The Morrice Dance, or Morris, was very popular in England and other countries in the 16th century.
Relics of it may still be seen in country places at certain times of the year. The very meagre celebrations of May Day, which can be seen in London even now, are a survival of the ancient customs with which the Morrice-Dance was always associated. Hawkins gives this account of the Morris; "there are few country places in this kingdom where it is not known; it is a dance of young men in their shirts, with bells at their feet, and ribbons of various colours tied round their arms, and slung across their shoulders. Some writers, Shakespeare in particular, mention a Hobby-horse and a Maid Marian, as necessary in this recreation. Sir William Temple speaks of a pamphlet in the library of the Earl of Leicester, which gave an account of a set of morrice-dancers in King James's reign, composed of ten men or twelve men, for the ambiguity of his expression renders it impossible to say which of the two numbers is meant, who went about the country: that they danced a Maid Marian, with a tabor and pipe, and that their ages one with another made up twelve hundred years."
[Temple's own words are quite clear—viz., that there were ten men who danced; a Maid Marian (makes eleven); and a man to play the tabor and pipe (makes twelve).]
The name Morrice means Moorish dance, or Morisco. Perhaps it was called so from being accompanied by the tabor, for Drums of all sorts are distinctly Eastern instruments.
Two tunes, one a Moresca by Monteverde, 1608, and the other an English Morris, 1650, are given in the [Appendix]. Also see [Note on 'Orchésographie'] for a Morisque.
The first of the two following passages connects the morris with May Day; the second with Whitsuntide, which is in May as often as not.
All's Well II, ii, 20.
Countess. Will your answer serve fit to all questions?
Clown. As fit as ... a pancake for Shrove Tuesday, a morris for May-day....
H. 5. II, iv, 23.