"I will tell you of some of the pranks of this very Boggart, and how he teased and tormented a good farmer's family in a house hard by; and I assure you it was a very worthy old lady who told me the story. But, first, suppose we leave the Boggart's demesne, and pay a visit to the theatre of his strange doings.
"You see that old farm-house about two fields distant, shaded by the sycamore tree: that was the spot which the Boggart or Bar-gaist selected for his freaks; there he held his revels, perplexing honest George Cheetham—for that was the farmer's name—scaring his maids, worrying his men, and frightening the poor children out of their seven senses; so that, at last, not even a mouse durst show himself indoors at the farm, as he valued his whiskers, five minutes after the clock had struck twelve."
The story goes on describing the startling pranks of this invisible torment of honest George Cheetham's old haunted dwelling. It tells how that the Boggart, which was a long time a terror to the farmer's family, "scaring the maids, worrying the men, and frightening the poor children," became at last a familiar, mysterious presence—in a certain sense, a recognised member of the household troop—often heard, but never seen; and sometimes a sharer in the household conversation. When merry tales were being told around the fire, on winter nights, the Boggart's "small, shrill voice, heard above the rest, like a baby's penny trumpet," joined the general laughter, in a tone of supernatural congeniality; and the hearers learned, at last, to hear without dismay, if not to love the sounds which they had feared before. But Boggarts, like men, are moody creatures; and this unembodied troubler of the farmer's lonely house seems to have been sometimes so forgetful of everything like spiritual dignity, or even of the claims of old acquaintance, as to reply to the familiar banter of his mortal co-tenants, in a tone of petty malignity. He even went so far, at last, as to revenge himself for some fancied insult, by industriously pulling the children up and down by the head and legs in the night time, and by screeching and laughing plaguily in the dark, to the unspeakable annoyance of the inmates. In order to get rid of this nocturnal torment, it appears that the farmer removed his children into other sleeping apartments, leaving the Boggart sole tenant of their old bedroom, which seems to have been his favourite stage of action. The story concludes as follows:—
"But his Boggartship, having now fairly become the possessor of a room at the farm, it would appear, considered himself in the light of a privileged inmate, and not, as hitherto, an occasional visitor, who merely joined in the general expression of merriment. Familiarity, they say, breeds contempt; and now the children's bread and butter would be snatched away, or their porringers of bread and milk would be dashed to the ground by an unseen hand; or, if the younger ones were left alone but for a few minutes, they were sure to be found screaming with terror on the return of their nurse. Sometimes, however, he would behave himself kindly. The cream was then churned, and the pans and kettles scoured without hands. There was one circumstance which was remarkable:—the stairs ascended from the kitchen; a partition of boards covered the ends of the steps, and formed a closet beneath the staircase. From one of the boards of this partition a large round knot was accidentally displaced; and one day the youngest of the children, while playing with the shoehorn, stuck it into this knot-hole. Whether or not the aperture had been formed by the Boggart as a peep-hole to watch the motions of the family, I cannot pretend to say. Some thought it was, for it was called the Boggart's peep-hole; but others said that they had remembered it long before the shrill laugh of the Boggart was heard in the house. However this may have been, it is certain that the horn was ejected with surprising precision at the head of whoever put it there; and either in mirth or in anger the horn was darted forth with great velocity, and struck the poor child over the ear.
"There are few matters upon which parents feel more acutely than that of the maltreatment of their offspring; but time, that great soother of all things, at length familiarised this dangerous occurrence to every one at the farm, and that which at the first was regarded with the utmost terror, became a kind of amusement with the more thoughtless and daring of the family. Often was the horn slipped slyly into the hole, and in return it never failed to be flung at the head of some one, but most commonly at the person who placed it there. They were used to call this pastime, in the provincial dialect, 'laking wi't' Boggart;' that is playing with the Boggart. An old tailor, whom I but faintly remember, used to say that the horn was often 'pitched' at his head, and at the head of his apprentice, whilst seated here on the kitchen table, when they went their rounds to work, as is customary with country tailors. At length the goblin, not contented with flinging the horn, returned to his night persecutions. Heavy steps, as of a person in wooden clogs, were at first heard clattering down stairs in the dead hour of darkness; then the pewter and earthen dishes appeared to be dashed on the kitchen floor; though in the morning all remained uninjured on their respective shelves. The children generally were marked out as objects of dislike by their unearthly tormentor. The curtains of their beds would be violently pulled to and fro; then a heavy weight, as of a human being, would press them nigh to suffocation, from which it was impossible to escape. The night, instead of being the time for repose, was disturbed with screams and dreadful noises, and thus was the whole house alarmed night after night. Things could not long continue in this fashion; the farmer and his good dame resolved to leave a place where they could no longer expect rest or comfort; and George Cheetham was actually following, with his wife and family, the last load of furniture, when they were met by a neighbouring farmer, named John Marshall.
"'Well, Georgy, and so yo're leaving th' owd house at last?' said Marshall.
"'Heigh, Johnny, my lad, I'm in a manner forced to't, thou sees,' replied the other; 'for that weary Boggart torments us so, we can neither rest neet nor day for't. It seems like to have a malice again't young uns, an' ommost kills my poor dame here at thoughts on't, and so thou sees we're forc'd to flit like.'
"He had got thus far in his complaint, when, behold, a shrill voice, from a deep upright churn, the topmost utensil on the cart, called out, 'Ay, ay, neighbour, we're flitting, yo see.'
"'Od rot thee,' exclaimed George: 'if I'd known thou'd been flitting too, I wadn't ha' stirred a peg. Nay, nay, it's to no use, Mally,' he continued, turning to his wife, 'we may as weel turn back again to th' owd house, as be tormented in another not so convenient.'"
Thus endeth Crofton Croker's tradition of the "Boggart," or "Bar-gaist," which, according to the story, was long time a well-known supernatural pest of old Cheetham's farm-house, but whose principal lurking place was supposed to be in a gloomy nook of "Boggart Ho' Clough," or "Boggart Hole Clough," for the name adopted by the writer of the tradition appears to be derived from that superstitious belief. With respect to the exact origin of the name, however, I must entirely defer to those who know more about the matter than myself. The features of the story are, generically, the same as those of a thousand such like superstitious stories still told and believed in all the country parts of England—though perhaps more in the northern part of it than elsewhere. Almost every lad in Lancashire has, in his childhood, heard, either from his "reverend grannie," or from some less kin and less kind director of his young imagination, similar tales connected with old houses, and other haunts, in the neighbourhood of his own birthplace.