Gulliver of Mars

by Edwin Lester Arnold

"But how?" I persisted.

"Nay," said the girl, "if we stop to talk like this we shall not be placed before she comes, and thus throw a whole year's knowledge out."

So, bottling my speculations, I allowed myself to be led up the first flight of worn, white steps to where, on the terrace between them and the next flight leading directly to the palace portico, was a flat, having a circle about twenty feet across, inlaid upon the marble with darker coloured blocks. Inside that circle, as I sat down close by it in the twilight, showed another circle, and then a final one in whose inmost middle stood a tall iron tripod and something atop of it covered by a cloth. And all round the outer circle were magic symbols—I started as I recognised the meaning of some of them—within these again the inner circle held what looked like the representations of planets, ending, as I have said, in that dished hollow made by countless dancers' feet, and its solitary tripod. Back again, I glanced towards the square where the great concourse—ten thousand of them, perhaps—were sitting mute and silent in the deepening shadows, then back to the magic circles, till the silence and expectancy of a strange scene began to possess me.

Shadow down below, star-dusted heaven above, and not a figure moving; when suddenly something like a long-drawn sigh came from the lips of the expectant multitude, and I was aware every eye had suddenly turned back to the palace porch, where, as we looked, a figure, wrapped in pale blue robes, appeared and stood for a minute, then stole down the steps with an eagerness in every movement holding us spellbound. I have seen many splendid pageants and many sights, each of which might be the talk of a lifetime, but somehow nothing ever so engrossing, so thrilling, as that ghostly figure in flowing robes stealing across the piazza in starlight and silence—the princess of a broken kingdom, the priestess of a forgotten faith coming to her station to perform a jugglery of which she knew not even the meaning. It was my versatile friend Heru, and with quick, incisive steps, her whole frame ambent for the time with the fervour of her mission, she came swiftly down to within a dozen yards of where I stood. Heru, indeed, but not the same princess as in the morning; an inspired priestess rather, her slim body wrapped in blue and quivering with emotion, her face ashine with Delphic fire, her hair loose, her feet bare, until at last when, as she stood within the limit of the magic circle, her white hands upon her breast, her eyes flashing like planets themselves in the starshine she looked so ghostly and unreal I felt for a minute I was dreaming.

Then began a strange, weird dance amongst the imagery of the rings, over which my earth planet was beginning to throw a haze of light. At first it was hardly more than a walk, a slow procession round the twin circumferences of the centred tripod. But soon it increased to an extraordinary graceful measure, a cadenced step without music or sound that riveted my eyes to the dancer. Presently I saw those mystic, twinkling feet of hers—as the dance became swifter—were performing a measured round amongst the planet signs—spelling out something, I knew not what, with quick, light touch amongst the zodiac figures, dancing out a soundless invocation of some kind as a dumb man might spell a message by touching letters. Quicker and quicker, for minute after minute, grew the dance, swifter and swifter the swing of the light blue drapery as the priestess, with eager face and staring eyes, swung panting round upon her orbit, and redder and redder over the city tops rose the circumference of the earth. It seemed to me all the silent multitude were breathing heavily as we watched that giddy dance, and whatever THEY felt, all my own senses seemed to be winding up upon that revolving figure as thread winds on a spindle.

"When will she stop?" I whispered to my friend under my breath.

"When the earth-star rests in the roof-niche of the temple it is climbing," she answered back.

"And then?"

"On the tripod is a globe of water. In it she will see the destiny of the year, and will tell us. The whiter the water stays, the better for us; it never varies from white. But we must not talk; see! she is stopping."

And as I looked back, the dance was certainly ebbing now with such smoothly decreasing undulations, that every heart began to beat calmer in response. There was a minute or two of such slow cessation, and then to say she stopped were too gross a description. Motion rather died away from her, and the priestess grounded as smoothly as a ship grounds in fine weather on a sandy bank. There she was at last, crouched behind the tripod, one corner of the cloth covering it grasped in her hand, and her eyes fixed on the shining round just poised upon the distant run.