The girl's grave look rested on the wreck of a man sitting in a heap beside her, his head sunk on his chest, his ragged coat open and showing his bare, famished-looking chest, his white lips muttering feebly.
"I want him put to bed and fed—very lightly at first. I want him bathed and shaved, after a doctor has seen him. I want him either sent to the hospital here at my expense or, when he is strong enough, to come to my father for work. I want him to be sure, sure, he has friends. I want him," the quick tears came into her young eyes, "to feel that he has another chance."
The youth nodded, his eyes on hers. This was Sard Bogart, the Judge's daughter, who had been back from college only a few months. It was understood in the villages of Morris and Willow Roads that Miss Bogart was a "queer," lonely girl, impatient of many things, apt to be impulsive and to do impolitic and "unpopular" things. This was one of the things—pulling a muddy gutter-snipe out of the gutter. Yet the light in the girl's clear brown eyes was a new and grateful thing to the young bank officer. Somehow he felt as if he had never looked into a fine woman's eyes before. He took his orders gladly and with sober admiration. "And keep me in touch, won't you?" The girl leaned from the car, laying her commands on him. He lifted his hat gravely.
Lowden alighted and helped down the ragged vagrant. His gentleness was like Sard's own. The girl, watching this gentleness, saw the broken figure of the man try to turn once—try to look back at her. "Yes?" said the girl "Yes?" Then her eyes, warm with pity, "Wait a moment, please, Mr. Lowden. Yes, Colter, what is it you want to say?"
But she could not understand. She saw only a shaken, shivering man muttering, "I can't remember," and again the stammering sentence, "I can't remember."
CHAPTER II
UNDER THE LAW
The house faced on the river. The massive hills that turned bronze in the setting sun were irregular background for the white castle-like buildings on the eastern banks. But the western shore of the Hudson had set between small mountains little, hilly-looking villages; among them were the Dutch towns, Morris and Willow Roads, whose old roofs, slowly giving way to factories and churches of one period, were at last disappearing before the real estate man's idea of a suburban development. At the edge of this development were the far-apart homes of the well-to-do and the long lines of green lawns; the rich trees and tinted shrubberies were illumined and laced with a thousand lovely colors of massed iris and waving tulips set, like the gardens on the river, against royal purple of opposite shores.