which is so noticeable among them in different parts of the country. The lines of a well-made thatched roof are something quite remarkable in their proportions. A great deal of taste and skill is displayed in the proper trimming of the eaves; and the graceful way in which the [pg 78] eaves of the gable are made to join the side eaves is always attractive and a noticeable feature in Japanese architecture, and the admirable way in which a variety of gables are made to unite with the main roof would excite praise from the most critical architect.
The elaborate structure of the thatched and tiled roofs, and the great variety in the design and structure of the ridges show what might be done by a Japanese architect if other portions of the house-exterior received an equal amount of ingenuity and attention.
Japanese roofs are either shingled, thatched, or tiled. In the country, tiled roofs are the exception, the roofs being almost exclusively thatched,—though in the smaller houses, especially in the larger country villages, the shingled and tiled roofs are often seen. In the larger towns and cities the houses are usually tiled; yet even here shingled roofs are not uncommon, and though cheaper than the tiled roofs, are by no means confined to the poorer houses. In the suburbs, and even in the outskirts of the cities, thatched roofs are common: in such cases the thatched roof indicates either the presence of what was at one time an old farm-house to which the city has extended, or else it is the house of a gentleman who prefers such a roof on account of its picturesqueness and the suggestions of rural life that go with it.
The usual form of the roof is generally that of a hip or gable. In the thatched roof, the portion coming directly below the ridge-pole is in the form of a gable, and this blends into a hip-roof. A curb-roof is never seen. Among the poorer classes a simple pent roof is common; and additions or attachments to the main building are generally covered with a pent roof. A light, narrow, supplementary roof is often seen projecting just below the eaves of the main roof; it is generally made of wide thin boards ([fig. 60]). This roof is called hisashi. [pg 79] It commonly shelters from the sun and rain an open portion of the house or a verandah. It is either supported by uprights from the ground, or by slender brackets which are framed at right angles to the main uprights of the building proper. Weak and even flimsy as this structure often appears to be, it manages to support itself, in violation of all known laws of structure and gravitation. After a heavy fall of damp snow one may see thick accumulations covering these slight roofs, and yet a ride through the city reveals no evidences of their breaking down. One recalls similar structures at home yielding under like pressure, and wonders whether gravitation behaves differently in this land of anomalies.