In the Rig Veda there are three complete hymns to Wind, none of these being in the family books. In x. 186, the poet calls on Wind to bring health to the worshipper, and to prolong his life. He addresses Wind as 'father and brother and friend,' asking the power that blows to bring him ambrosia, of which Wind has a store. These are rather pretty verses without special theological intent, addressed more to Wind as such than to a spiritual power. The other hymn from the same book is directed to V[=a]ta also, not to V[=a]yu, and though it is loftier in tone and even speaks of V[=a]ta as the soul of the gods, yet is it evident that no consistent mythology has worked upon the purely poetic phraseology, which is occupied merely with describing the rushing of a mighty wind (x. 168). Nevertheless, V[=a]ta is worshipped, as is V[=a]yu, with oblations.
HYMN TO WIND (V[=a]ta).
Now V[=a]ta's chariot's greatness! Breaking goes it,
And thundering is its noise; to heaven it touches,
Goes o'er the earth, cloud[1] making, dust up-rearing;
Then rush together all the forms of V[=a]ta;
To him they come as women to a meeting.
With them conjoint, on the same chariot going,
Is born the god, the king of all creation.
Ne'er sleepeth he when, on his pathway wandering,
He goes through air. The friend is he of waters;
First-born and holy,—where was he created,
And whence arose he? Spirit of gods is V[=a]ta,
Source of creation, goeth where he listeth;
Whose sound is heard, but not his form. This V[=a]ta
Let us with our oblations duly honor.
In times later than the Rig Veda, V[=a]yu interchanges with Indra as representative of the middle sphere; and in the Rig Veda all the hymns of the family books associate him with Indra (vii. 90-92; iv. 47-48). In the first book he is associated thus in the second hymn; while, ib. 134, he has the only remaining complete hymn, though fragments of songs occasionally are found. All of these hymns except the first two simply invite V[=a]yu to come with Indra to the sacrifice, It is V[=a]yu who with Indra obtains the first drink of soma (i. 134. 6). He is spoken of as the artificer's, Tvashtar's, son-in-law, but the allusion is unexplained (viii. 26. 22); he in turn begets the storm-gods (i. 134. 4).
With V[=a]yu is joined Indra, one of the popular gods. These divinities, which are partly of the middle and partly of the lower sphere, may be called the popular gods, yet were the title 'new gods' neither wholly amiss nor quite correct. For, though the popular deities in general, when compared with many for whom a greater antiquity may be claimed, such as the Sun, Varuna, Dyaus, etc., are of more recent growth in dignity, yet there remains a considerable number of divinities, the hymns in whose honor, dating from the latest period, seem to show that the power they celebrate had been but lately admitted into the category of those gods that deserved special worship. Consequently new gods would be a misleading term, as it should be applied to the plainer products of theological speculation and abstraction rather than to Indra and his peers, not to speak of those newest pantheistic gods, as yet unknown. The designation popular must be understood, then, to apply to the gods most frequently, most enthusiastically revered (for in a stricter sense the sun was also a popular god); and reference is had in using this word to the greater power and influence of these gods, which is indicated by the fact that the hymns to Agni and Indra precede all others in the family books, while the Soma-hymns are collected for the most part into one whole book by themselves.
But there is another factor that necessitates a division between the divinities of sun and heaven and the atmospheric and earthly gods which are honored so greatly; and this factor is explanatory of the popularity of these gods. In the case of the older divinities it is the spiritualization of a sole material appearance that is revered; in the case of the popular gods, the material phenomenon is reduced to a minimum, the spirituality behind the phenomenon is exalted, and that spirituality stands not in and for itself, but as a part of a union of spiritualities. Applying this test to the earlier gods the union will be found to be lacking. The sun's spiritual power is united with Indra's, but the sun is as much a physical phenomenon as a spirituality, and always remains so. On the other hand, the equation of Varunic power with Indraic never amalgamated the two; and these are the best instances that can be chosen of the older gods. For in the case of others it is self-evident. Dyaus and Dawn are but material phenomena, slightly spiritualized, but not joined with the spirit-power of others.
Many have been the vain attempts to go behind the returns of Vedic hymnology and reduce Indra, Agni, and Soma to terms of a purely naturalistic religion. It cannot be done. Indra is neither sun, lightning, nor storm; Agni is neither hearth-fire nor celestial fire; Soma is neither planet nor moon.
Each is the transient manifestation of a spirituality lying behind and extending beyond this manifestation. Here alone is the latch-key of the newer, more popular religion. Not merely because Indra was a 'warrior god,' but because Indra and Fire were one; because of the mystery, not because of the appearance, was he made great at the hands of the priests. It is true, as has been said above, that the idol of the warriors was magnified because he was such; but the true cause of the greatness ascribed to him in the hymns lay in the secret of his nature, as it was lauded by the priest, not in his form, as it was seen by the multitude. Neither came first, both worked together; but had it not been for the esoteric wisdom held by the priests in connection with his nature, Indra would have gone the way of other meteorological gods; whereas he became chiefest of the gods, and, as lord of strength, for a time came nearest to the supreme power.
INDRA.
Indra has been identified with 'storm,' with the 'sky,' with the 'year'; also with 'sun' and with 'fire' in general.[2] But if he be taken as he is found in the hymns, it will be noticed at once that he is too stormy to be the sun; too luminous to be the storm; too near to the phenomena of the monsoon to be the year or the sky; too rainy to be fire; too alien from every one thing to be any one thing. He is too celestial to be wholly atmospheric; too atmospheric to be celestial; too earthly to be either. A most tempting solution is that offered by Bergaigne, who sees in Indra sun or lightning. Yet does this explanation not explain all, and it is more satisfactory than others only because it is broader; while it is not yet broad enough. Indra, in Bergaigne's opinion, stands, however, nearer to fire than to sun.[3] But the savant does not rest content with his own explanation: "Indra est peut-être, de tous les dieux védiques, celui qui résiste le plus longtemps à un genre d'analyse qui, appliqué à la plupart des autres, les résout plus ou moins vite en des personnifications des éléments, soit des phénomènes naturels, soit du culte" (ibid. p. 167).