[CHAPTER XXXI]
INSTRUMENTS FOR RECORDING AND MEASURING EARTHQUAKE SHOCKS
To attempt by the unaided senses a determination of the direction in which earthquake shocks reach any certain spot, the velocity with which they are travelling, their degree of intensity, their general character, whether horizontal or vertical, or any peculiarities which might show them to be exceptional would be futile for more reasons than one. Even a skilled scientific observer, familiar with what has already been discovered and eager to discover more, might in the excitement of an earthquake become so excited himself as to make him unable to take reliable observations.
But human ingenuity has succeeded in devising delicate instruments capable of recording not only the exact time of the arrival of an earthquake shock, but also of measuring the different parts of what may seem to be a single shock, the direction in which the shocks reach the place, as well as the variations of intensity in all the shocks.
Crude instruments to do some of these things have been in use from very early times. According to Mallet among the more important of these early instruments was the following: the instrument of Cacciatore of Palmero. This consisted of a circular wooden dish, about ten inches in diameter, placed horizontally, and filled with mercury to the brim of eight notches at equal distances apart. Beneath each notch was placed a small cup. On the passage of the earthquake waves the vessel, being tilted in a direction dependent on the direction in which the waves were travelling, would cause some of the mercury to spill over into one or more of the cups, thus indicating by its amount the intensity of the wave, and by the particular cup or cups that were filled, the direction in which the waves reached the place.
Somewhat similar contrivances were of a vessel partly filled with molasses, or other sticky liquid; or a cylindrical tub, the sides of which were chalked or whitewashed and filled with some colored liquid. In either of these cases, on the passage of the earthquake waves, the vessels were tilted and showed by the height of the marks the intensity of the waves, and by the position of the marks the direction in which the waves first reached the instrument.
These instruments, though satisfactory for the study of earthquake shocks a long time ago, when an earthquake was regarded as practically consisting of but a single shock, or, at the most, of a very few shocks, would be worthless for the study of earthquakes now, for it is finally known that an earthquake consists of a series of many hundreds of vibrations, differing greatly in their rapidity and intensity, and following one another in a definite order.
The old forms of earthquake instruments were known as seismoscopes. The word seismoscope is a compound word from Greek consisting of the two words, seism and scope. It means literally any instrument capable of seeing, or calling attention to, a seism, or earth-shake. In other words, a seismoscope is any instrument capable of calling attention only to an earth-shake.
Of course, neither of the rude seismoscopes just mentioned would be able to give any valuable indications of the successive shakings to which the vessel containing the viscid liquid had been subjected, since the liquid would simply be splashed a number of times over the same parts of the vessel. In order to get a record of the successive shocks another form of apparatus must be employed, a form known as a seismograph.
Concerning the complex character of the apparently single earthquake shock, Professor Milne makes this highly interesting and picturesque statement:
"An earthquake disturbance at a station far removed from its origin shows that the main movement has two attendants, one which precedes and the other which follows. The first of these by its characteristics indicates what is to follow, whilst the latter, in a very much more pronounced manner, will often repeat at definite intervals, but with decreasing intensity, the prominent features of what has passed. Inasmuch as these latter rhythmical, but decreasing, impulses of the dying earthquake are more likely to result from reflection than from interference, I have provisionally called them Echoes."