An account of the manners and customs of the modern Egyptians

by Edward William Lane

The whole bath is sometimes hired for the bride and her party exclusively. They pass several hours, or seldom less than two, occupied in washing, sporting, and feasting; and frequently “’A′l’mehs” (or female singers) are hired to amuse them in the bath: they then return in the same order in which they came. The expense of the zeffeh falls on the relations of the bride; but the feast is supplied by the bridegroom.

Having returned from the bath to the house of her family, the bride and her companions sup together. If ’A′l’mehs have contributed to the festivity in the bath, they also return with the bride, to renew their concert. Their songs are always on the subject of love, and of the joyous event which occasions their presence. After the company have been thus entertained, a large quantity of henna having been prepared, mixed into a paste, the bride takes a lump of it in her hand, and receives contributions (called “nukoot”) from her guests: each of them sticks a coin (usually of gold) in the henna which she holds upon her hand; and when the lump is closely stuck with these coins, she scrapes it off her hand upon the edge of a basin of water. Having collected in this manner from all her guests, some more henna is applied to her hands and feet, which are then bound with pieces of linen; and in this state they remain until the next morning, when they are found to be sufficiently dyed with its deep orange-red tint. Her guests make use of the remainder of the dye for their own hands. This night is called “Leylet el-Henna,” or “the Night of the Henna.”

It is on this night, and sometimes also during the latter half of the preceding day, that the bridegroom gives his chief entertainment. “Mohabbazeen” (or low farce-players) often perform on this occasion before the house, or, if it be large enough, in the court. The other and more common performances by which the guests are amused have been before mentioned.

On the following day the bride goes in procession to the house of the bridegroom. The procession before described is called “the zeffeh of the bath,” to distinguish it from this, which is the more important, and which is therefore particularly called “Zeffet el-’Arooseh,” or “the Zeffeh of the Bride.” In some cases, to diminish the expenses of the marriage-ceremonies, the bride is conducted privately to the bath, and only honoured with a zeffeh to the bridegroom’s house. This procession is exactly similar to the former. The bride and her party, after breakfasting together, generally set out a little after mid-day. They proceed in the same order, and at the same slow pace, as in the zeffeh of the bath; and, if the house of the bridegroom be near, they follow a circuitous route, through several principal streets, for the sake of display. The ceremony usually occupies three or more hours.

BRIDAL PROCESSION. (Part II.)

Lane’s Modern Egyptians]

[Page 152

Sometimes, before bridal processions of this kind, two swordsmen, clad in nothing but their drawers, engage each other in a mock combat; or two peasants cudgel each other with nebboots, or long staves. In the procession of a bride of a wealthy family, any person who has the art of performing some extraordinary feat to amuse the spectators is almost sure of being a welcome assistant, and of receiving a handsome present.[^[290]] When the seyyid ’Omar, the Nakeeb el-Ashráf (or chief of the descendants of the Prophet), who was the main instrument of advancing Mohammad ’Alee to the dignity of Básha of Egypt, married a daughter, about twenty-seven years since, there walked before the procession a young man who had made an incision in his abdomen, and drawn out a large portion of his intestines, which he carried before him on a silver tray. After the procession he restored them to their proper place, and remained in bed many days before he recovered from the effects of this foolish and disgusting act. Another man, on the same occasion, ran a sword through his arm, before the crowding spectators, and then bound over the wound, without withdrawing the sword, several handkerchiefs, which were soaked with the blood. These facts were described to me by an eye-witness. A spectacle of a more singular and more disgusting nature used to be not uncommon on similar occasions, but is now very seldom witnessed.[^[291]] Sometimes, also, “háwees” (or conjurors and sleight-of-hand performers) exhibit a variety of tricks on these occasions. But the most common of all the performances here mentioned are the mock fights. Similar exhibitions are also sometimes witnessed on the occasion of a circumcision.[^[292]]

The bride and her party, having arrived at the bridegroom’s house, sit down to a repast. Her friends, shortly after, take their departure, leaving with her only her mother and sister, or other near female relations, and one or two other women, usually the belláneh. The ensuing night is called “Leylet ed-Dukhleh,” or “the Night of the Entrance.”