135: MUSIC
“Music, as one of the arts, is a natural cultural development, and the Guardian does not feel that there should be any cultivation of ‘Bahá’í Music’ any more than we are trying to develop a Bahá’í school of painting or writing. The believers are free to paint, write or compose as their talents guide them. If music is written incorporating the Sacred Writings, the friends are free to make use of it, but it should never be considered a requirement at Bahá’í meetings to have such music. The farther away the friends keep from any set forms, the better, for they must realize that the Cause is absolutely universal, and what might seem a beautiful addition to their mode of celebrating a Feast, etc., would perhaps fall on the ears of people of another country as unpleasant sounds--and vice versa. As long as they have music for its own sake it is all right, but they should not consider it ‘Bahá’í Music’.”
136: NATIONAL ASSEMBLIES (Authority of)
“I wish to reaffirm in clear and categorical language, the principle already enunciated upholding the supreme authority of the National Assembly in all matters that affect the interests of the Faith in that land. There can be no conflict of authority, no duality under any form or circumstances in any sphere of Bahá’í jurisdiction whether local, national or international. The National Assembly, however, although the sole interpreter of its Declaration of Trust and By-Laws, is directly and morally responsible if it allows any body or institution within its jurisdiction to abuse its privileges or to decline in the exercise of its rights and privileges. It is the trusted guardian and the mainspring of the manifold activities and interests of every national community in the Bahá’í world. It constitutes the sole link that binds these communities to the International House of Justice, the supreme administrative body in the Dispensation of Bahá’u’lláh.”