[Song. 'Orpheus.']
The next passage brings us to another class of music—viz., dirges, funeral songs, or 'good-nights.' [See H. 4. B. III, ii, 322]. In Cymbeline IV, ii, 184, Cadwal (Arviragus) sounds an 'ingenious instrument' to signify Imogen's death. Polydore (Guiderius) says they had not used it since their mother died. The song, or more properly, duet, which they sing directly after, in memory of Imogen, may be taken in this connection. Unfortunately there seems to be no musical setting of 'Fear no more the heat o' the sun' any older than 1740.
In the following quotation 'dirges' are mentioned by name.
Rom. IV, iv, 21.
Capulet. ... "Good faith! 'tis day:
The county [Count Paris] will be here with music straight."
Sc. v. 84.
Cap. All things, that we ordained festival,
Turn from their office to black funeral:
Our instruments to melancholy bells;
Our wedding cheer to a sad burial feast;
Our solemn hymns to sullen dirges change.
In close connection with these funeral songs is the passage in Hen. VIII. IV, ii, 77, where Queen Katherine, sick, requests her gentleman-usher to get the musicians to play a favourite piece of this class—
... Good Griffith,
Cause the musicians play me that sad note
I named my knell, whilst I sit meditating
On that celestial harmony I go to.
[She sleeps, then, waking from the vision—]
... Bid the music leave,
They are harsh and heavy to me.
It would be of great interest if it were possible to identify Queen Katherine's 'Knell.'
There is an old song, given in Chappell's Popular Music, 'O Death, rock me to sleep,' which might be the very one, for both music and words are singularly appropriate. The Refrain is as follows:—
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'Tole on thou passing bell Ringe out my dolefull knell Let thy sound my death tell, For I must die, There is no remedye.' |