"This is nice," almost shrieked Miss Reely—she also tried to put her arms around the young form, but she might as well have tried to embrace the string of a toy balloon. Minga, wafting along, recited some sentences, with the rather easy-going cadence which for a better name might be called "the chewing-gum accent."
"Awfully nice to see you, Miss Bogart; Mother and Father sent love. Isn't this great, though? You and Sard were ducks to ask me. My faith, what a jolly room." Minga peered into the adjacent bathroom. "Swell mirror, some towels; do I use these embroidered ones for cold cream?"
"Did you notice the view, dear, coming over the hill—the river—the dogwoods?" asked Sard's aunt complacently.
"The—er—view——? Oh, yes, I remember now, Sard said something; was it where they built that new garage? Say, Sard, did you know that garage is a big thing, the nippiest thing along the Hudson River—this shore anyway? A lot of money went into it. I know, because Father coughed up a few shekels, to help the man out, you know, and he says they are piling up coin already. He'll realize, all right!"
Miss Reely, rather ignored by the two girls, fussed about the room, settling a pillow sham, plumping up a cushion. She turned back to the new arrival, who, tossing her small provocative hat on the bed, turned with an anxious frown to the mirror. "Girls," announced Minga, unfastening her wrist-watch, "I'm pale." From a small leather case in her pocketbook she produced a tiny golden box of color, dabbed a bit of it on each young cheek and as she stood talking to her hostess calmly smoothed it in. Minga's eyes, wide open, cool as purple morning-glories, surveyed them. She stood, a trim, insignificant little figure of modernity, suggesting nothing, giving promise of nothing, dreaming of nothing, but curiously capable of anything and everything.
Miss Aurelia, primming her mouth, turned to the door; she paused with the immemorial formula of the hostess,
"Dinner is announced at a quarter of seven, dear; will you let us know if you want anything?" Irresolutely she drifted away; they heard the soft pat of her low-heeled slippers, the swish of her starched skirt, looked at each other and smiled.
"Exactly the same! What?" Minga giggled. "Does she still think it's awful to say 'Darn'?" Then, conscious of Sard's restraint, "Well, she's a sweet old sport. I'd like to take her up in an airplane. Now," apologetically, "you know very well I think she's a perfect dearrrrrr, so sort of picturesque and everything—where do you keep your hairpins?"
It was part of the enigmatic expression of Minga that with bobbed hair she should demand hairpins with as anguished an intonation as a woman with long tresses. When Sard produced the box, she deftly pinned a pretty lock nearer to her cool deep-set eyes. "It's this rotten high forehead of mine," she explained to her friend now perched in the window-seat watching her. "I'm determined I won't be high-brow if I have to cut my head off to avoid it. Don't you dread, somehow, becoming high-brow? It's so unpopular—the men have always hated it, and now the women do. Do you remember Sara Findlay at college?"