"Engaged, darrrrrling," drawled Minga. "Yep, to the most idiotic little Willy you can imagine. A perfect lady, Tawny Troop, you know Troop, the big moving-picture man? We're all crazy about Tawny, he's such a fool—and dance—he dances like a bubble on the fountain. Papa Troop is worth oodles, so they say. Mother, the Persian, doesn't know it—yet; Father, the Mede—well, I guess we'd better postpone that!"

Something careless and contemptuous in Minga's voice kept Sard from asking any of the questions that flew to her lips. She caught the little hand and examined the ring. "Why, it's exquisite," she breathed. "These are brown diamonds, aren't they, and pearls? Oh!" The fairy beauty of the thing moved her.

"You see, Ducky, another girl picked it out—my predecessor." Minga threw out the word with a curiously mature drawl. She yawned, raised up her head, reached out for a handglass and examined her pretty teeth in the mirror. Suddenly she rose, her figure, slender and reedy, bent backward and did a few striding, strutting steps of a modern dance, humming the while with curious catlike nasal tremolo a popular air.

"Do you know this step—to the Paradise whistle and ukulele and that new instrument, the Shiverskin, it's just great." Around the room strode Minga, solemnly expounding the simple steps. "You like my ring," hummed Minga, "well, Tawny's first girl picked it out. I saw it on her aristocratic hand and I had to have it; also, you see, I needed Tawny to dance with—he goes my gait—she hated to let him go; Sard, that girl is a Moth, she eats men, eats 'em alive, but I snitched this one," Minga giggled. "Tawny's coming out for your first spring dance at the Club while I'm here, but it's not announced," warned Minga, "so don't talk bassinets."

It was the old Minga, only, Sard could not keep herself from admitting this; more so, and well, there really need not have been any more of the original Minga. Sard, who was exactly a year older than her friend, felt somehow centuries older. Also she had to confess again as she had confessed to herself before, there was something in Minga that both shamed and hurt, while it fascinated. However, with all the hunger of a lonely girl for a chum, Sard readily overlooked jarring things. She reached out and drew Minga to her, hanging an arm over the thin little shoulder. Minga took it all coolly. "Are you letting yourself get fat, Sard?" she criticised. Then added caressingly, "Poor solemn Sard, we've got to whoop things up for you now I'm here. What? I mean it! Can't we run up a few men and some jazz and stuff on the telephone for to-night? Would Judgie and Aunt Reely care? Who does your jazz this year? We've got an angel band home, three cornets, a paradise whistle and a drum, it's divine—well? Wait till I get hold of that old Dunce," said Minga, "I'll choke all the news out of him. My hat—there comes your father's car around the drive, and I haven't got on evening duds! What do you wear for night-eats? Will Judgie care if I go down as I am?"

This was Sard's chance. She kept her arm around the restless, pacing little figure. "Minga, will you do something for me? Put on your prettiest dress, that rose-colored one, talk music to Father, let him play his new records for you." Minga made a face, but Sard was insistent. "Get him to tell you about Terence O'Brien—only don't you start the subject, Minga—and—and—and ask him if he is pleased with the new man on the place."

Then Sard, at a loss just how to drill her impulsive guest, stared at Minga thoughtfully, frowning. "No, don't ask him that," she said. "I've changed my mind, don't ask him that."

Then said Minga, "I'm to ask him about Terence O'Brien without his knowing it?"

"Yes, his sister works here."

"Terence O'Brien," repeated Minga, "who—oh, yes, that fellow that killed the old man, ran away with the money, did it all just like a movie—awfully exciting! My gracious!" Minga was awed.