Art in Modern Society
An object of beauty has in modern surroundings a dangerous seduction which it did not possess in less hideous eras. In this is there to be found a contributory explanation of Decadence—the decadent being one who feels the power of beauty intensely, and the repulsion from his environment as intensely, and who plunges into the enjoyment of beauty madly, with abandonment? In a society, however, which was not hideous as ours is, and in which beauty was distributed widely over all the aspects and forms of existence, the intoxication of beauty would not be felt with the same terrible intensity; a beautiful object would be enjoyed simply as one among many lovely things. In short, it would be enjoyed in the manner of health, not in that of sickness. It is the contrast that is dangerous; the aridity of modern life arouses a terrible thirst, which is suddenly presented with the spectacle of a beauty unaccountable and awful; and this produces a dislocation and convulsion of the very soul. So that the present-day artist, if he would retain his health—if he would remain an artist—must curb his very love of the beautiful, and treat beauty, when he meets it, as he always does, in the gutter, a little cynically. Otherwise he will lose his wits, and Art will become his Circe. Therefore, mockery and hard laughter—alas, that it must be so!
26
Art in Industry
In those wildernesses of dirt, ugliness and obscenity, our industrial towns, there are usually art galleries, where the daintiest and most beautiful things, the flowers of Greek statuary, for instance, bloom among the grime like a band of gods imprisoned in a slum. The spectacle of art in such surroundings sometimes strikes us as being at once ludicrous and pathetic, like something delicate and lovely sprawling in the gutter, or an angel with a dirty face.
27
Conventions
The revolt against conventions in art, thought, life and manners may be due to at least more than one cause. It is usually ascribed to "vitality" which "breaks through" forms, because it desires to be "free." But common sense tells us that more than two or three of our friends abjure convention for an altogether different reason—to be candid, on account of a lack of vitality resulting in laziness and the inability to endure restraint of any kind. And, for the others, we shall judge their "vitality" to be justified when they build new conventions worthy of observance, instead of running their heads finally into illimitable space. Or does their strength not go just so far? There is something suspicious about this vitality which cannot create: it resembles impotence so much! Heaven preserve the moderns from their "vitality"!
28
"Vitality"