The miracle of Sister Beatrice leads to the consideration of another type of popular literature, which throws much light on convent life. Sometimes the people grow tired of singing to themselves; they want to be told stories, which they can repeat in the long evenings, when the sun goes down and the rushlight sends its wan uneven flicker over the floor. Even in the households of rich men story-telling round the fire is the favourite after-dinner occupation[1571]. These stories come from every conceivable source, from the East, from the Classics, from the Lives of the Fathers, from the Legends of the Saints, from the Miracles of the Virgin, from the accumulated experience of generations of story-tellers. At first their purpose is simply to amuse, and the jongleur can always get a hearing for his fabliau; from village green to town market, from the ale house to the manor and the castle hall he passes with his repertoire of grave, gay, edifying, ribald, coarse or delightful tales and when he has gone his enchanted audience repeats and passes on all that he has said[1572]. Then another professional story-teller begins to compete with the jongleur, a story-teller whose object is to point a moral rather than to adorn a tale. The Church, observing that attentive audience, adopts the practice. Preachers vie with jongleurs in illustrating their sermons by stories, “examples” they call them. Often they use the same tales; anything so that the congregation keep awake; and though the examples are sometimes very edifying, they are sometimes but ill-disguised buffoonery, and moralists cry out against the preacher, who instead of the Gospel passes off his own inventions, jests and gibes, so that the poor sheep return from pasture wind-fed[1573]. But the greatest preachers win many souls by a judicious use of stories[1574], and diligent clerks make huge collections of such exempla, wherein the least skilled sermon-maker may find an illustration apt to any text[1575]. Didactic writers and theologians also adopt the practice; they trust to example rather than to precept; their ponderous tomes are alive with anecdotes, but one half-pennyworth of bread to this intolerable deal of sack[1576]. Then the literary men begin to seize upon the fabliaux and exempla for the purpose of their art; they borrow plots from this bottomless treasure-house; and so come the days of Boccaccio and Les Cent Nouvelles Nouvelles and the short story is made at last[1577]. They all, jongleurs, preachers, theologians and men of letters repeat each other, for a tale once told is everyone’s property; the people repeat them; and so the stories circulate from lip to lip through the wide lands of Europe and down the echoing centuries. And since these tales deal with every subject under the sun (and with many marvels which the sun never looked upon), it is not surprising that several of them deal with nuns.
Across six centuries we can, with the aid of a sympathetic imagination, slip into the skins of these inquisitive and child-like folk, and hear some of the stories to which they lent such an absorbed attention. Let us
Forget six counties overhung with smoke,
Forget the snorting steam and piston stroke,
Forget the spreading of the hideous town;
Think rather of the pack-horse on the down,
And dream of London, small and white and clean,
The clear Thames bordered by its gardens green.
Or rather, let us imagine not London but some other little English town, on just such an April morning as moved Chaucer and his fellow-voyagers to seek the holy blissful martyr by way of the Tabard Inn. Having sloughed the film of those six hundred years from off our eyes, we can see more clearly the shadowy forms of our fathers that begat us. We can see a motley crowd gathered in the market place, chiefly made up of women. There are girls, demure or wistful or laughing, fresh from their spinning wheels or from church; there are also bustling wives, in fine well-woven wimples and moist new shoes, arm in arm with their gossips. By craning a neck we may see that flighty minx Alison, the carpenter’s wife, “long as a mast and upright as a bolt,” casting about her with her bold black eyes and looking jealously at the miller’s wife from across the brook, who is as pert as a pye and considers herself a lady. There is a good wife of beside Bath, with a red face and ten pounds’ weight of kerchiefs on her head; a great traveller and a great talker she is—we can hear her chattering right across the square; it is a pity she is so deaf. There, under her own sign-board, is the inn-keeper’s ill-tempered dame, who bullies her husband and ramps in his face if her neighbours do not bow low to her in church; and there is the new-made bride of yonder merchant with the forked beard—they say she is a shrew too. There is Rose the Regrater, who also weaves woollen cloth and cheats her spinsters. There is Dame Emma, who keeps the tavern by the river—our neighbour Glutton’s wife would like to scratch out her eyes, for Glutton always has to be carried home from that inn. There also are Elinor, Joan and Margery, Margaret, Alice and Cecily, merry gossips, their hearts well cherished with muscadel. Mingled with these good wives of the town we see, as we look about us, other folk; portly burgesses, returning from a meeting of the borough court, full of wine and merchant law; a couple of friars, their tippets stuffed with knives and pins, and a fat monk, with a greyhound slinking at his heel; an ale-taster, reeling home from duties performed too well; a Fleming or two, ever on the lookout for snarls and sharp elbows from the true-born native craftsmen; several pretty supercilious ladies “with browen blissful under hood,” squired by a gay young gentleman, embroidered all over with flowers; two giggling curly-haired clerks (Absolon and Nicholas must be their names) ogling the carpenter’s wife and sniggering at their solemn faced companion—that youth there, with the threadbare courtepy and a book of Aristotle under his arm; a bailiff buying tar and salt for the home farm and selling his butter and eggs to the townsmen; numbers of beggars and idlers and children; and on the outskirts of the crowd little sister Joan from St Mary’s Convent, who ought not to be out alone, but who cannot resist stopping to hear the sermon.
For we have all come running together in this year of our Lord 1380 to hear a sermon[1578]. We look upon sermons as an excellent opportunity “for to see and eek for to be seen”; in the same spirit, compact one-third of sociability, one-third of curiosity and one-third of piety, we always crowd
To vigilies and to processiouns,
To preaching eek and to thise pilgrimages,
To pleyes of miracles and mariages[1579].
There is the preacher under the stone market cross. He is bidding us shun the snares of the world; if we cannot shut ourselves up in a cloister (which is best), he says, we must make our hearts a cloister, where no wickedness will come. He will have to tell us a story soon, for we are restless folk and do not love to sit still on the cobbles at his feet, but with a story he can always hold us. Sure enough he has left his theme now and is giving us an example:
Jacobus de Vetriaco tells how some time there was a mighty prince that was founder of a nunnery that stood near hand him; and he coveted greatly a fair nun of the place to have her unto his leman. And not withstanding neither by prayer nor by gift he could overcome her; and at the last he took her away by strong force. And when men came to take her away, she was passing feared and asked them why they took her out of her abbey, more than her other sisters. And they answered her again and said, because she had so fair een. And anon as she heard this she was fain and she gart put out her een anon and laid them in a dish and brought them unto them and said: “Lo, here is the een that your master desires and bid him let me alone and lose neither his soul nor mine.” And they went unto him therewith and told him and he let her alone; and by this mean she kept her chastity. And within three years after she had her een again, as well as ever had she, through grace of God[1580].
A shudder of horror and admiration runs through us, but the preacher continues with a second example:
“How different,” he says, “Was this most chaste and wise virgin from that wretched nun who was sought by a noble knight, that he might seduce her, and her abbess hid her in a certain very secret place in the monastery. And when that knight had sought her in all the offices and corners of the monastery and could in no wise find her he grew at length weary and tired of the quest and turned to depart. But she, seeing that he had stopped looking for her, because he had been unable to find her, began to call ‘Cuckoo!’, as children are wont to cry when they are hidden and do not wish to be found. Whereupon the knight, hearing her, ran to the place, and having accomplished his will departed therefrom, deriding the miserable girl”[1581].