The great periodical or annual festivals are observed with additional ceremonies, and by crowds of visitors. These are called Moolids (more properly Mólids), and are held on the anniversary of the birth of the saint or in commemoration of that event. Persons are then hired to recite the Ḳur-án in and near the tomb during the day; and others, chiefly darweeshes, employ themselves during the night in performing zikrs, which consist in repeating the name of God, or the profession of his unity, etc., in chorus, accompanying the words by certain motions of the head, hands, or whole body; munshids, at intervals, singing religious odes or love songs during these performances, to the accompaniment of a náy, which is a kind of flute, or the arghool, which is a double reed-pipe. These moolids are scenes of rejoicing and of traffic, which men and boys and girls attend to eat sweetmeats, and drink coffee and sherbets, or to amuse themselves with swinging, or turning on a whirligig, or witnessing the feats of conjurers, or the performances of dancers; and to which tradesmen repair to sell or barter their goods. The visitors to the great moolids of the Seyyid Aḥmad El-Bedawee at Ṭanṭà in the Delta of Egypt, which are great fairs as well as religious festivals, are almost as numerous as the pilgrims at Mekkeh. During a moolid, the inhabitants of the houses in the neighbourhood of the tomb hang lamps before their houses, and spend a great part of the night listening to the story-tellers at the coffee-shops, or attending the zikrs.
These latter performances, though so common among the Arabs, are inconsistent with the spirit of the Mohammadan religion, and especially with respect to music, which was not employed in religious ceremonies until after the second century of the Flight. The Imám Aboo-Bekr Eṭ-Ṭoosee, being asked whether it were lawful or not to be present with people who assembled in a certain place and read a portion of the Ḳur-án, and, after a munshid had recited some poetry, would dance and become excited and play upon tambourines and pipes,—answered, that such practices were vain, ignorant, and erroneous, not ordained by the Ḳur-án or the Traditions of the Prophet, but invented by those Israelites who worshipped the Golden Calf; that the Prophet and his companions used to sit so quietly that a bird might alight upon the head of any one of them and not be disturbed; that it was incumbent on the Sulṭán and his vicegerents to prevent such persons from entering the mosques and other places for these purposes; and that no one who believed in God and the Last Day should be present with them or assist them in their vain performances: such, he asserted, was the opinion of the Imáms of the Muslims.[77] Some eminent doctors, however, have contended for the lawfulness of these practices.
The following is an account of a Zikr I myself witnessed. The zikkeers (or performers of the zikr), who were about thirty in number, sat cross-legged upon matting extended close to the houses on one side of the street, in the form of an oblong ring.[78] Within this ring, along the middle of the matting, were placed three very large wax candles, each about four feet high, and stuck in a low candlestick. Most of the zikkeers were Aḥmedee darweeshes, persons of the lower orders, and meanly dressed: many of them wore green turbans. At one end of the ring were four munshids (or singers of religious odes), and with them was a player on the kind of flute called náy. I procured a small seat of palm-sticks from a coffee-shop close by, and, by means of a little pushing and the assistance of my servant, obtained a place with the munshids, and sat there to hear a complete act, or "mejlis," of the zikr; which act commenced at about three o'clock, Muslim time (or three hours after sunset), and continued two hours.
The performers began by reciting the opening chapter of the Ḳur-án, all together, their sheykh, or chief, first exclaiming, "El-Fátiḥah!" They then chanted the following words:—"O God, bless our lord Moḥammad among the former generations; and bless our lord Moḥammad among the latter generations; and bless our lord Moḥammad in every time and period; and bless our lord Moḥammad in the highest degree, unto the day of judgment; and bless all the prophets and apostles among the inhabitants of the heavens and of the earth; and may God (whose name be blessed and exalted!) be well pleased with our lords and our masters, those persons of illustrious estimation, Aboo-Bekr and ´Omar and ´Othmán and ´Alee, and with all the favourites of God. God is our sufficiency; and excellent is the Guardian! There is no strength nor power but in God, the High, the Great! O God! O our Lord! O thou liberal of pardon! O thou most bountiful of the most bountiful! O God! Amen!"—They were then silent for three or four minutes; and again recited the Fátiḥah, but silently. This form of prefacing the zikr is commonly used by almost all orders of darweeshes in Egypt.
The performers now began the zikr itself. Sitting in the manner above described, they chanted, in slow measure, "Lá iláha illa-lláh" ("There is no deity but God") to the following air:—
Lá iláha illa-lláh. Lá iláha illa-lláh. Lá iláha illa-lláh.
bowing the head and body twice in each repetition of "Lá iláha illa-lláh." Thus they continued about a quarter of an hour; and then, for about the same space of time, they repeated the same words to the same air, but in a quicker measure and with correspondingly quicker motions. In the mean time, the munshids frequently sang to the same (or a variation of the same) air portions of a ḳaṣeedeh or of a muweskshaḥ;[79] an ode of a similar nature to the Song of Solomon, generally alluding to the Prophet as the object of love and praise; and at frequent intervals one of them sang out the word "meded," implying an invocation for spiritual or supernatural aid.
The zikkeers, after having performed as above described, next repeated the same words to a different air for about the same length of time; first very slowly, then quickly. The air was as follows:—
