Renwick slammed his door. He flung his pen in a transport of derision. Rebounding from his desk, it flew through an open window, perhaps to fall on some visitor to "The Blessing's" lawn. He hastened to look down. Nobody was on gravel path or bench within possible reach of the missile. Renwick, relieved, mused anew on the singularities of the scene.

The vast "Blessing" Building stands amid a city block devoted largely to shaven turf, flower beds, grassed mounds, and gravel paths. It is approached from the street by a broad walk which bifurcates at thirty yards from the "Richardson" entrance, to surround a turfed truncated cone, from which rises a gigantic, severely draped, female figure. It is that bronze of Beneficence which, in the words of the famous New England sculptress, Miss Angela C. Amory Pue, "closely features Miss Martha Minnely in her grand early womanhood." In the extensive arms of the Beneficence a bronze volume so slants that spectators may read on its back, in gilt letters, "THE FAMILY BLESSING." Prettily pranked out in dwarf marginal plants on the turfy cone these words are pyramided: "LOVE. HEAVEN. BENEFICENCE. THE LATEST FASHIONS. MY COUNTRY, 'TIS OF THEE."

Not far from the statue slopes a great grassed mound which displays still more conspicuously in "everlastings," "THE FAMILY BLESSING. CIRCULATION 1915, 1,976,709. MONTHLY. COME UNTO ME ALL YE WEARY AND HEAVILY LADEN. TWO DOLLARS A YEAR."

The scheme ever puzzled Renwick. Had some demure humour thus addressed advertisements as if to the eternal stars? Or did they proceed from a pure simplicity of commercial taste? From this perennial problem he was diverted by sharp rapping at his door. Durley again? But the visitor was Mr. Joram B. Buntstir, veteran among the numerous editors of "The Blessing," yet capable of jocularities. He appeared perturbed.

"Renwick, you are rather fresh here, and I feel so friendly to you that I'd hate to see you get into trouble unwarned. Surely you can't wish Miss Minnely to see that."

"What? Oh, the placard! That's for Durley. He must stop exhibiting me."

"Mr. Durley won't understand. Anyway, he couldn't stop without instructions from Miss Minnely. He will take the placard to her for orders. You do not wish to hurt Miss Minnely's feelings, I am sure." Mr. Buntstir closed the door behind him.

"Bah—Miss Minnely's feelings can't be so tender as all that!"

"No, eh? Do you know her so thoroughly?"

"I don't know her at all. I've been here three months without once seeing Miss Minnely. Is she real? Half the time I doubt her existence."