Hence the buffalo dance can never fail, and the Indians consider it an infallible means of bringing the herds into their country. Every man in the tribe is obliged to be provided with the mask of the buffalo, which he can use whenever he is called upon to dance to make "buffalo come." The mask is put on over the head, and has a strip of the skin hanging to it of the whole length of the animal, with the tail attached to it, which passes down over the back of the wearer and drags on the ground.
When one of the dancers becomes wearied of the exercise, he indicates it by leaning forward and sinking his body to the ground. One of the lookers-on then draws a bow upon him and hits him with a blunt arrow, and he falls like a buffalo and is immediately dragged out of the ring by the bystanders, who brandish their knives about him, and, having gone through the motions of skinning him and cutting him up, they release him, and his place is at once supplied by another who dances into the ring with his mask on. By thus relieving one another the dance is kept up day and night until they reach the desired end, and make the "buffalo come."
When the signal is given that the buffaloes have made their appearance, the dance is discontinued at once, and a scene of great excitement ensues. The masks are quickly thrown aside; the Indians prepare for the hunt with marvelous rapidity, and mounting their horses, gallop wildly down the valley to pass the eastern entrance.
In the village, where all had been enduring the utmost privation, with starvation staring them in the face, a scene of feasting and carousal would follow. Each would bring out their private stores, and the provisions that might in an emergency have lasted for several weeks would be consumed in a day. Even the dogs were not forgotten, but received a liberal share of the refuse portions of the feast.
The usual games and amusements followed, and from the deepest gloom and despondency all seemed to pass at once to the other extreme, and joy and exultation to reign supreme.
From the distance required to be traversed, the hunting parties would usually not return until the third day after their departure. Then came another scene of feasting, but this time on a far larger scale. The choicest pieces are sacrificed to appease their mysterious god, without which ceremony the Indians believe that all their future hunts would be unsuccessful. The largest portion of the meat is cured and made into tasajo, so that the proceeds of one successful hunt will often provide the entire community with food for many weeks.
The Buffalo Dance.
When I first saw the buffalo dance, I viewed it with much interest, but when continued for days and weeks, it becomes excessively wearisome from the perpetual howling din and clamor kept up, keeping the village in a continual uproar, and usually causing me to offer up most fervent prayers that the buffalo would "come," if it was only to be relieved from the noise and confusion which are occasioned by this curious ceremony.
Unlike the northern Indians, the Camanches resort to the buffalo dance only on rare occasions, but when they do undertake it, their persistence is admirable; and for this reason, the other tribes have a saying, or sort of proverb, that when the Camanches dance for "buffalo" it is a good moon to hunt, but a bad moon on the war-path. Their meaning probably is, that the buffalo are sure to "come," when the Camanches dance for them, but that the Camanches are equally sure to "go for" any other tribe who encroach upon their hunting grounds at such times.