The interpretation given above of the office of Varuna as regards the sun's path, is supported by a verse where is made an allusion to the time "when they release the sun's horses," i.e., when after two or three months of rain the sun shines again (v. 62. 1). In another verse one reads: "Ye direct the waters, sustenance of earth and heaven, richly let come your rains" (viii. 25. 6).
Now there is nothing startling in this view. In opposition to the unsatisfactory attempts of modern scholars, it is the traditional interpretation of Mitra and Varuna that Mitra was god of day (i.e., the sun), and Varuna the god of night (i.e., covering),[85] while native belief regularly attributes to him the lordship of water[86]. The 'thousand eyes' of Varuna are the result of this view. The other light-side of Varuna as special lord of day (excluding the all-heaven idea with the sun as his 'eye') is elsewhere scarcely referred to, save in late hymns and VIII. 41.[87] In conjunction with the storm-god, Indra, the wrath-side of Varuna is further developed. The prayer for release is from 'long darkness,' i.e., from death; in other words, may the light of life be restored (II. 27. 14-15; II. 28. 7). Grassmann, who believes that in Varuna there is an early monotheistic deity, enumerates all his offices and omits the giving of rain from the list;[88] while Ludwig derives his name from var (= velle) and defines him as the lofty god who wills!
Varuna's highest development ushers in the middle period of the Rig Veda; before the rise of the later All-father, and even before the great elevation of Indra. But when S[=u]rya and Dawn were chief, then Varuna was chiefest. There is no monotheism in the worship of a god who is regularly associated as one of a pair with another god. Nor is there in Varuna any religious grandeur which, so far as it exceeds that of other divinities, is not evolved from his old physical side. One cannot personify heaven and write a descriptive poem about him without becoming elevated in style, as compared with the tone of one that praises a rain-cloud or even the more confined personality of the sun. There is a stylistic but not a metaphysical descent from this earlier period in the 'lords of the atmosphere,' for, as we shall show, the elevation of Indra and Agni denotes a philosophical conception yet more advanced than the almost monotheistic greatness attained by Varuna. But one must find the background to this earlier period; and in it Varuna is not monotheistic. He is the covering sky united with the sun, or he whose covering is rain and dew. Indra treats Varuna as Savitar treats Mitra, supplants him; and for the same reason, because each represents the same priestly philosophy.
In the one extant hymn to Mitra (who is Indo-Iranian) it is Mitra that 'watches men,' and 'bears earth and heaven.' He is here (iii. 59) the kindly sun, his name (Mitra, 'friend') being frequently punned upon.
The point of view taken by Barth deserves comment. He says:[89] "It has sometimes been maintained that the Varuna of the hymns is a god in a state of decadence. In this view we can by no means concur; … an appeal to these few hymns is enough to prove that in the consciousness of their authors the divinity of Varuna stood still intact." If, instead of 'still intact,' the author had said, 'on the increase, till undermined by still later philosophical speculation,' the true position, in our opinion, would have been given. But a distinction must be made between decadence of greatness and decadence of popularity. It has happened in the case of some of the Vedic inherited gods that exactly in proportion as their popularity decreased their greatness increased; that is to say, as they became more vague and less individual to the folk they were expanded into wider circles of relationship by the theosophist, and absorbed other gods' majesty.[89] Varuna is no longer a popular god in the Rig Veda. He is already a god of speculation, only the speculation did not go far enough to suit the later seers of Indra-Savitar-hood. Most certainly his worship, when compared in popularity with that of Agni and Indra, is unequal. But this is because he is too remote to be popular.
What made the popular gods was a union of near physical force to please the vulgar, with philosophical mysticism to please the priest, and Indra and Agni fulfilled the conditions, while awful, but distant, Varuna did not.
In stating that the great hymn to Varuna is not typical of the earliest stage of religious belief among the Vedic Aryans, we should add one word in explanation. Varuna's traits, as shown in other parts of the Rig Veda, are so persistent that they must be characteristic of his original function. It does not follow, however, that any one hymn in which he is lauded is necessarily older than the hymn cited from the first book. The earliest stage of religious development precedes the entrance into the Punj[=a]b. It may even be admitted that at the time when the Vedic Aryans became Hindus, that is, when they settled about the Indus, Varuna was the great god we see him in the great hymn to his honor. But while the relation of the [=A]dityas to the spirits of Ahura in Zoroaster's system points to this, yet it is absurd to assume this epoch as the starting point of Vedic belief. Back of this period lies one in which Varuna was by no means a monotheistic deity, nor even the greatest divinity among the gods. The fact, noticed by Hillebrandt, that the Vasishtha family are the chief praisers of Varuna, may also indicate that his special elevation was due to the theological conceptions of one clan, rather than of the whole people, since in the other family books he is worshipped more as one of a pair, Varuna and Mitra, heaven and sun.
ADITI.
The mother of Varuna and the luminous gods is the 'mother of kings,' Boundlessness (aditi)[90] a product of priestly theosophy. Aditi makes, perhaps, the first approach to formal pantheism in India, for all gods, men, and things are identified with her (i. 89. 10). Seven children of Aditi are mentioned, to whom is added an eighth (in one hymn).[91] The chief of these, who is, par excellence the [=A]ditya (son of Aditi), is Varuna. Most of the others are divinities of the sun (x. 72). With Varuna stands Mitra, and besides this pair are found 'the true friend' Aryaman, Savitar, Bhaga, and, later, Indra, as sun (?). Daksha and Ança are also reckoned as [=A]dityas, and S[=u]rya is enumerated among them as a divinity distinct from Savitar. But the word aditi, 'unbound,' is often a mere epithet, of Fire, Sky, etc. Moreover, in one passage, at least, aditi simply means 'freedom' (i. 24. 1), less boundlessness than 'un-bondage'; so, probably, in i. 185. 3, 'the gift of freedom.' Ança seems to have much the same meaning with Bhaga, viz., the sharer, giver. Daksha may, perhaps, be the 'clever,' 'strong' one ([Greek: dexios]), abstract Strength; as another name of the sun (?). Aditi herself (according to Müller, Infinity; according to Hillebrandt, Eternity) is an abstraction that is born later than her chief sons, Sun and Varuna.[92] Zarathustra (Zoroaster, not earlier than the close of the first Vedic period) took the seven [=A]dityas and reformed them into one monotheistic (dualistic) Spirit (Ahura), with a circle of six moral attendants, thereby dynamically destroying every physical conception of them.