How to Cause Large-sized Objects to Appear to Vanish from the Hands.—By large objects are meant eggs, oranges, ladies' handkerchiefs, gloves, small birds, &c. The sleight-of-hand conjuror should embrace every opportunity for a display of his skill, handkerchiefs being swallowed and reproduced elsewhere, and other articles thrown away or made to pass imperceptibly from out of the hand into thin air, nothing being left of them when the hand is opened. In order to bring about these things, all that the conjuror has to do is to adapt, to the altered circumstance of having larger articles to deal with, what he has been taught in connection with the palming and passing of coins. Take, first, the apparent placing of an article in the mouth, and swallowing it. The method adopted will vary, according to the size of the article. If it be a comparatively small one, such as a walnut, then the action depicted at [Fig. 7] must be followed, the article being palmed in the right hand, the back of which must necessarily be turned towards the audience more than is shown in the sketch, by reason of the more bulky nature of its contents, and the fingers of the left hand rounded in a way suggestive of containing the article supposed to be put into them. The right hand then takes the wand, which, in these cases, must always be carried under the right armpit. Should the article not be swallowed, the wand strikes the closed fingers of the left hand, which are simultaneously opened and shown to be empty. The success attending this method will depend solely and entirely upon the neatness with which the palm is executed, and the article apparently placed in the left hand. It must not be ostensibly thrown there, as is the case with a coin, but deliberately put in, the fingers of the right hand, after the execution of the palm, forming as though they actually held the article, those of the left hand closing around them, as if taking it firmly in charge. It is always as well to actually place the article in the left hand at least once, thereby silently impressing the company with what is to be done with it. The palming of a walnut is quite as easy as that of a coin, and the pass must be regarded as a very simple one to learn.
Eggs, oranges, lemons, and solid articles of that size, must be treated according to the action shown at [Figs. 8] and [9], facility in executing which will render the accomplishment of what is now described very easy. As the article is not a coin, it must not be held between finger and thumb, but made to rest upon the very tips of the fingers of the left hand, which is held perpendicularly for the purpose. It is thus very conspicuously in sight of everyone. It is allowed to rest there for a few seconds, when the right hand is brought suddenly in front of it, and the action gone through of taking it. At this instant, the orange (say) falls into the hollow of the left hand, which is immediately dropped to grasp the coat flap, whilst the right hand apparently puts the orange into the mouth, a muffled noise being made indicative of the mouth being full. Before the hand is removed, the mouth is closed, when it is as well to bulge one of the cheeks out with the tongue, and then make three or four desperate attempts (ultimately successful) at swallowing, accompanied by choking sounds. A smile should then illumine the face of the performer, who appears to have enjoyed the operation, and the orange, if it is wanted again, may be produced at the right elbow, or brought round from the back of the neck, rolled along by the tips of the fingers. A very effective sleight with which to quickly follow the foregoing is as follows: Place the wand under the left armpit, and hold the orange in the fingers of the left hand, as above described. Open the legs slightly, and then apparently take the orange in the right hand and smash it into the right leg, just above the knee. The orange must be apparently vigorously snatched out of the left hand, which at once mechanically finds its way to the wand, that article being grasped by the thumb only, the fingers and palm concealing the orange. The performer allows a second to elapse, and then, briskly taking the wand in the right hand, rolls the orange from behind his left thigh to the front. It does not in the least signify what the company fancy actually happened with the orange, so long as they are not allowed to suspect that it never left the left hand. Obliged to account for the phenomenon, the theories formed will be various, the majority polling for a tubular communication between sleeve and sleeve, viâ the performer's back. As the orange is apparently smashed into the leg, the performer will find it necessary to stoop slightly. This sleight should follow the preceding one before the spectators have begun to recover from their wonderment at seeing the orange apparently swallowed and then reproduced. A cigar, or article of the like shape, can be similarly treated if it be held in the left hand between the tips of the middle finger and thumb, the broad end being against the thumb. As the right hand covers it, in the act of apparently taking it, the broad end is allowed to fall against the root of the thumb, and the hand turned slightly over and then allowed to hang down at the side. A very little pressure on the part of the middle finger will suffice to keep the cigar in position. The right hand must conform itself as closely as possible to the shape it would assume if it actually contained a cigar. This sleight will come in handy in conjuring at table.
A more complete method of vanishing is as follows: Take the article in the right hand, and hold the waistband of the vest by the left. Toss the orange, &c., twice or thrice in the air, and then whip it swiftly beneath the vest, which will be partly raised by the left hand. The two hands thus brought together should be closed one over the other, as if they contained something, which something you will then proceed to gradually rub away. As you have nothing whatever in the hands, you will be able to execute this portion of the deception with great confidence and ease. When you slip any article beneath the vest, the body should be partially turned from the audience. Quickly done, the movement will never be noticed, and it is one of the most perfect deceptions practised. The vest is never thought of by an audience as being a place for the concealment of articles, and so it escapes notice, and everyone wonders where the vanished article can have gone to. The vest is also an excellent place in which to carry such things as eggs, lemons, &c., which may be required during any trick.
To Change an Article.—This is executed very much after the manner of the preceding, with this exception: the left hand contains the article concealed, which is to be exchanged for whatever is held in the right. Say, for example, that the right hand holds an orange, which the audience, of course, examines. The left hand conceals, say, an apple. The orange is vested in the orthodox manner, and the hands brought together as directed, but this time they contain the apple. Rub them a little, and exhibit the apple, which can be brought back to its original shape—an orange—if the performer pleases. On no account must the conjuror inform the audience what he is about to do, or he may find the ideas of the spectators anticipate his actions, which is, to say the least, awkward. These actions of vanishing or exchanging can be done when one is actually surrounded by people; but the hands must be quick and must appear natural: for instance, when supposed to contain an orange they must not be compressed so as to barely leave space within them for a walnut. Nothing but careful practice will ensure a satisfactory result, for the least bungling will lead to detection. I need hardly say that it enhances one's reputation greatly if one can be said to have "changed a real orange into a real apple under our very eyes" without the aid of any gaudy boxes or canisters. By all means allow the orange to be squeezed and the apple to be eaten.
To Vanish Handkerchiefs.—Not being solid bodies, handkerchiefs will require different treatment, and present the greatest difficulties, which are fully compensated for by the superior effects produced. In the first place, the performer must be careful to borrow a lady's small handkerchief, if for the purpose of vanishing. In performing The Knots ([page 218]) a small handkerchief is generally included amongst those borrowed. It is not used for the trick; but the performer says he is very fond of such handkerchiefs, and forthwith rolls it up in his hands, pops it into his mouth, and swallows it. Whilst the company are wondering, he suddenly pulls the handkerchief out of his leg. This is a most wonderful sleight, and one the conjuror must endeavour to become perfect in. He should begin with a small piece of muslin, which rolls up very tight and easily. This he takes between the two hands, the left hand below, with its back turned somewhat towards the company, and rolls it sharply round and round, until he feels that it is well balled. Then, with the right hand, he apparently takes it up, the left hand really retaining it by means of the thumb, and grasping the coat-flap, as in other cases, or the wand under left armpit. The right hand apparently conveys the handkerchief to the mouth, where the choking and swallowing performance is gone through. After a pause of a couple of seconds, the conjuror looks curiously down at his leg, and, pouncing at a spot in the rear of the thigh, just above the knee-joint, presses the handkerchief there, to enable the fingers to obtain a hold of a very small portion of it. It is then at once jerked forcibly away, when it will appear to the spectators precisely as though it had been pulled out through the cloth. The different movements must all follow one another with regularity and swiftness, and yet the performer must not appear to be hurrying himself in the least. If the handkerchief experimented upon be large, some risk is run of a portion appearing from the left hand. Even with small handkerchiefs this will, at times, occur; but if the performer carries out the movements of the right hand properly, the eyes of the company will be directed solely to that.
The same sleight is employed in feigning to throw back a handkerchief to its owner, the action of throwing being employed instead of affecting to place the article in the mouth. In this case, it is as well to pivot round at once, vesting the handkerchief in so doing, and then at once inquiring, with empty hands, if the handkerchief arrived at its destination all right. It may be afterwards produced from the interior of a spectator's coat, by being whipped quickly in and then produced very slowly and at extended length. If this reproduction is to follow quickly, then do not vest, which is only done for the purpose of showing the hands empty. If the performer pleases, he may plunge his hand into his breast, and produce the handkerchief; but it will cause less wonderment, and no amusement at all.
Small birds present considerable difficulty, the object being to conjure with the bird without injuring it. A bird cannot be palmed, like a walnut, nor can it be rolled up, like a handkerchief. But, strange to say, the very difficulty of the feat assists the performer. In the first place, the company never suspect that the bird is about to be made to disappear, unless the performer is weak enough to forewarn them; and, secondly, never having experimented, they do not suppose for an instant that the bird will be simply retained in the hand all the time, as it really is. All the conjuror has to do is to hold the bird in the right hand, outside the wings, and head downwards, the tail pointing up the wrist, and then affect to put it in the left hand, which is bulged so as to appear to hold it. The wand must be under the right armpit, and the right hand seizes it at once, the left hand being struck and opened, showing the bird to be flown. The sooner the bird is reproduced the better. The most unlikely, and therefore the best, place to produce it from is the bottom of the trouser—a lively course of speculation as to how it got there being thrown open to the company. If it be desired to get rid of the bird altogether, the performer must pivot round and vest. There is not much chance of the bird moving in that position, but, of course, it will be better for the performer to make an early exit, and relieve himself of the encumbrance.
Doves are made to disappear by means of the shelf at the back of the table, or the pocket directed to be made at the bottom of the coat-tail. The shelf vanish is more open to suspicion, but I have, nevertheless, found it enormously successful, when properly managed. The performer, in the first instance, must not announce, by word or deed, that the disappearance is about to take place. Standing to the left (his left, facing the audience) of the table, and slightly to the rear of it, he takes the dove in the right hand. Walking briskly past the table, at the back, he casts his eyes upwards, and just as he reaches the extreme corner of the table, makes a movement of tossing the bird into the air. It is, instead, placed gently (not dropped, or thrown) upon the end of the shelf, the brisk pace of the performer carrying him at once a good yard beyond the table, from which spot the dove is apparently cast into the air. The success of the sleight depends very much upon the exactness with which the performer imitates the actual throwing of a bird into the air, and the fearlessness with which it is conducted. Any symptom of a glance at the shelf would be fatal. The bearings must be taken whilst stationary, and the rest carried out with the eyes fixed earnestly on the ceiling. Rabbits and guinea pigs may be similarly treated; but large-sized rabbits are unsuited, since it is not easy to place them upon the shelf. When the pocket is used, supposing it to be in the right coat-tail, as it probably would be, the performer should stand with that side away from the audience, and ascertain, by means of the right hand, if the mouth of the pocket be open. Lean slightly over to the right, and then, taking the dove in the right hand, make a movement of casting it into the air, straight upwards, whither the eyes are directed. It is, of course, left in the pocket, head downwards. An attempt to place it there tail first would be likely to lead to disaster. As this sleight may be performed away from any table or chair, it is, of course, to be preferred. It is, undoubtedly, more difficult of accomplishment than the shelf vanish, requiring more neatness in depositing the bird; for, if the downward sweep be too vigorous, it will have the effect of disturbing the coat-tail, which will be momentarily seen, pushed out behind the performer, by the company, and the place of concealment thereby betrayed. It need hardly be pointed out that, in either case, the hand must grasp the bird firmly by the body, clasping the wings tightly down. If it be felt struggling in the pocket, the performer should bow himself off at once.
Mesmerising a Dove.—The apparent mesmerising of a dove makes, of itself, a capital effect, leading the audience to pay high respect to the necromantic powers of the conjuror. Also, it makes an admirable introduction to the vanish. The bird is taken in the right hand, outside the wings, and laid upon its back on the front edge of the table, so that the head just projects over. The beak is now taken in the left hand and the head turned backwards, as far as it will go. When held in that position for a few moments, the hands may be removed, when the bird will lie perfectly still. It will not always do this at the first, or even the second, attempt, but perseverance will always be rewarded with success. The performer must be as gentle as possible, and go slowly to work. We need not stay to discuss the reason for the singular phenomenon, it being sufficient for our purpose to know that the bird will lie still when placed in the proper position. The performer waves his hands over the bird, as though mesmerising it, and then he may take one of the feet in his fingers and actually raise the bird, by one of its legs, completely off the table. This will require the greatest delicacy and patience to accomplish, operations being discontinued the instant the bird shows any signs of fluttering. Anything approaching a jerk will rouse the bird, so the lift must be made as gradual and as imperceptible as possible. The reader will, doubtless, be able to appreciate the sensation that will be caused when, the mesmerising accomplished, the bird immediately afterwards vanishes from sight, no one knows whither.