'Twas thou, Bolt-holder, rent'st the cave
Of Val, who held the (heavenly) kine;[26]
Thee helped the (shining) gods, when roused
(To courage) by the fearless one.[27]
Indra, who lords it by his strength,
Our praises now have loud proclaimed;
His generous gifts a thousand are,
Aye, even more than this are they.
This is poetry. Not great poetry perhaps, but certainly not ground out to order, as some of the hymns appear to have been. Yet, it may be said, why could not a poetic hymn have been written in a ritualistic environment? But it is on the hymns themselves that one is forced to depend for the belief in the existence of ritualism, and we claim that such hymns as these, which we have translated as literally as possible, show rather that they were composed without reference to ritual application. It must not be forgotten that the ritual, as it is known in the Br[=a]hmanas, without the slightest doubt, from the point of view of language, social conditions, and theology, represents an age that is very different to that illustrated by the mass of the hymns. Such hymns, therefore, and only such as can be proved to have a ritualistic setting can be referred to a ritualistic age. There is no convincing reason why one should not take the fully justified view that some of the hymns represent a freer and more natural (less priest-bound) age, as they represent a spirit freer and less mechanical than that of other hymns. As to the question which hymns, early or late, be due to poetic feeling, and which to ritualistic mechanism or servile imitation, this can indeed be decided by a judgment based only on the literary quality, never on the accident of subsequent rubrication.
We hold, therefore, in this regard, that the new school, valuable and suggestive as its work has been, is gone already farther than is judicious. The Rig Veda in part is synchronous with an advanced ritualism, subjected to it, and in some cases derived from it; but in part the hymns are "made for their own sake and not for the sake of any sacrificial performance," as said Muller of the whole; going in this too far, but not into greater error than are gone they that confuse the natural with the artificial, the poetical with the mechanical, gold with dross. It may be true that the books of the Rig Veda are chiefly family-books for the soma-cult, but even were it true it would in no wise impugn the poetic character of some of the hymns contained in these books. The drag-net has scooped up old and new, good and bad, together. The Rig Veda is not of one period or of one sort. It is a 'Collection,' as says its name. It is essentially impossible that any sweeping statement in regard to its character should be true if that character be regarded as uniform. To say that the Rig Veda represents an age of childlike thought, a period before the priestly ritual began its spiritual blight, is incorrect. But no less incorrect is it to assert that the Rig Veda represents a period when hymns are made only for rubrication by priests that sing only for baksheesh. Scholars are too prone to-day to speak of the Rig Veda in the same way as the Greeks spoke of Homer. It is to be hoped that the time may soon come when critics will no longer talk about the Collection as if it were all made in the same circumstances and at the same time; above all is it desirable that the literary quality of the hymns may receive due attention, and that there may be less of those universal asseverations which treat the productions of generations of poets as if they were the work of a single author.
In respect of the method of reading into the Rig Veda what is found in parallel passages in the Atharva Veda and Br[=a]hmanas, a practice much favored by Ludwig and others, the results of its application have been singularly futile in passages of importance. Often a varied reading will make clearer a doubtful verse, but it by no means follows that the better reading is the truer. There always remains the lurking suspicion that the reason the variant is more intelligible is that its inventor did not understand the original. As to real elucidation of other sort by the later texts, in the minutiae of the outer world, in details of priestcraft, one may trust early tradition tentatively, just as one does late commentators, but in respect of ideas tradition is as apt to mislead as to lead well. The cleft between the theology of the Rig Veda and that of the Br[=a]hmanas, even from the point of view of the mass of hymns that comprise the former, is too great to allow us with any content to explain the conceptions of the one by those of the other. A tradition always is useful when nothing else offers itself, but traditional beliefs are so apt to take the color of new eras that they should be employed only in the last emergency, and then with the understanding that they are of very hypothetical value.
In conclusion a practical question remains to be answered. In the few cases where the physical basis of a Rig Vedic deity is matter of doubt, it is advisable to present such a deity in the form in which he stands in the text or to endeavor historically to elucidate the figure by searching for his physical prototype? We have chosen the former alternative, partly because we think the latter method unsuitable to a handbook, since it involves many critical discussions of theories of doubtful value. But this is not the chief reason. Granted that the object of study is simply to know the Rig Veda, rightly to grasp the views held by the poets, and so to place oneself upon their plane of thought, it becomes obvious that the farther the student gets from their point of view the less he understands them. Nay, more, every bit of information, real as well as fancied, which in regard to the poets' own divinities furnishes one with more than the poets themselves knew or imagined, is prejudicial to a true knowledge of Vedic beliefs. Here if anywhere is applicable that test of desirable knowledge formulated as das Erkennen des Erkannten. To set oneself in the mental sphere of the Vedic seers, as far as possible to think their thoughts, to love, fear, and admire with them—this is the necessary beginning of intimacy, which precedes the appreciation that gives understanding.
DIVISIONS OF THE SUBJECT.
After the next chapter, which deals with the people and land, we shall begin the examination of Hindu religions with the study of the beliefs and religious notions to be found in the Rig Veda. Next to the Rig Veda in time stands the Atharva Veda, which represents a growing demonology in contrast with soma-worship and theology; sufficiently so at least to deserve a special chapter. These two Vedic Collections naturally form the first period of Hindu religion.
The Vedic period is followed by what is usually termed Brahmanism, the religion that is inculcated in the rituals called Br[=a]hmana and its later development in the Upanishads. These two classes of works, together with the Yajur Veda, will make the next divisions of the whole subject. The formal religion of Brahmanism, as laid down for popular use and instruction in the law-books, is a side of Brahmanic religion that scarcely has been noticed, but it seems to deserve all the space allotted to it in the chapter on 'The Popular Brahmanic Faith.' We shall then review Jainism and Buddhism, the two chief heresies. Brahmanism penetrates the great epic poem which, however, in its present form is sectarian in tendency, and should be separated as a growth of Hinduism from the literature of pure Brahmanism. Nevertheless, so intricate and perplexing would be the task of unraveling the theologic threads that together make the yarn of the epic, and in many cases it would be so doubtful whether any one thread led to Brahmanism or to the wider and more catholic religion called Hinduism, that we should have preferred to give up the latter name altogether, as one that was for the most part idle, and in some degree misleading. Feeling, however, that a mere manual should not take the initiative in coining titles, we have admitted this unsatisfactory word 'Hinduism' as the title of a chapter which undertakes to give a comprehensive view of the religions endorsed by the many-centuried epic, and to explain their mutual relations. As in the case of the 'Popular Faith,' we have had here no models to go upon, and the mass of matter which it was necessary to handle—the great epic is about eight times as long as the Iliad and Odyssey put together—must be our excuse for many imperfections of treatment in this part of the work. The reader will gain at least a view of the religious development as it is exhibited in the literature, and therefore, as, far as possible, in chronological order. The modern sects and the religions of the hill tribes of India form almost a necessary supplement to these nobler religions of the classical literature; the former because they are the logical as well as historical continuation of the great Hindu sectarian schisms, the latter because they give the solution of some problems connected with Çivaism, and, on the other hand, offer useful un-Aryan parallels to a few traits which have been preserved in the earliest period of the Aryans.[28]
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