A third possible example is the custom in Calabria, whereby the women cease wailing at night and put off the black veils they donned at the moment of death.[251.3] Here it may be, as Professor Frazer suggests, a sufficient explanation that disguise is superfluous in the dark. The custom of wearing veils or hoods to conceal the face in mourning is not confined to Europe, though widely spread there. The “weepers” and other crape trappings still in use in France, but for the most part abandoned in this country, are probably relics of it. It is found among nations sundered as far as the Eskimo on the shores of the frozen ocean from the tribes of the Eastern Archipelago and Melanesia. The veil is sometimes worn without intermission. Among the Minuanes of South America the widow carefully covers her face with her hair, notwithstanding she remains for several days in the hut.[252.1] About Bering Strait the housemates of a deceased Eskimo must remain in their accustomed places in the house during the four days following the death, while the ghost is believed to be still about. During this time all of them must keep their fur hoods drawn over their heads, not to deceive the dead man, but “to prevent the influence of the shade from entering their heads and killing them.”[252.2] Where the mourners are confined more or less to the house, however, the custom of veiling is often, perhaps usually, more stringent on going out of doors than when they are inside in the dark. In the lower culture the women at least are frequently confined to the house, and only go out in case of necessity at night, or at early morning and evening to weep at the grave. But the Calabrian women would more naturally go out of doors, if at all, by day; hence they would be more closely veiled by day; and at night, when they would not go out, they might wear their ordinary head-dress of a white handkerchief. It is at least curious that they themselves assume that they would be recognized at night through the disguise by “il demonio,” who has doubtless succeeded to the pre-Christian terrors of the other world; and they declare it is lest he should rejoice over their sorrow—to deceive him as to that, and not as to their identity—that they doff the discomfort of the veil. For the same reason they take the opportunity to suspend their wailing, which to be sure is not as a rule anywhere absolutely continuous: human nature could not endure it.
Taboo is the most contagious of diseases. Mourning garb is its outward and visible sign, and a warning to all who would otherwise come into contact with the mourner. The veil in particular may be compared with the head-coverings and seclusion required of girls arriving at maturity. At that period they also are under taboo. Among the Eskimo, the tribes of British Columbia, many of the South American tribes and the Bantu tribes of Africa, and over a considerable area in the south of Asia, the Indian Ocean and Melanesia, adolescent girls are confined for a longer or shorter time where they cannot be seen, or kept covered if they go out of doors. They are very sensitive to the influence of the sun.[253.1] But it is not merely that the sun would affect them; their very glance is deleterious. A Thlinkit girl wears a hat with long flaps, that her glance may not pollute the sky. Among the Tsetsaut it is believed that if she were to expose her face to the sun or the sky, rain would fall.[253.2] So the Hupa grave-digger in California is under a taboo. He has come into contact with death, and is required after the funeral to carry a bough of Douglas spruce over his head, “that he may not by any chance glance at the sky or at any human being, thereby contaminating them.”[253.3] On the island of Mabuiag, if a maturing girl’s own father see her, he will have bad luck in fishing, and probably smash his canoe the next time he goes in it.[254.1] So far as I am aware, there is no intention in veiling a girl at puberty to disguise her so as to delude any spiritual foe. It is true that both she and the mourners at a death (including all who take part in the death-rites) are exposed to special dangers. That is because they are alike in a state of taboo. They are thus also dangerous to others. They must be secluded; or if they venture abroad they must be either covered or so garbed as to keep other persons at a distance.
That the same reasons apply, at all events among some tribes, to the veiling of the faces of widows and widowers appears from the customs of the Lkungen of Vancouver Island. After a burial “the whole tribe go down to the sea, wash their heads, bathe, and cut their hair. The nearer related a person is to the deceased, the shorter he cuts his hair. Those who do not belong to the deceased’s family merely clip the ends of their hair.… Widow and widower, after the death of wife or husband, are forbidden to cut their hair, as they would gain too great power over the souls and the welfare of others. They must remain alone at their fire for a long time, and are forbidden to mingle with other people. When they eat, nobody must see them. They must keep their faces covered for ten days. They fast for two days after burial and are not allowed to speak. After two days they may speak a little; but before addressing anyone they must go into the woods and clean themselves in ponds and with cedar-branches. If they wish to harm an enemy they call his name when taking their first meal after the fast, and bite very hard in eating. It is believed that this will kill him. They must not go near the water, or eat fresh salmon, as the latter might be driven away. They must not eat warm food, else their teeth would fall out.”[255.1] This account shows that the widow or widower is dangerous to other people, and consequently in a state of taboo. It further shows that the fast and privation of society and comfort that such a mourner undergoes materially increase his orenda, giving him power to kill his enemy by sympathetic magic, or even rendering him a peril to his own community if he add to the severity of his penance by cutting his hair, as a mourner who is not so nearly related to the deceased does. All this is in accord with the principles underlying the taboo and fast of girls and boys at puberty. There can be very little doubt that it is dictated by similar motives. If so, the covering of the face is, here at least, not intended to disguise the mourner and conceal him from the ghost. It is an integral portion of his taboo. It helps to safeguard the well-being of the surviving members of his community, and to make his own orenda more powerful.
It is no part of my case to deny that mourning garb is ever intended to deceive the ghost. Customs differ so much in different cultural areas that it is quite possible there may be some instances in which the intention is to disguise the mourner by way of precaution against the deceased. Professor Frazer has brought forward two cases, and only two, so far as I am aware, in which this object is avowed. The first is found in the western districts of the island of Timor. When a man dies and before his body is put into a coffin, his wives stand weeping over it with their village gossips, “all with loosened hair, in order to make themselves unrecognizable by the nitu (spirit) of the dead.”[255.2] I have not seen the authority he cites; therefore I do not know whether we are given any information how a widow in these districts habitually wears her hair. For aught that appears here, the hair is loosened only for this ceremony, which comes to an end with the enclosure of the corpse in the coffin, and may not last for more than an hour or two. If so, whatever be the reason for hindering the ghost from identifying the participants, the loosening of the hair may not be, strictly speaking, part of the mourning garb.
The other case is a practice occasionally in use among the Herero. When a dying man intimates to one of his relatives and friends, who crowd around him at such a time, that he has “decided upon taking him away after his death,” that is to say, that he will kill him (fetch him to the other world), the person so threatened has recourse to an onganga, or witch-doctor. This functionary strips him, washes and greases him afresh, and dresses him in other clothes. “He is now quite at his ease about the threatening of death caused by the deceased; for, says he: ‘Now, our father does not know me.’” The survivors, however, may fulfil the threat.[256.1] This certainly does appear to be a case of disguise, or at least a change of clothes in order to deceive the deceased; but the substituted clothes do not appear to be mourning garb, and the problem of mourning garb is what we are endeavouring to solve.
That protection is needed against the ghost of the recently dead is clear. All over the world there is fear of ghosts. Protection, however, is not commonly sought in disguise, even in extreme cases. It is frequently sought, as against other supernatural foes, in fire. The custom is so well known that it need not now detain us.[256.2] The Ewhe widow provides herself with a club, burns pungent powders and takes other precautions from assault, or even approach, by the deceased. A widower does the same. In both cases the event to be dreaded is the attempt by the deceased to renew conjugal relations. This danger assumes recognition by the ghost. So far from seeking to elude it, she goes entirely naked. The lot, whether of widow or widower, is not happy, though here, as elsewhere, the woman gets the worst of it: she must be defended for six weeks, while seven or eight days suffice for him.[257.1] The Charrua mourner in South America went forth into the wilderness armed with a stick.[257.2] The Eskimo of Bering Strait indeed wear fur hoods, but, as we have seen, they are a direct defence against the penetrative influence of the ghost, not a disguise. The Koryak, the Timorlaut islanders, the Ngoulango of the Ivory Coast seek refuge in a talisman or amulet.[257.3]
The amulet preserved by the son of the deceased Timorlaut islander is a piece of his father’s nail. According to the rules of sympathetic magic he preserves in this way his corporal union with the deceased, and thereby ensures his protection. The widow or widower does not take a portion of the body, but wears a piece of the clothing. This obviously is intended to have the same effect. The practice is not unknown elsewhere. In Syria when a man dies his wife puts on one of his garments and sings funeral songs.[257.4] Dr Junker relates that he witnessed the ceremonies on the death of the ruler of Kabajendi, who had lived almost all his life among the A-sande and was mourned according to their rites. His wives, after wailing beside the coffin, marched through the zeriba and pretended to search in every hole and corner, crying out to him, creeping in and out on hands and knees under the overhanging thatch of the roofs, then gathering and starting again on further explorations, all the while howling, shrieking, and lamenting. The next morning those of them who could manage to possess themselves of any article of his clothing put it on, marching round the village thus attired in a continual procession or dance, while others carried sword, lances, clubs, climbing plants, maize-cobs, and so forth, their heads strewn with ashes. This performance lasted for a fortnight, despite the tropical rain.[258.1]
Some light on this fantastic promenade may be thrown by the proceedings of the Bangala women. In the Boloki district, “when a man of any position died his wives would throw off their dresses and wear old rags (sometimes they would go absolutely naked), pick up anything belonging to him—his chair, spear, pipe, mug, knife, shield or blanket—anything that came first to hand; and having covered their bodies with a coating of clay, they would parade the town in ones, or twos, or threes, crying bitterly and calling upon him to return to them. They would stop at times in their crying and say: ‘He is gone to So-and-so; we will go and find him’; and away they would start off in a business-like fashion in their pretended search for him. This parading they would keep up for a day or two, and then women of the town would bedeck themselves with climbing plants, vines, leaves, and bunches of twigs; and, forming themselves into a procession, they would march through the town chanting the praises of the deceased. Men would paint and arm themselves as for a fight, and would imitate the daring acts of the departed as a warrior; and if he had been remarkable for fighting on the river, they would arrange a sham canoe-fight in his honour.… It was an amusing and interesting sight, and seemed to be thoroughly enjoyed both by actors and spectators alike. They called this praising or honouring the dead.”[259.1]
It has been suggested that the wearing of a portion of the clothing of the dead is intended to delude him into the belief that those who do so are themselves dead, and so to turn aside his attack.[259.2] No proof, so far as I am aware, has been offered for the suggestion. Whatever the exact intention of the A-sande rite (and its equivalence with the Boloki rite is obvious), it can hardly be tortured into this. The ghost must be stupid indeed who cannot distinguish his own clothing and personal chattels when carried about by his wives. To wear the clothing of the deceased identifies the mourner with him, sometimes for the purpose of protection by means of sympathetic magic, sometimes for the presentation of the dead man in funeral ceremonies like those of the Torres Straits islanders or the Musquakie Indians.[259.3] Where this is not the object, to put on his coat and to carry his mug or his spear in procession may be due, as it seems to be here, to some vague idea of honouring him, or perhaps of inducing him to return. The supposition that it is intended to deceive the ghost may be safely discarded.
In more general terms it has been conjectured that mourning rites are intended to express union with the departed by obligatory, if partial, participation of his state, that by virtue of the contagion of death the mourners have become really changed and are for a time as if they were dead, hence they must eat, clothe, and conduct themselves as far as possible like the dead.[260.1] Lastly, it has been pointed out that many of the observances imposed on mourners are a return to more primitive and savage conditions—such as sitting on the bare earth, going naked or wearing only the roughest and coarsest stuffs, and abstaining from good food in favour of wild berries and roots;—and the question has been put whether this may not be the essence of mourning.[260.2] There is probably some measure of truth in both these suggestions; but they must not be pressed too far. Many of the rites and usages are intended beyond question to express sympathy for the deceased, and a temporary segregation with him from ordinary life.