So cruel prison how could betide, alas,
As proud Windsor? Where I, in lust and joy,
With a King's son, my childish years did pass,
In greater feast than Priam's sons of Troy.
Where each sweet place returns a taste full sour,
The large green courts, where we were wont to hove,
With eyes cast up into the Maiden's tower,
And easy sighs, such as folk draw in love.
The stately seats, the ladies bright of hue,
The dances short, long tales of great delight;
With words and looks that tigers could but rue;
Where each of us did plead the other's right.
The palme-play, where, despoiled for the game,
With dazzled eyes oft we by gleams of love
Have miss'd the ball, and got sight of our dame,
To bait her eyes, which kept the leads above.
The gravel'd ground, with sleeves tied on the helm,
On foaming horse, with swords and friendly hearts;
With chere, as though one should another whelm,
Where we have fought, and chased oft with darts.
With silver drops the mead yet spread for ruth,
In active games of nimbleness and strength,
Where we did strain, trained with swarms of youth,
Our tender limbs, that yet shot up in length.
The secret groves, which oft we made resound
Of pleasant plaint, and of our ladies' praise;
Recording oft what grace each one had found,
What hope of speed, what dread of long delays.
The wild forest, the clothed holts with green;
With reins availed, and swiftly-breathed horse,
With cry of hounds, and merry blasts between,
Where we did chase the fearful hart of force.
The wide walls eke, that harbour'd us each night:
Wherewith, alas! reviveth in my breast
The sweet accord: such sleeps as yet delight;
The pleasant dreams, the quiet bed of rest;
The secret thoughts, imparted with such trust;
The wanton talk, the divers change of play;
The friendship sworn, each promise kept so just,
Wherewith we past the winter night away.
And with this thought the blood forsakes the face;
The tears berain my cheeks of deadly hue:
The which, as soon as sobbing sighs, alas!
Up-supped have, thus I my plaint renew:
"O place of bliss! renewer of my woes!
Give me account, where is my noble fere?
Whom in thy walls thou dost each night enclose;
To other lief; but unto me most dear."
Echo, alas! that doth my sorrow rue,
Returns thereto a hollow sound of plaint.
Thus I alone, where all my freedom grew,
In prison pine, with bondage and restraint:
And with remembrance of the greater grief,
To banish the less, I find my chief relief.
The critics, I believe, regard this poem as a conventional poetical exaggeration of some unimportant or wholly imaginary event in Surrey's life, because he was then married, and because the lady who is conjectured to have been the subject of his "Description and Praise of Geraldine" was then only twelve years old.
Queen Elizabeth built the North Terrace of the Castle in 1576, a gallery to the west of it now used as a library, and an octagon banqueting hall, at the east end, which Charles I pulled down to substitute a gateway and drawbridge leading into the Home Park. He also demolished the fountain of Queen Mary Tudor in the Upper Ward. He thought, but in vain, to build another banqueting hall, and to construct a fountain, where Hercules was to have been seen strangling Antæus, so as to make it appear that "by squeezing of him the water came out of his mouth". Charles often held his Court at Windsor, and was at the Castle in January when the Civil War was at hand; there was a garrison of forty officers and four hundred horse, and wagons of ammunition were arriving. But in October, 1642, appeared a pamphlet, entitled "Exceeding true and happy news from the Castle of Windsor declaring how several troops of Dragoons have taken possession of the said Castle to keep it for the use of the King and Parliament". "For King and Parliament" was a euphemism. Windsor was esteemed one of the strongest places in the kingdom, and could the Cavaliers have retained and fortified it, they might have descended upon London. And so "several well-affected Gentlemen and valiant Religious Commanders have gone to raise several troops of Dragooners and Volunteers, some of which are already arrived at Windsor, and have taken possession of the Castle". The intruders took the chapel plate of St. George's and coined it into money for the Parliament; they despoiled Wolsey's tomb; and they carried off Edward IV's embroidered surcoat of crimson velvet, wrought with gold and pearls and decorated with rubies, which had hung over his tomb since the opulent funeral of 1483.
NORTH TERRACE AND WINCHESTER TOWER
Prince Rupert attacked the Castle in the same year, 1642, but without success, and in the winter and spring following Essex made it his headquarters and a prison for Royalists, while Rupert flickered here and there about Oxford. At the end of the war Windsor was the strange foil to that notable prayer meeting of the Army officers held some time early in 1648. The Army was uneasy in its relations with people and Parliament; it had cause to fear a revival of royalism; and some officers had thought of laying down their arms, because what they had done, and were willing to do, for the nation was not acceptable to it. Therefore they spent two days together in prayer at Windsor Castle, enquiring when it last was that they could say with confidence: "The presence of the Lord was among us". On the third day the "gracious hand of the Lord" showed them how they had come to their present trouble and uncertainty. It was through their treating with the king and his party, this of course being prompted by their own "conceited wisdom, fear, and want of faith". Thus they were led to loathe their iniquities. They wept for shame of their unbelief and trust in the wisdom of this world, and they arrived at a humble confidence and "a very clear and joint resolution, That it was our duty, if ever the Lord brought us back again in peace, to call Charles Stuart, that man of blood, to an account for that blood he had shed, and mischief he had done to his utmost, against the Lord's Cause and People in these poor Nations". These are the words written in 1659 by Adjutant Allen, who was at the prayer meeting.
In less than a year, on Christmas Eve, 1648, there was "terrible and bloody news from Windsor". The king was brought from Hurst Castle by Colonel Harrison and ten troops of horse. At the passing of the king the people of Windsor cried: "God bless your majesty and send you long to reign"; and after he entered the Castle the Royalists of the town drank a carouse to their dread sovereign, but were "taken off from that ceremonial and cant-like action" by several files of musketeers, not before several had been wounded and three killed. Charles did not return to Windsor again until he was dead. His body was borne thither without pomp or noise. When the attendant lords—the Duke of Richmond, the Marquis of Hertford, and the Earls of Southampton and Lyndsy—requested that the body might be buried according to the form of the Common Prayer Book, the Governor "expressly, positively, and roughly refused to consent to it, and said it was not lawful; that the Common Prayer Book was put down...." As the coffin was brought to St. George's Chapel, snow fell and gave the black pall the "colour of innocency". Such were the dismal mutations of the Chapel, that the lords scarce knew where they were. "A fellow of the town" showed them the vault of Henry VIII and Jane Seymour, and there they laid him. At a later date the vault was opened to receive a nameless child of Queen Anne's. There in the vault just before the altar, John Evelyn in 1654 found "our blessed martyr, King Charles".
Cromwell occasionally lived at Windsor. Charles II used it as his summer lodging, and Nell Gwynn had a house, called Burford House, close to the Castle. The king was at St. George's Feast in 1663 with Lady Castlemaine as well as the queen. Pepys heard that the Duke of Monmouth danced with the queen, his hat in his hand, and that "the king came in and kissed him, and made him put on his hat, which everybody took notice of". Pepys spent a cheerful, carnal day in the Castle and at Eton on February 26, 1665, admiring the Chapel and the banners and the singing and "the most romantique castle that is in the world", and "giving a great deal of money to this and that man and woman". When Evelyn saw the Castle in August, 1670, Prince Rupert was Constable, and "had begun to trim up the keep or high round tower, and handsomely adorned his hall with furniture of arms, which was very singular, ... so disposing the bandoleers, holsters and drums, as to represent festoons, and that without any confusion, trophy-like. From the hall we went into his bed-chamber, and ample rooms hung with tapestry, curious and effeminate pictures so extremely different from the other, which presented nothing but war and horror." The king was hunting the stag, walking in the Park, and planting it with rows of trees. The Castle was "exceedingly ragged and ruinous", and about to be repaired. Wren Italianised the façade, and the Castle was to some extent rebuilt and altogether remodelled into something which later critics considered monotonous and commonplace. The interior was decorated by the carvings of Gibbons and Antonio Verrio's inert and luscious paintings of "Judith and Holofernes", "Leda and the Swan", and the like, which Evelyn, who saw the frescoes of St. George's Hall in 1683, admired for their "full and flowing, antique and heroical" style. Gibbons also made the copper statue of the king on horseback, which was newly set up in July, 1680, on its pedestal of white marble, where it still stands. The outer ditches of the Castle were filled in. Terraces were formed on the south and east, and the north terrace was enlarged. The Devil's Tower was given to the Maids of Honour. Charles meant to face the mound of the Round Tower with red brick, but was prevented.
NELL GWYN'S HOUSE AND HENRY VIII GATEWAY