"Of course I will accept — when 't is offered. I only write a hasty line now to say how deeply I am touched by the friendly forethought of your letter."*
— * `Letters', p. 137. —
He announces the fact to his wife in a jubilant letter of January 8, 1876: "Moreover, I have a charming piece of news which — although thou art not yet to communicate it to any one except Clifford — I cannot keep from thee. The opening ceremonies of the Centennial Exhibition will be very grand; and among other things there are to be sung by a full chorus (and played by the orchestra, under Thomas's direction) a hymn and a cantata. General Hawley, President of the Centennial Commission, has written inviting me to write the latter (I mean the POEM; Dudley Buck, of New York, is to write the music). Bayard Taylor is to write the hymn.* This is very pleasing to me; for I am chosen as representative of our dear South; and the matter puts my name by the side of very delightful and honorable ones, besides bringing me in contact with many people I would desire to know.
— * Whittier wrote this hymn and Bayard Taylor wrote the Ode for the Fourth of July celebration. —
"Mr. Buck has written me that he wants the poem by January 15, which as I have not yet had the least time for it, gives me just seven days to write it in. I would much rather have had seven months; but God is great. Remember, thou and Cliff, that this is not yet to be spoken of at all."*
— * Quoted in Baskervill's `Southern Writers', p. 200. —
With enthusiasm the poet entered upon the task assigned him. The progress of the Cantata from the time when it first presented itself to his mind to the time when he completed it, may be traced in the letters to Bayard Taylor and Gibson Peacock, which have already been published.* Writing to Mr. Dudley Buck, January 15, 1876, he said: —
— * See `Letters', passim. —
Dear Mr. Buck, — I send you herewith the complete text for the Cantata. I have tried to make it a genuine Song, at once full of fire and of large and artless simplicity befitting a young but already colossal land.
I have made out a working copy for you, with marginal notes which give an analysis of each movement (or rather MOTIVE, for I take it the whole will be a continuous progression; and I only use the word "movement" as indicating the entire contrast which I have secured between each two adjacent MOTIVES), and which will, I hope, facilitate your labor by presenting an outline of the tones characterizing each change of idea. One movement is placed on each page.