In Mrs. Hambledon's parlour here are huge glasses at either end; whenever you look into them you see a never-ending chain of rooms with yourself standing in the middle, vanishing in the distance, every one the same, with the same person in the middle, only a little smaller, a little more insignificant, a little darker, till it all becomes nothing. It always reminds me of life's prospects in the convent.

I dislike that room. When I told Mrs. Hambledon the reason why, she laughed, and promised me that, with my looks and disposition, my life would be eventful enough. I have every mind that it shall.


October 18th.—Yesterday, I woke up in an amazing state of happiness, though for no particular reason that I can think of. It could not be simply because we were to go out for a visit to the country and see new people and places, for I have already learned to find that most new people are cut out on the same pattern as those one already knows. It must have been rather because I awoke under the impression of one of my lovely dreams—such dreams as I have only had since I left my grub state; dreams of space, air, long, long views of beautiful scenery, always changing, always wider, such as swallows flying between sky and earth might see, under an exquisite and brilliant light, till for very joy I wake up, my cheeks covered with tears.

This time, I was sitting on the prow of some vessel with lofty white sails, and it was cutting through the water, blue as the sky, with wreaths of snow-like foam, towards some unknown shores, ever faster and faster, and I was singing to some one next to me on the prow—some one I did not know, but who felt with me—singing a song so perfect, so sweet (though it had no human words) that I thought it explained all: the blue of the heaven, the freshness of the breeze, the fragrance of the earth, and why we were so eagerly pressing onwards. I thought the melody was such that when once heard it could never be forgotten. When I woke it still rang in my ears, but now I can no more recall it. How is it we never know such delight in waking hours? Is that some of the joy we are to feel in Heaven, the music we are to hear? And yet it can be heard in this life if one only knew where to go and listen. And this life is beautiful which lies in front of us, though they would speak of it as a sorrowful span not to be reckoned. It is good to be young and think of the life still to come. Every moment is precious for its enjoyment, and yet sometimes I find that one only knows of a pleasure when it is just gone. One ought to try and be more awake at each hour to the happiness it may bring. I shall try, and you, my diary, shall help me.

This is really no diary-keeping. It is not a bit like those one reads in books. It ought to tell of other people and the events of each day. But other people are really very uninteresting; as for events, well, so far, they are uninteresting too; it is only what they cause to spring up in our hearts that is worth thinking upon; and that is so difficult to put in words that mostly I spend my time merely pondering and not writing.

Last night Mrs. Hambledon took me to the play. It was for the first time in my life, and I was full of curiosity. It was a long drama, pretty enough and sometimes very exciting. But I could see that though the actress was very handsome and mostly so unhappy as to draw tears from the spectators, there were people, especially some gentlemen, who were more interested in looking at the box where I sat with Mrs. Hambledon. Indeed, I could not pretend, when I found myself before my glass that night, that I was not amazingly prettier than that Mrs. Colebrook, about whose beauty the whole town goes mad.

When I recalled the hero's ravings about his Matilda's eyes and cheeks, and her foot and her sylph-like waist, and her raven hair, I wondered what that young man would say of me if he were my lover and I his persecuted mistress. The Matilda was a pleasing person enough; but if I take her point by point, it would be absurd to speak of her charms in the same breath with mine. Oh, my dear Molly, how beautiful I thought you last night! How happy I should be, were I a dashing young lover and eyes like yours smiled on me. I never before thought myself prettier than Madeleine, but now I do.

Lovers, love, mistress, bride; they talked of nothing else in the play. And it was all ecstasy in their words, and nothing but misery in fact (just as the Reverend Mother would have had it).

The young man who played the hero was a very fine fellow; and yet when I conceive him making love to me as he did last night to Mrs. Colebrook, the notion seems really too ludicrous!