The haunting thought round which the tale of the sorely tempest-tossed dreamer is gathered is one which, I think, must at one time or other have occurred to many a man as he neared the maturity of middle-life:—What form of turmoil would come into his heart if, when still in the strength of his age but after long years of hopeless separation, he were again brought face to face with the woman who had been the one passion of his life, the first and only love of his youth? And what if she were still then exactly as he had last seen her—she, untouched by years even as she had so long lived in his thoughts: he, with his soul scarred and seamed by many encounters bravely sustained in the Battle of Life?
The problem thus propounded is not solvable, even in fiction, unless it be by "fantastic" treatment. But perhaps the more so on this account did it haunt me. And out of the travail of my mind around it, out of the changing shadows of restless speculation, gradually emerged, clear and alive, the being of Adrian Landale and his two loves.
Here then was a man, whose mind, moulded by nature for grace and contemplation, was cast by fate amid all the turmoils of Romance and action. Here was one of those whose warm heart and idealising enthusiasm must wreathe the beauty of love into all the beauties of the world; whose ideals are spent on one adored object; who, having lost it, seems to have lost the very sense of love; to whom love never could return, save by some miracle. But fortune, that had been so cruelly hard on him, one day in her blind way brings back to his door the miraculous restitution—and there leaves him to struggle along the new path of his fate! It is there also that I take up the thread of the speculation, and watch through its vicissitudes the working of the problem raised by such a strange circumstance.
The surroundings in a story of this kind are, of the nature of things, all those of Romance. And by Romance, I would point out, is not necessarily meant in tale-telling, a chain of events fraught with greater improbability than those of so-called real life. (Indeed where is now the writer who will for a moment admit, even tacitly, that his records are not of reality?) It simply betokens, a specialisation of the wider genus Novel; a narrative of strong action and moving incident, in addition to the necessary analysis of character; a story in which the uncertain violence of the outside world turns the course of the actors' lives from the more obvious channels. It connotes also, as a rule, more poignant emotions—emotions born of strife or peril, even of horror; it tells of the shock of arms in life, rather than of the mere diplomacy of life.
Above all Romance depends upon picturesque and varied setting; upon the scenery of the drama, so to speak. On the other hand it is not essentially (though this has sometimes been advanced) a narrative of mere adventures as contrasted to the observation and dissection of character and manners we find in the true "novel." Rather be it said that it is one in which the hidden soul is made patent under the touchstone of blood-stirring incidents, of hairbreadth risks, of recklessness or fierceness. There are soaring passions, secrets of the innermost heart, that can only be set free in desperate situations—and those situations are not found in the tenor in every-day, well-ordered life: they belong to Romance.
Spirit-fathers have this advantage that they can bring forth their dream-children in what age and place they list: it is no times of now-a-days, no ordinary scenery, that would have suited such adventures as befell Adrian Landale, or Captain Jack, or "Murthering Moll the Second."
Romantic enough is the scene, which, in a manner, framed the display of a most human drama; and fraught it is, even to this day, in the eyes of any but the least imaginative, with potentialities for strange happenings.[A] It is that great bight of Morecambe; that vast of brown and white shallows, deserted, silent, mysterious, and treacherous with its dreaded shifting sands; fringed in the inland distance by the Cumbrian hills, blue and misty; bordered outwards by the Irish sea, cold and grey. And in a corner of that waste, the islet, small and green and secure, with its ancient Peel, ruinous even as the noble abbey of which it was once the dependant stronghold; with its still sturdy keep, and the beacon, whose light-keeper was once a Dreamer of Beautiful Things.
And romantic the times, if by that word is implied a freer scope than can be found in modern years for elemental passions, for fighting and loving in despite of every-day conventions; for enterprise, risks, temptations unknown in the atmosphere of humdrum peace and order. They are the early days of the century, days when easy and rapid means of communication had not yet destroyed all the glamour of distance, when a county like Lancashire was as a far-off country, with a spirit, a language, customs and ideas unknown to the Metropolis; days when, if there were no lifeboat crews, there could still be found rather experienced "wreckers," and when the keeping of a beacon, to light a dangerous piece of sea, was still within the province of a public-spirited landlord. They are the days when the spread of education had not even yet begun (for weal or for woe) its levelling work; days of cruel monopolies and inane prohibitions, and ferocious penal laws, inept in the working, baleful in the result; days of keel-hauling and flogging; when the "free-trader" still swung, tarred and in chains, on conspicuous points of the coast—even as the highwayman rattled at the cross-road—for the encouragement of the brotherhood; when it was naturally considered more logical (since hang you must for almost any misdeed) to hang for a sheep than a lamb, and human life on the whole was held rather cheap in consequence. They are the days when in Liverpool the privateers were daily fitting out or bringing in the "prizes," and when, in Lord Street Offices, distant cargoes of "living ebony" were put to auction by steady, intensely respectable, Church-going merchants. But especially they are the days of war and the fortunes of war; days of pressgangs, to kidnap unwilling rulers of the waves; of hulks and prisons filled to overflowing, even in a mere commercial port like Liverpool, with French prisoners of war.
A long course of relentless hostilities, lasting the span of a full-grown generation, had cultivated the predatory instinct of all men with the temperament of action, and seemed to justify it. Venturesome, hot-spirited youths, with their way to make in the world (who in a former age might have been reduced to "the road") took up privateering on a systematic scale. In such an atmosphere there could not fail to return a belief in the good old border rule, "the simple plan: that they should take who have the power, and they should keep who can." And it must be remembered that an island country's border is the enemy's coast! On that ethical understanding many privateer owners built up large fortunes, still enjoyed by descendants who in these days would look upon high-sea looting of non-combatants with definite horror.