Fig. 45.
The Melting Handkerchiefs.—The performer comes forward with a soup-plate in one hand and two silk handkerchiefs in the other. The plate, after being shown empty, is placed upon the ground, inverted, whilst the performer takes the handkerchiefs in his hands, and commences to roll them up in them. He rubs his hands together, and, on opening them, the handkerchiefs are found to have melted completely away. The soup-plate is then raised by one of the company, and the handkerchiefs are found beneath.
The soup-plate portion of the trick is thus easily managed: The performer has balled up under the fingers of the hand holding the plate duplicate handkerchiefs of those he holds openly in the other hand. They are of very fine silk, and so are easily concealed. As he boldly shows the inside of the plate, where the fingers are, the spectators never suspect the presence of the handkerchiefs, or of anything else. As the plate is laid carelessly upon the floor, it is drawn a few inches towards the performer, the side that is towards the company scraping the ground. In this way the handkerchiefs are got underneath. The melting away of the handkerchiefs is accomplished with the aid of the plain-looking implement depicted at [Fig. 45]. It is constructed of wood, is hollow, and is blackened on the outside. Through the end is a hole, and through that is passed a piece of stout elastic, having a knot on the inside. On the side seam of the vest is sewn a ring, and the end of the elastic, after being passed through this, is brought round the back and left side, and fastened securely to a button in front. This great length is necessary for the facile performance of the trick. When at rest, the wooden holder rests against the ring on the vest. After the performer has finished placing the plate upon the floor, he retires to the stage, and stands sideways to the company. Supposing the holder to be on his right side, that side would be nearest the company. First of all, the sleeves are turned very far back, and then, under cover of the right forearm, the left hand seizes the holder, and, drawing it out of concealment, places it in the right hand, where the handkerchiefs are being held. The performer may get out the holder before this, if he pleases—the proper time for so doing being whenever a favourable opportunity presents itself—and keep it palmed in the right hand. The arm will always prevent the elastic being seen by the company. With his arms outstretched, and the hands together, the performer proceeds to gather in the handkerchiefs by slow degrees, the fingers of the left hand pushing them into the holder. When they are all pushed home, the hands are opened slightly, the left hand only being moved for this purpose, and the holder, thus released, flies back until stopped by the ring. The performer continues rubbing away the handkerchiefs, still supposed to be in his hand, and he must act as though they were being rolled into an ever-decreasing ball, the final kneading being done by the tips of the fingers of the right hand, working in the palm of the left hand. All that now remains is to have the plate lifted. The trick may be prolonged and varied if the performer has a second holder on his left side containing handkerchiefs of other colours to those first used. By getting this holder out and rolling up the handkerchiefs from under the plate, the new handkerchiefs may be got out and the old ones substituted. Or the trick may be done the other way round, and the change executed first, the second handkerchiefs being found under the plate. There is no reason why this trick should not be even more elaborated, and further changes of handkerchiefs made. This may be done by means of a holder, some four inches in length, open at each end, and connected with the elastic by a metal fork-shaped piece, upon which it swivels by means of a pin passing through the centre. Each side can contain handkerchiefs of different colours, the pin through the centre preventing their becoming mixed with one another, and a variety of changes made, which will be intensely bewildering to the spectators, especially as the performer each time gives the handkerchief for examination, and shows his hands empty. The perfect simplicity and completeness of the method of vanishing permits of its being repeated any number of times, each successive change or disappearance causing fresh wonderment. Care must, however, be taken, in each instance, that the handkerchiefs are pressed well home in the holder, as an exposed portion might be seen as it flashed under the coat; whilst there is still greater danger of its subsequently working out and becoming slowly visible to the company. If the great length of elastic which I have recommended were not employed, the performer would not be able to stretch his arms out to their full extent in front of him; and it is highly essential for effect that the hands should be as far removed from the body as possible. The ingenuity of the performer will enable him to employ the holder in many tricks in which handkerchiefs take part.
Le Gant de Paris.—For this trick, which will bring the performer's utmost skill into play, the following articles will be required: An orange, a lemon, and a walnut, all embowelled. The walnut contains a small kid glove, the lemon contains the walnut, and the orange the lemon. Besides these, the performer has a whole orange, lemon, and walnut, which he can either bring forward, or, for preference, find in persons' hair or on their noses. He has, also, concealed separately under the vest, a tiny glove, not more than three inches in length, and another quite ten inches long. These will be best manufactured at home under personal supervision, and they should be well made. The three fruits, produced or discovered, are placed in various positions on the table, or tables, care being taken that the lemon is situated conveniently near a trap. Opportunity must be taken for exchanging the orange for the prepared one. There are many ways for doing this. One, which is as good as any, is to give the perfect orange to the stage attendant, telling him to place it upon the table, and then at once engage the audience with something else. In going towards the table, the attendant effects the exchange. Other methods, such as having the prepared orange on the shelf, and exchanging it with the other whilst calling attention to the lemon—carrying it in the breast pocket, and exchanging it when the back is turned to the audience—will readily suggest themselves. It is impossible to set down any hard-and-fast rule for such minutiæ as these. Sometimes the disposition of the stage, or of the audience, will necessitate the adoption of a method that would, under other circumstances, be impossible of introduction. The small glove is now brought down and kept concealed in the palm, and a kid glove, of the same colour as the one inside the prepared walnut shells, borrowed. Express your intention of making it pass inside the walnut, and observe that it is a little too large. Saying that you will make it a little smaller, proceed to rub it in the hand, and eventually exchange it for the tiny glove, which produce, and give to a gentleman to fit upon the hand. Of course, it will be too small, and you will inquire what size glove the gentleman wears. You affect to misunderstand him, and clap on ten sizes more. Thus, if eight and a half is said, you exclaim, "Eighteen and a half! That's a very large size, sir. But perhaps you think I can't make one so big. I will show you." It is sure to be explained that eight and a half, and not eighteen and a half, was the size mentioned, but you affect not to hear the correction, and proceed to rub up the small glove, having previously got down the large one. Make a great fuss of stretching, and finally produce the large glove, allowing the small one to drop inside it. The original borrowed glove in the meantime vest, if you have not done so already. Now proceed to the table, and, rolling up the large glove, with the little one inside it, tightly, pass it down a trap, and affect to rub it away into the walnut. Take up the walnut and vanish it by sleight of hand, pretending to pass it into the lemon, which get rid of, along with the nut, down a trap, and finally cut open the orange. Take out the lemon and cut that open, and produce the walnut. Ask one of the audience, on that side of the auditorium which is opposite to where the owner of the borrowed glove is seated, to open the walnut, at the same time getting down the borrowed glove from the vest. Take the glove from the walnut in one hand, and, pretending to place it in the other, whilst advancing towards the person from whom it was borrowed, effect an exchange. This must be done with all possible neatness and skill, or, at the last moment, the trick will fail. Supposing that you take the glove from the walnut with the left hand, the right should contain the borrowed glove. The left hand then makes a rapid movement towards the right, as if placing the glove in it. The glove in the left hand is in reality concealed, and the one in the right hand revealed. Half an hour's practice will make a wonderful difference in the execution of this pass, which will often have to be used, sometimes in cases of great emergency. On cutting open prepared oranges, lemons, &c., always be careful to throw the skins behind you, or elsewhere away from the view of the audience, who are not likely to be deeply impressed in favour of your skill after a close examination of the remains of the prepared articles. If the triple combination of orange, lemon, and walnut is at first too difficult, try the dual one of lemon and walnut only. It is still very effective, and there is far less to think about. If the performer is limited as to traps, the large glove can be fired at the walnut from the pistol tube. The variation is quite unimportant.
[CHAPTER XIV.]
TRICKS WITH COINS.
THE INVISIBLE FLIGHT: THE GLASS—THE BOXES—OTHER APPARATUS USED IN THE TRICK—THE BANKER—HOW TO COLLECT MONEY—THE MONEY TUBE—THE MULTIPLYING TRAY—HOLD THEM TIGHT! OR, SKILL VERSUS STRENGTH—THE MONEY CHANGER—HINTS UPON MANNER—THE CRYSTAL PLATEAU—THE MONEY-PRODUCING CANDLE—THE FLIGHT—COIN AND WORSTED BALL TRICK.