Here, as in IX. 70, Hillebrandt assumes that the poet turns suddenly from the moon to the plant. Against this might be urged the use of the same pronoun throughout the hymn. It must be confessed that at first sight it is almost as difficult to have the plant, undoubtedly meant in verses 7 and 8, represented by the moon in the preceding verses, as it is not to see the moon in the expression 'shaking his horns.' This phrase occurs in another hymn, where Hillebrandt, with the same certainty as he does here, claims it for the moon, though the first part of this hymn as plainly refers to the plant, IX. 70. 1, 4. Here the plant is a steer roaring like the noise of the Maruts (5-6), and then (as above, after the term steer is applied to the plant), it is said that he 'sharpens his horns,' and is 'sightly,' and further, 'he sits down in the fair place … on the wooly back,' etc., which bring one to still another hymn where are to be found like expressions, used, evidently, not of the moon, but of the plant, viz. to IX. 37, a hymn not cited by Hillebrandt:
This strong (virile) soma, pressed for drink, flows into the purifying vessel; this sightly (as above, where Hillebrandt says it is epithet of the moon), yellow, fiery one, is flowing into the purifying vessel; roaring into its own place (as above). This strong one, clear, shining (or purifying itself), runs through the shining places of the sky, slaying evil demons, through the sheep-hair-sieve. On the back of Trita this one shining (or purifying itself) made bright the sun with (his) sisters.[21] This one, slaying Vritra, strong, pressed out, finding good things (as above), uninjured, soma, went as if for booty. This god, sent forth by seers, runs into the vessels, the drop (indu) for Indra, quickly (or willingly).
So far as we can judge, after comparing these and the other passages that are cited by Hillebrandt as decisive for a lunar interpretation of soma, it seems quite as probable that the epithets and expressions used are employed of the plant metaphorically as that the poet leaps thus lightly from plant to moon. And there is a number of cases which plainly enough are indicative of the plant alone to make it improbable that Hillebrandt is correct in taking Soma as the moon 'everywhere in the Rig Veda.' It may be that the moon-cult is somewhat older than has been supposed, and that the language is consciously veiled in the ninth book to cover the worship of a deity as yet only partly acknowledged as such. But it is almost inconceivable that an hundred hymns should praise the moon; and all the native commentators, bred as they were in the belief of their day that soma and the moon were one, should not know that soma in the Rig Veda (as well as later) means the lunar deity. It seems, therefore, safer to abide by the belief that soma usually means what it was understood to mean, and what the general descriptions in the soma-hymns more or less clearly indicate, viz., the intoxicating plant, conceived of as itself divine, stimulating Indra, and, therefore, the causa movens of the demon's death, Indra being the causa efficiens. Even the allusions to soma being in the sky is not incompatible with this. For he is carried thence from the place of sacrifice. Thus too in 83. 1-2: "O lord of prayer[22], thy purifier (the sieve) is extended. Prevailing thou enterest its limbs on all sides. Raw (soma), that has not been cooked (with milk) does not enter into it. Only the cooked (soma), going through, enters it. The sieve of the hot drink is extended in the place of the sky. Its gleaming threads extend on all sides. This (soma's) swift (streams) preserve the man that purifies them, and wisely ascend to the back of the sky." In this, as in many hymns, the drink soma is clearly addressed; yet expressions are used which, if detached, easily might be thought to imply the moon (or the sun, as with Bergaigne)—a fact that should make one employ other expressions of the same sort with great circumspection.
Or, let one compare, with the preparation by the ten fingers, 85. 7: "Ten fingers rub clean (prepare) the steed in the vessels; uprise the songs of the priests. The intoxicating drops, as they purify themselves, meet the song of praise and enter Indra." Exactly the same images as are found above may be noted in IX. 87, where not the moon, but the plant, is conspicuously the subject of the hymn: "Run into the pail, purified by men go unto booty. They lead thee like a swift horse with reins to the sacrificial straw, preparing (or rubbing) thee. With good weapons shines the divine (shining) drop (Indu), slaying evil-doers, guarding the assembly; the father of the gods, the clever begetter, the support of the sky, the holder of earth…. This one, the soma (plant) on being pressed out, ran swiftly into the purifier like a stream let out, sharpening his two sharp horns like a buffalo; like a true hero hunting for cows; he is come from the highest press-stone," etc. It is the noise of soma dropping that is compared with 'roaring.' The strength given by (him) the drink, makes him appear as the 'virile one,' of which force is the activity, and the bull the type. Given, therefore, the image of the bull, the rest follows easily to elaborate the metaphor. If one add that soma is luminous (yellow), and that all luminous divinities are 'horned bulls[23],' then it will be unnecessary to see the crescent moon in soma. Moreover, if soma be the same with Brihaspati, as thinks Hillebrandt, why are there three horns in V. 43. 13? Again, that the expression 'sharpening his horns' does not refer necessarily to the moon may be concluded from x. 86. 15, where it is stated expressly that the drink is a sharp-horned steer: "Like a sharp-horned steer is thy brewed drink, O Indra," probably referring to the taste. The sun, Agni, and Indra are all, to the Vedic poet, 'sharp-horned steers[24],' and the soma plant, being luminous and strong (bull-like), gets the same epithet.
The identity is rather with Indra than with the moon, if one be content to give up brilliant theorizing, and simply follow the poets: "The one that purifies himself yoked the sun's swift steed over man that he might go through the atmosphere, and these ten steeds of the sun he yoked to go, saying Indra is the drop (Indu)." When had ever the moon the power to start the sun? What part in the pantheon is played by the moon when it is called by its natural name (not by the priestly name, soma)? Is m[=a]s or candramas (moon) a power of strength, a great god? The words scarcely occur, except in late hymns, and the moon, by his own folk-name, is hardly praised except in mechanical conjunction with the sun. The floods of which soma is lord are explained in IX. 86. 24-25: "The hawk (or eagle) brought thee from the sky, O drop (Indu[25]), … seven milk-streams sing to the yellow one as he purifies himself with the wave in the sieve of sheep's wool. The active strong ones have sent forth the wise seer in the lap of the waters." If one wishes to clear his mind in respect of what the Hindu attributes to the divine drink (expressly drink, and not moon), let him read IX. 104, where he will find that "the twice powerful god-rejoicing intoxicating drink" finds goods, finds a path for his friends, puts away every harmful spirit and every devouring spirit, averts the false godless one and all oppression; and read also ix. 21. I-4: "These soma-drops for Indra flow rejoicing, maddening, light-(or heaven-) finding, averting attackers, finding desirable things for the presser, making life for the singer. Like waves the drops flow into one vessel, playing as they will. These soma-drops, let out like steeds (attached) to a car, as they purify themselves, attain all desirable things." According to IX. 97. 41^2 and ib. 37. 4 (and other like passages, too lightly explained, p. 387, by Hillebrandt), it is soma that "produced the light in the sun" and "makes the sun rise," statements incompatible with the (lunar) Soma's functions, but quite in accordance with the magic power which the poets attribute to the divine drink. Soma is 'king over treasure.' Soma is brought by the eagle that all may "see light" (IX. 48. 3-4). He traverses the sky, and guards order—but not necessarily is he here the moon, for soma, the drink, as a "galloping steed," "a brilliant steer," a "stream of pressed soma," "a dear sweet," "a helper of gods," is here poured forth; after him "flow great water-floods"; and he "purifies himself in the sieve, he the supporter, holder of the sky"; he "shines with the sun," "roars," and "looks like Mitra"; being here both "the intoxicating draught," and at the same time "the giver of kine, giver of men, giver of horses, giver of strength, the soul of sacrifice" (IX. 2).
Soma is even older than the Vedic Indra as slayer of Vritra and snakes. Several Indo-Iranian epithets survive (of soma and haoma, respectively), and among those of Iran is the title 'Vritra-slayer,' applied to haoma, the others being 'strong' and 'heaven-winning,' just as in the Veda[26]. All three of them are contained in one of the most lunar-like of the hymns to Soma, which, for this reason, and because it is one of the few to this deity that seem to be not entirely mechanical, is given here nearly in full, with the original shift of metre in the middle of the hymn (which may possibly indicate that two hymns have been united).
To SOMA (I. 91).
Thou, Soma, wisest art in understanding;
Thou guidest (us) along the straightest pathway;
'Tis through thy guidance that our pious[27] fathers
Among the gods got happiness, O Indu.
Thou, Soma, didst become in wisdom wisest;
In skill[28] most skilful, thou, obtaining all things.
A bull in virile strength, thou, and in greatness;
In splendor wast thou splendid, man-beholder.
Thine, now, the laws of kingly Varuna[29];
Both high and deep the place of thee, O Soma.
Thou brilliant art as Mitra, the belovèd[30],
Like Aryaman, deserving service, art thou.