Shakespeare and music

by Edward W. Naylor

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(f.) 2. The imitation (by violins) of a hunting call in Purcell's 'Dido and Æneas,' 1675. See p. [183].

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INDEX.

Accurate knowledge of Shakespeare, [2], [3].
Actors preceded by drums, [163];
by trumpets, [164], [167], [168].
Actor's Remonstrance, The, [19].
Aguecheek, Sir Andrew, a musician, [29].
'Alas, my love,' [194].
Alarum, [165], [166].
All's Well, [120], [133], [163], [205].
Alman, a dance, [115], [170].
Amateurs, 17th cent., [13], [14], [47].
'And will he not come again,' [77], [197].
Anthems, practised by Falstaff, [85].
'Anthoinette,' galliard tune, [143].
Antony and Cleopatra, [152], [159], [162], [166], [175].
Arbeau, see ['Orchésographie.']
Arch-Lute, [56], and [frontispiece].
Arena, Anthoine, [139].
As you like it, [72], [73], [77], [93], [94], [126], [155], [157], [193], [203].
[Autolycus's] songs, [72], [191], [192].
'Ayres' for lute, [55], [187].
Bacon, Masque and Triumph, [31].
Bacon, Sylva Sylvarum, [31].
on the Recorder, [31], [50].
Bagpipe, [78], [81], [96], [98], [102].
Ballads, [20], [70] ff, [86], [97], [98], [200].
Ballad of Constant Susanna, [189].
Ballete, combined dance and song, [113].
Ball-room etiquette (1588), [138], [139], [140], [144].
Bannister, Mr, [191].
Bandore, sort of lute, [170].
'Banket,' 16th cent., [5].
Barber's shop, music in, [7], [18], [19].
Bars, invention of, [34].
Base (bass), quibbles on, [27], [60].
Bass descant, [185].
Basse dance, [137]-141.
Beaumont, Gray's Inn Masque, [36], [171].
Beaumont and Fletcher, Coxcomb, [16].
Beaumont and Fletcher, Valentinian, [171].
Beak-flute, [50], [52].
'Bear his part', [16], [22], [79], [80].
Play his part, [12].
Sing his part, [14].
'Bene's,' the three, [8].
Bergamasca, [114].
Blacke Saunctus, [10].
Boleyn, Anne, [10].
Bonduca, catch in, [17].
'Bonny sweet Robin,' [77], [196], [197], [198].
'Boute-selle', [210].
Bow, viol, [48], and [frontispiece].
Branle, Le, dance step, [139].
Bransle, dance (brawl), [115], [147]-148 (tune and steps), [149].
Brant, 'Ship of Fools,' [96].
Brawl, dance, [115], [118], [119], (derivation), [123], [208].
Breast, i.e. voice, [88].
Bridge, Dr J.F., Shakespeare Songs, [87], [93], [171].
Broken music, [30]-32, [103], [104], [125], [187].
Broken time, [32], [33].
Bull, Dr John, [54], [114], [117], [124], [125], [136], [201], [205].
Burden, [22], [23], [24], [26], [69], [78], [82].
Burden, 'Light o' love' without a, [24], [26], [71].
Burney, [36], [195], [196].
Bussing base, [16], [24].
'But shall I go mourn,' [72].
Byrd, William, [54], [76], [124], [171], [195].
'By a bank,' [26].
[Canary], dance, [118], [119], [120], [146] (tune and steps), [208].
Canaries, see [Canary].
Cannon, on stage, [165], [168].
Canon, [10], [20].
'Canst thou not hit it,' [200].
[Caper], to, in a galliard, [121], [124], [138], [143].
Carey's Dump, My Lady, [128], [207].
'Carman's whistle,' [76], [195].
Catch, [16], [17], [18], [20], [65], [69], [77], [87], [88], [89], [90], [91], [92], [198], [199].
Caulfield, Collection of Shakespeare music, [77].
Censorinus, on music of Spheres, [153], [154].
Cerreto, Scipione, see [Lute], [55].
Chamber music, [12]-14, [15], [47].
Chappell, [9], [31], [36], [74], [111], [192].
Charles I., [11], [12].
music in time of, [2].
Chaucer, [65], [129].
Chelys Minuritionum, [29], [30].
'Chest' of viols, [45]-49.
Chorus, or dance, of heavenly bodies, [154]-6.
Christopher Sympson, see [Sympson].
[Cinquepace], [121], [122], [142] (tune and steps), [202], [208].
Cittern, in barber's shop, [18], [19], [170].
Cittern, carved head of, [19].
Clavichord, [67], [68].
Clergy and Music, [8], [9], [13], [15].
'Cliff' (clef), [40].
Cobbler's Jig, The, [118], [125], [205].
Comedies, Music in the, [4], [169].
'Come live with me,' [188].
Compendium, Sympson's, [116], [117].
Compositions by Henry VIII., [9].
Comus, Milton's, [171].
'Conceits,' [101].
Concolinel, [70].
Concord, [27], [32].
Congee, or Congedium, [139].
Consorts, 'broken' and 'whole,' [31], [48], [55], [125].
Consort, of viols, [31], [98], [117].
Coperario (J. Cooper), [12], [36], [47], [171].
Coranto, dance, [115], [116], [118], [121], [122] (derivation), [123], [124], [126], [136], [149]-150 (tune and steps).
Coriolanus, [166], [167], [176].
Cornet, [170], [179], [180], and [x].
Cornet playing, 17th cent., [179].
Cornyshe, W., [66].
Corydon's Farewell to Phillis, [190].
Cotgrave, on 'freeman's songs,' [83].
'Counter,' to, [66], [68], [97], [98].
Country Dance, [115], [116], [122], [123], [126].
Courante, [208].
Curranta (courante, coranto), [7].
Cushion dance, [118], [126].
Cymbals, [176].
Cymbeline, [73], [100], [109], [110].
Damon and Pithias, [16].
Dances, 16th cent., [137]-151.
Dance music, [139], [144], [145], [200], [201] ff.
Dances in Shakespeare, [113] ff.
Dances, sung, [113], [115], [118], [119], [145].
Dancing, time of Elizabeth, James I. and Charles I., [118].
Dances of 16th cent., origin of Sonata form, [113].
Dancing Schools, English, [136].
Dancing, to tabor and pipe, [78], [120], and [frontispiece].
Davenant, The Wits, [17].
Davies, Sir John, on dances, [123], [124].
Declaration of Egregious Impostures, [17].
Dekker, Satiromastix, [164].
Delaborde, [119].
Descant, [6], [8], [22], [23], [25], [27], [29], [41], [42], [67], [68], [185].
Descanters, contention of, [6].
Descant on a "ground," [29], [30].
Deuteromelia, Ravencroft's, [83].
'Diabolus est,' [37], [186].
Diapason, [22], [23], [153], [154].
Diminution, see [Division].
Dinner party, 16th cent., [5].
Dinner, music during, at taverns, [20],
after supper, [105].
Dirge, [109], [110], [111].
Discord, 'restless,' [22], [23],
'harsh,' [28].
[Division], [28]-30, [35], [36], [57], [185], [186].
Division, quibbles on, [28], [35], [36], [186].
Division viol, [29], [30].
Doquet, see [Tucket].
Drayton, Battle of Agincourt, [16].
Drone, [23].
Drum, in dancing, [139], [145].
and fife, [160]-162.
military, [162], [163], [172]-175.
Drums, in theatre band, [176].
Drum March, [172]-175, [208].
Dulcimer, [176], [177].
Dump, dance, [22], [23], [59], [61], [98], [127], [128] (derivation), [130], [170], [207].
quibble on, [22], [130].
Dupla, [33], [34].
Ear, musical, [32], [100].
Edward VI., [10].
Edwards, Richard, [73], [128], [169], [193].
Elizabeth, Queen, [10], [11], [15], [53].
Elizabethan public-house song, [17], [20].
Elizabethan times, music in, [2], [4]-8, [16], [113], [114] (dances) ff.
Erasmus, [9].
'Evening music,' [99], [101].
'Excursions,' [165].
[Falstaff] and his crew, musicians, [41]-43, [76], [85].
'Fancies,' for viols, [47], [76], [101], [117].
'Farewell, dear heart,' [72], [89], [190].
'Farewell, master,' Caliban's Song, [73].
Faustus, Marlowe's, [178].
'Fayned' music, [67], [69], [97], [98].
'Fear no more the heat of the sun,' [73], [110].
Fellowships at Cambridge, musical qualification for, [8], [9].
Ferrabosco, [171].
Fiddle, [49], [124].
Fidler, 'common,' 'rascal,' [13], [59].
Fidlers, [7].
Fidles, [170], [171].
Fife, [160]-162, [176].
Fingering, on lute, [58], [60],
on viol, [44], [101].
'Fish,' ballad of a, [72], [79].
[Fitzwilliam] Virginal Book (known as Qu. Elizabeth's) [11], [54], [123], [192], [195], [196].
Flageolet, see [Recorder].
Flats, [27], [69].
'Flemish Drunkards,' [66], [199].
Florio, on threemen's songs, [83].
Flourish, [165], [167]-8, [178], [179] (of cornets), [208].
'Flout 'em and scout 'em,' [77], [78], [91].
Flute, [31], [96], [98], [145], [169], [170], [171], [176].
'Fools had ne'er less grace,' [72].
'Fortune my Foe,' [76], [195].
Freemen, see [Threemen].
French dancing, [136]-151.
'French fiddles,' [49].
French march, [209].
Frescobaldi, [123].
Fret, quibbles on, [51], [58].
Frets, [19], [25], [45], [46], [56], [58].
Galliard, [114] (follows Pavan), [115], [116] (derivation), [121], [122], [123], [124], [126], [134], [138] (par terre), [142] (tune and steps), [148], [170], [201], [202].
Gallimaufry, [80], [84].
Gammer Gurton's Needle, comedy,

[170].
Gam-ut, [39], [40], [60].
Gaufurius, [34].
Gentlemen and music, [5]-8, [10], [12], [13]-15, [20], [29], [47], [49], [50], [97], [98], [101].
'Get you hence,' [72].
Gibbons, Orlando, [54], [108], [124].
Giraldus Cambrensis, [83].
Gnorimus, master, [5], [6].
'Good morrow, 'tis St Valentine's day,' [77], [196].
Goodnights (dirges), [76], [109], [110].
Gosson, Schoole of Abuse, [20].
Gout, morisque bad for the, [151].
Gower, [65].
Grand Bal, Le, [144].
'Green Sleeves,' [74], [75], [194].
'Gregory Walker,' [7].
Ground Bass, [29], [30], [185].
Grove's Dictionary of Music, [113], [145], [192].
Guido d'Arezzo, [37].
Hamlet, [50]-52, [76], [77], [125], [167], [172], [196]-198, [205].
Hanskin, [192].
'Harmonious Blacksmith,' [28].
Harp, [65], [96], [98].
Harp, Irish, [31].
Harpsichord, [29], [30], [176], [185].
Harpsicon, [13].
Harsnet, on catches, [17].
Harrington, Sir John, [8], [10].
Hautboys, stage direction, [169], [175], [176], [209].
Hautboys, [144], [145], [159], [171], [176], [177], [209].
Hautboy, case of a treble, [76], [177].
[Hay], dance, [131], [150] (tune and steps), [204], [205], [208].
'Heart's Ease,' [73], [129], [193].
'He is dead and gone,' [196].
Henry, Prince, brother of Charles I., [8], [173].
Henry IV., Part I, [81], [172], [182].
Henry IV., Part II, [70], [76], [105], [107], [109], [117], [177], [195].
Henry V., [31], [32], [41], [63], [114], [123], [129], [133], [136], [165], [166], [167], [172], [178], [180], [181], [182], [202], [210].
Henry VI., Part I, [56], [165], [166], [172], [182], [183], [208], [209].
Henry VI., Part II, [166], [172], [182].
Henry VI., Part III, [175], [182], [183].
Henry VII., Singing in time of, [65]-69.
Henry VIII., a musician, [9], [10], [14], [26].
Henry VIII., [49], [73], [109], [110], [126], [139].
Herbert, George, [12].
Hexachord, [37], [187].
'Hey, Robin, jolly Robin,' [190].
Hilton, John, [77].
History of music in Shakespeare, [2], [3].
'Hold thy peace,' [77], [198].
Holofernes' head, [19].
Horn, [169].
[Horns], stage direction, [182], [183], [211].
'How should I your true love know,' [77], [196].
Hugh, Parson, [187].
Hum, to, a burden, [22], [23], [24].
'Hundredth Psalm,' [75].
Hunsdean, Lord, [11].
'Hunt is up, The,' [73], [192].
Hunts-up, [73].
'I shall no more to sea,' [73], [191].
'I'm gone, Sir, and anon, Sir,' [190].
Inglesant, John, Mr Shorthouse's, [2], [29].
Instrumental Music, amongst lower classes, [18]-20,
amongst higher classes, [9]-15,
in barber's shop, [18], [19],
in taverns, [19], [20].
Instrumental music, descended from Vocal Dances, [113], [116], [117].
Instrumental music, England supreme in, [117].
Introduction, Morley's, [4]-7, [8], [18], [23], [185].
Irish Harp, [31].
'It was a lover and his lass,' [93].
Ives, Simon, [171].
'Jack boy, ho boy,' [77], [92], [199].
Jacks, [54], [68].
James I., music in time of, [11].
Jaques, a hater of music, [93], [94].
Jenkins, John, [47], [72].
Jig, dance, [116]-118, [121], [123], [124], [125].
Jig, The Cobbler's, [205].
Jigg, The King's Hunting, [205].
Jocasta, by Gascoyne, [170].
'Jog on,' [72], [192].
Johnson, Robt., [112], [171].
John, King, [95], [163], [182].
Jonson, Alchemist, Silent Woman, [18],
Masques by, [171].
Julius Cæsar, [108], [166].
Jusquin (Josquin des Prés, died 1521), [10].
Ken, Bishop, [13].
'King and the Beggar,' Ballad of the, [70].
King's Coll., Camb., Master of, in 1463, [9].
King's Hunting Jig, The, [117], [125], [205].
Kircher, [176].
'Knell,' Qu. Katherine's, [110]-112.
'L'homme armé,' [85].
Lacy, Henry, Jane Shore, [171].
Lark, out of tune, [28].
Lavolt, [208].
[Lavolta], dance, [115], [124], [136], [148], [149] (tune and steps).
Lawes, Henry, [171].
Lawes, William, [47], [171].
'Lawn, as white as,' [72].
Lear, [35], [36], [72], [181], [183], [186].
Le Roy, Adrian, see Lute, [55].
'Lesson,' i.e. a piece of music, [54], [60], [62], [76].
'Lesson' for the Lute, [187].
Lessons in music, [5], [6], [58]-60, [62]-64.
'Light o' love,' [24], [26], [70], [71], [187].
Locke, Matt., [31], [125].
Lollards, [86].
Love song, [55], [78], [81], [82], [88], [96].
'Love, love, nothing but love,' [72].
Love's Labour's Lost, [19], [70], [115], [118], [119], [131], [200], [204].
Lower classes, music amongst, [15]-20.
Lucrece, [22]-26, [127], [166], [185].
Lully, [119], [209].
Lute, [9], [10], [12], [30], [31], [55]-61, [67], [68], [69], [73], [96], [98], [108], [109], [171].
[Lute], objections to, in 17th cent., [56], [61].
Pavan for, [204].
tuning of, [55], [60], [61].
Lute-case, [41], [42], [129].
Lutenist, [13].
Lyly, on music at feasts, [20].
Macbeth, [166].
Mace, Thomas, [45], [46], [55], [56], [187]
Mad Songs, [36].
Madness and Music, [32], [35], [64], [107].
March, military and national, [172]-175, [208], [209].
Marlowe, [188].
Mary, Queen, [10].
Mascaradoes, music in, [115], [145].
Masque, [115], [145], [159]-161, [171].
Masque and Triumph, Bacon's Essay on, [31].
May day customs, [132], [133], [161].
Mean, [27], [67], [84].
Measure, stately dance, [121], [123], [125]-127, [203].
Measure for Measure, [157].
Méhul, 'Le Jeune Henri,' [183], [211].
Melvil's Memoirs, [11].
Melancholy of musicians, [156], [157].
Memoria Technica for step dance, [141].
Merchant of Venice, [81], [102], [155], [157], [160], [168], [180].
Merry Devill of Edmonton, The, [17].
Merry Wives of Windsor, [43], [71], [74], [76], [119], [120], [188], [194], [195].
Mersennus, [52], [80], [161], [174], [177], [179].
Metaphors, musical, in Shakespeare, see [Quibbles].
Mi Contra Fa, [186].
Mi, to place the, [38], [69].
Micrologus, Guido's, [37].
Micrologus, Ornithoparcus's, [34].
Midsummer Night's Dream, [52], [114], [119], [160], [162], [167].
Military music, [162], [208], [209].
Milton, [105], [155], [171].
Minim rest, [43].
Miracle Play, 1512, music in, [169].
Monochord, [66], [68].
Monteverde, [47], [133], [206].
Moresca, Morisque, see [Morris].
Morley, Thomas, 'Introduction,' [4]-8, [18], [23], [33], [34], [41],
song, [93],
dances, [113]-116, [122], [124], [136],
descant, [185].
'Morning Music,' [100], [101], [102].
[Morris], dance, [132], [133], [151] (tune and steps), [205], [206], [208].
Mouton, middle 16th cent., [10].
Much Ado, [24], [70], [71], [81], [121], [125], [161], [162], [187].
Music at home, [107]-109.
and disease, [106], [107].
and Manners, [5]-8, [49], [67], [68].
Music and madness, [32], [35], [64], [107].
Music-masters, [5], [6], [14], [40], [58]-60, [62]-64, [66]-68.
'Music of men's lives,' [32].
'Music,' stage direction, [169]-171, [175], [208].
Music, in time of Charles I, [2], [47].
Music, two views of in Shakespeare, [2].
Music, Lessons in the fields, [6].
Music at University, [7]-9, [12]-14.
Music in barber's shop, [18], [19].
Music in taverns, decay of, [19], [20].
Music, lesson, of an hour, [59].
Musica Ficta, [69], [98].
Musical England, [20], [25], [47], [53], [54], [55].
Musical 'at home,' 16th cent., [5].
Musicians, Royal, [9]-12.
Musick's Monument, [45], [46], [56], [187].
'My heart is full of woe,' [73], [130].
'My Mistress,' for Lute, [187].
'My Robin is to the greenwood gone,' [198].
Nativity Hymn, Milton's, [155].
Nebel, see [Psaltery].
[Nevell's], Lady, Virginal Book, [54].
Nightingale, descants, [22], [23].
kept awake with thorn, [22], [26].
Nimble notes, [22], [23].
Noise, i.e. concerted music, [105], [106].
'Note-splitting,' [28].
Note, to give a, [26], [27].
'O Death, rock me to sleep,' [111], [112].
'O heart, heavy heart,' [72].
'O mistress mine,' [87].
'O sweete Olyver,' [73], [193].
'O! the twelfth day of December,' [72], [89].
Old Wives' Tale, Peele's, [16],