Wijunjon was somewhat confused by so many sounds and sights, but he made a fine figure of a chief—in his mountain-goat skin leggins and shirt, decorated with porcupine quills, and with scalp locks from his enemies; his long plaited hair, which reached to the ground; his war bonnet of eagles' plumes; his buffalo-hide robe, painted with the battles of his career; his beautiful moccasins; and his quiver and bow and bull-neck shield.

Having had his portrait painted, he continued on the long trail, of two thousand more miles by water and by stage, to Washington. And as every mile of it was amidst still more lodges of the white man, he soon saw that all the willow sticks of the Missouri River could not have counted their numbers.

This winter Wijunjon and his companions had a wonderful time among the white men. The Pigeon's-egg Head was the foremost. He was the first to shake the hand of the Great White Father. He declined nothing. The sights of Washington, Baltimore, Philadelphia, New York—he inspected them all. He scarcely rested, night or day. He learned so much that when, in the spring of 1832, he turned homeward, he was filled to bursting.

At St. Louis the first "through" steamboat, the Yellowstone, was waiting to ascend to Fort Union and the Assiniboin country. Artist Catlin was aboard. This was to be his first trip, also.

The steamboat Yellowstone made a huge sensation, as it ploughed the thick muddy current of the Missouri, frightening the Indians and buffalo along the shores.

It moved without sweeps—it nosed for the deepest channels—and the Indians called it "Big-medicine-canoe-with-eyes." It spoke with its guns, and belched much smoke—and they called it "Big Thunder-canoe."

But Wijunjon feared not at all. He was used to thunder-canoes, now; and he had seen many great sights, back there in the villages of the white men. In fact, he was a sight, himself, for on the way up he had changed his clothes, that his people might know hint for a wide traveler.

Gone were his fringed and quilled goat-skin leggins and shirt; gone his war bonnet and painted robe and handsome moccasins, his bow and quiver and shield.

Instead, he wore a badly fitting colonel's uniform, of the United States Army, given to him by the Great White Father: wrinkled trousers and coat of bright blue, with gilt epaulets upon the shoulders, and a stiff collar that reached above his ears. Atop his long painted hair there was settled, to the coat collar, a stove-pipe hat, with a silver-braid band and a red wool plume two feet high. His feet were squeezed into high-heeled military boots, of shiny leather. Around his neck was a tight black stock, or collar. Around his waist was a red sash. Upon his hands were loose white cotton gloves. Upon his chest, and the ruffles of a white shirt, dangled a silver medal, on a blue ribbon. Hung by a belt across one shoulder, at his log dangled a huge broad-sword. In one hand he carried a blue umbrella, in the other a fan, and in his arms a keg of rum.

Thus Wijunjon, the big brave, proudly strode the deck of the steamer Yellowstone, and impatiently looked forward to the moment when he might step off, among his people.