4 Soldier. ... Peace, what noise?
1 Sold.List, list!
2 Sold. Hark!
1 Sold.Music in the air.
3 Sold.Under the earth.
4 Sold. It signs well, does it not?
3 Sold.No.
1 Sold.Peace, I say!
What should this mean?
2 Sold. 'Tis the god Hercules, whom Antony lov'd,
Now leaves him.

A very usual popular amusement was the Masque, which would consist of a public procession with decorated cars containing the characters, accompanied by hobby horses, tumblers, and open air music. This is referred to in the next passage, where Theseus speaks of the masque as an 'abridgement' for the evening, that is, an entertainment to shorten the hours. The lamentable play of Pyramus and Thisbe follows, which, it will be noticed, has some of the main features of a masque.

Mid's Night's Dream V, i, 39.

Theseus. Say, what abridgment have you for this evening?
What masque, what music?...
* * * * *

[Reads from the paper]

"A tedious brief scene of young Pyramus,
And his love Thisbe; very tragical mirth."
Merry and tragical! Tedious and brief!
That is, hot ice, and wonderous strange snow.
How shall we find the concord of this discord?

In the Merchant of Venice, Shylock mentions the procession of a masque through the streets, forbidding Jessica to look out of the window at these 'Christian fools with varnished faces.' The music accompanying the procession is named—viz., drum and fife.

Merchant II, v, 22.

Lancelot. 'You shall see a masque' ...
Shylock. What! are there masques?
Hear you me, Jessica.
Lock up my doors; and when you hear the drum,
And the vile squeaking of the wryneck'd fife,
Clamber not you up to the casements then,
Nor thrust your head into the public street
To gaze on Christian fools with varnish'd faces.

The 'vile squeaking of the wryneck'd fife' is of some musical interest. The adjective 'wryneck'd' refers, not to the instrument itself, which was straight, but to the player, whose head has to be slightly twisted round to get at the mouthpiece. Mersennus (b. 1588) says that the Fife is the same as the Tibia Helvetica, which was simply a small edition of the Flauto Traverso, or German Flute. That is, the Fife of those days was much the same as the modern Fife of the cheaper kind, with the usual six holes, and a big hole near the stopped end, where the breath was applied. The instrument was therefore held across [traverso] the face of the player, whose head would be turned sideways, and hence comes Shylock's description of it as the 'wryneck'd' fife.