Some of the captives enslave their masters. Aurelius was one. From my earliest days Aurelius and rumours of him were much about me. Once he earned his bread in a great country house by looking after the books and writing letters. They lodged, fed, and clothed him, and gave him a small wage—he came from no one knew where, except that it must have been a gutter or a ditch, as he said, “between the moon and Mercury.” But he would tell children that he was begotten out of the moonlight by an owl’s hooting, or that he was born in a tent in the New Forest, where there were more leaves than money. It was a sort of grievance against him that he could always buy what he wanted, as a book for himself or a toy for a child.
He can have been of little use as a letter-writer, as I see now. His writing looked as unfamiliar as Persian, and must have been laborious. It was suited to the copying of incantations, horoscopes, receipts for confectionery. It must often have startled the reader like a line of trees or flight of birds writing their black legend on the dawn silver. There was nothing in the meaning of his sentences, I think, to correspond with the looks of them. A few of his letters survive, and some notes on accessions to the library, etc.; but it is clear that they were written in a language foreign to the man, a loose journalistic English of the moment, neither classic nor colloquial, and they have no significance.
Some people called him a little man, but in his size as in other things he seemed rather to be of another species than a diminutive example of our own. He was smaller than a man, but not unpleasantly small, neither were his hands too long and delicate, nor were they incapable of a man’s work. In every way he was finely made and graceful, with clear large features, curled dark-brown hair and beard almost auburn. His clothes were part of him, of a lighter brown than his hair and of some substance which was more like a natural fur than a made cloth. These clothes, along with his voice, which was very deep, his hair, and his silent movements, increased his pleasing inhumanity. He sat among many people and said trivial things, or more often nothing, looking very far away and very little, turning all light somehow to moonlight, his dark eyes full of subdued gleaming; and both speech and silence drew upon him an attention which gave the casual observer an excuse for calling him vain. Children liked him, though he never troubled to show a liking for children, and while we sat on his lap or displayed a book for him he would be talking busily to others, but without offending us. He did not often tell us tales or play games with us, but he had a swift, gentle way of putting his hand on our heads and looking at us which always seemed an honour.
I recall chiefly, in connection with Aurelius, an evening near the end of winter at the great house. There had been a week of frost, some days silent and misty, others loud and clear with a north-east wind. Then came the west wind, a day’s balmy sun, and at last rain. This day I recall was the next. It was full of goings to and fro of loose cloud, of yellow threatenings on the hills. The light was thin and pale, falling tenderly over green fields and their fresh sprinkling of mole-heaps. But the rain would not descend, and as we got to the big house for tea the sky cleared, and in the twilight blackbirds were chinking nervously before sleep and now and then hurrying across the dim grass between the dark hedges and copses. A robin sang at the edge of a holly, and a thrush somewhere remote, and the world had become narrow and homely, the birds sounded secure like happily tired boys lazily undressing, and evidently they did not expect men. Three-quarters of a moon hung at the zenith, cold and fresh and white like an early spring flower. We grew silent, but at tea were particularly noisy and excited, too excited and near to tears, when I rushed upstairs. In the library I found Aurelius reading, with his back to the uncurtained window, by a light that only illuminated his face and page. Running at first to the window, I pressed my face on the pane to see the profound of deepening night, and the lake shining dimly like a window through which the things under the earth might be seen if you were out. The abyss of solitude below and around was swallowing the little white moon and might swallow me also; with terror at this feeling I turned away. “What?” said Aurelius, without even looking round, but apparently aware of my feeling. Seated in his lap, he took hardly more notice of me, but I was comforted. His silence was not a mere absence of words. It was not the peevish silence of one too cautious or too fearful to speak; nor the silence of one who has suddenly become isolated and feels it, yet cannot escape. Up out of the silence rose the voice of Aurelius reading out of the book before him. Over my shoulder came the rustling of ivy, and the sighing of trees, and the running of the brook through the coomb; the moon, close at hand, out in the black garden, pressed her face against the window and looked in at me. Aurelius was reading of that great king who had under him a hundred thousand kings, and whose chief delight was in ancient books telling of the loveliness of Paradise: “And when he met with this description of the world to come, and of Paradise and its pavilions, its lofty chambers, its trees and fruits, and of the other things in Paradise, his heart enticed him to construct its like on earth....” The world extended to a vastness that came close up to me and enfolded me as a lake enfolds one swan. Thus at the building of that Paradise I easily imagined doorways that would have admitted Orion and the Pleiades together. And at last, at the cry of destruction, though I was sorry, I was intensely satisfied with both the sadness and the splendour. I began to dream in the following silence. I dreamed I was lying at the edge of an immense sea, upon a rock scarcely raised above the water of the colour of sapphires. I saw go by me a procession of enormous seals whose backs swelled out of the wavelets like camels, and as they passed in deep water, a few yards away, each one cast on me his dark soft eyes, and they were the eyes of Aurelius. There were more coming behind when I awoke. Aurelius lighted another lamp. I went over again to the window and looked out. In a flash I saw the outer vast world of solitude, darkness, and silence, waiting eternally for its prey, and felt behind me the little world within that darkness like a lighthouse. I went back to the others. Aurelius for all I knew went to the kingdoms of the moon.
Many times again he read to us after I had on some pretext brought him to Abercorran House, a year or two later.
Yet older people said that Aurelius had no perception of religion, or beauty, or human suffering. Certainly he talked of these things, as I see now, with a strange and callous-seeming familiarity, as a poultry-farmer talks of chickens; but our elders did not explain it when they called it in scorn artistic. I suspect it was in scorn, though they said it was to humanise him, that they helped to get him married to a “nice sensible” girl who never came near Abercorran House. Like many other women, she had been used to petting him as if he were an animal. He responded with quaint, elaborate speeches and gestures, kneeling to speak, calling her by different invented names, but perhaps with a mock-heroic humorous gleam. He married her, and all I know is that he slipped away from the charming flat where the kindness of friends had deposited them, and never reappeared in the neighbourhood except at Abercorran House. He sent her money from time to time which he earned as trainer to a troupe of dogs in a travelling circus, as a waiter, as a commercial traveller of some sort. It was said that he had been to sea. In any case, to hear him sing
“Along the plains of Mexico”
was better than sailing in any ship we had ever been in or imagined. I am sure that he could not have improved his singing of “Along the Plains of Mexico” by sailing from Swansea to Ilfracombe or round Cape Horn, or by getting a heart of oak and a hand of iron. He brought nothing back with him from his travels. He had no possessions—not a book, not a watch, not an extra suit of clothes, not a lead pencil. He could live on nothing, and at times, it was said, had done so. For his hardiness was great, and habitually he ate almost nothing. Man, God, and weather could not harm him. Of course he was sometimes put upon, for he would not quarrel. For having treated him better than he appeared to have expected, some people could hardly forgive themselves until they learned to take it as creditable. One tremendous tradesman, for instance, explained his comparative civility to Aurelius on a trying occasion by blustering: “You never know where you are with these Gypsies:” he came, however, to regard himself as a benefactor. A minister of the gospel who was tricked by Aurelius’ innocence had to fall back on accusing him of concealing his age and of being a Welshman. Everyone thought him a foreigner.
It was a remarkable thing that nobody except a few children and Mr Torrance the schoolmaster—for actually one schoolmaster frequented Abercorran House—liked to be alone with Aurelius. I never heard this spoken of, and I believe nobody consciously avoided being alone with him. Only, it so happened that he was welcomed by a company, but not one member of it was likely to stay on long if at last he found himself and Aurelius left behind by the others. Meeting him in the street, no one ever stopped for more than a few words with him. Some awkwardness was feared, but not in Aurelius, who was never awkward. Unsympathetic people called him a foreigner, and there was something in it. In no imaginable crowd could he have been one of the million “friends, Romans, countrymen!” Perhaps even at Abercorran House he was not quite one of us. Yet in a moment he was at home there. I can see him holding a pigeon—in the correct manner—spreading out one of its wings and letting it slip back again, while he was talking, as luck would have it, to Higgs the bird-chap who cared for nothing but pigeons. Higgs was so taken aback by the way the new-comer talked and held the bird—a man whom he would instinctively have laughed at—that he could not say a word, but escaped as soon as possible and blundered about saying: “I like the little chap.... You can see he’s used to birds—who would have thought it?—and I wondered what it was young Arthur was bringing in.” Higgs was so pleased with his own discernment, his cleverness in seeing good in that unlikely place, that he really exaggerated his liking for Aurelius. However, let it be set down to Higgs’ credit that he knew a hawk from a handsaw, and hailed Aurelius almost at first sight.